The Cat in the Hat

The Cat in the Hat (2003)

1 suggested correction

(7 votes)

Other mistake: When the Cat is using the periscope to look at Nevins, the range on it reads between forty-nine point two meters, and fifty-two point four meters. These distances translate into just over one hundred sixty-one, and one hundred seventy-one feet respectively. The kids and the Cat were no more than about fifty to sixty feet at best away from Nevins.

Movie Nut

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Suggested correction: Its more plausible the device isn't calibrated properly, after all it's not like they're going to lob something that requires pin point accuracy such as a bomb for example. That and the fact the cat is keen to make a huge mess at every opportunity suggests he probably made a mess of calibrating the periscope too.

Neil Jones

Continuity mistake: When Conrad first puts the spider lock in his pocket it is put in his left pocket, but when he takes it out, he takes it out of his right pocket.

More mistakes in The Cat in the Hat

Cat in the Hat: Don't worry, I have three plans. Plan A: Mess up a perfectly clean house. Done that! Plan B: Cut your losses and ditch the kids. That could work.
Sally: What about that one?
Cat in the Hat: Plan C: Trick Mom's boyfriend into handing over dog and lock. I don't know. I still like Plan B.

More quotes from The Cat in the Hat

Trivia: When the dog runs out we can see another dog in a doghouse, it's the same dog from Men In Black, and it's also called Frank.

More trivia for The Cat in the Hat

Question: What year is this film set in? The clothing and architecture don't make it clear. Is it meant to be timeless?

Luka Keats

Chosen answer: Theodor Seuss Geisel, or Dr. Suess as we know him, published most of his books between the late 1930's and the late 1980's. "The Cat in the Hat" was first published in 1957. Dr. Seuss' works generally tell the stories of fantastical characters in imaginary places, meant to be timeless. Illustrations and animated adaptations show buildings and objects with unusual proportions, odd shapes and bizarre functions. The live action film of "The Cat in the Hat, " however, is rooted to reality by its decidedly human child protagonists in an ordinary house in an ordinary neighborhood. The production design, costume design and set decoration of the 2003 film seem also to have the goal of achieving a certain timelessness. No date reference is given. However, there a decidedly stylized quality of 1950's-1960's suburban architecture and design, complete with its generic forms, chimneys, picket fences, and colors such as yellows and avocado greens, reflecting the common decor of the time. Similar to the 1971 TV short, which seems to provide a reference point for the design aesthetic of the film, nothing appears exceedingly futuristic nor rooted in period styles like victorian or colonial. I have also posed your question to Rita Ryack, the film's costume designer, whom I found on Facebook. If she sees my questions and decides to respond, I will add her insights to this answer.

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