Continuity mistake: Cory threw the tire iron across the road, where it landed near a tree in the second or third row (lower right-hand corner of the screen). Reina and Vlad walked well past that area, much deeper into the woods, where Reina found the tire iron - despite her even telling Vlad the tire iron couldn't have gone so far. (00:06:00 - 00:09:57)
Continuity mistake: The protagonist is at the lunch table with his auntie, and is trying to get her to fund his 'enterpreneurial' efforts. After the prayer, she asks him "You want some hot sauce?" Eddie Murphy goes from having his hands joined to having them on his hips. (00:20:25)
Continuity mistake: His pickup truck windows are down during the car chase but once the pickup submerges in water the windows are miraculously up, giving him a chance to escape. (01:21:30 - 01:29:00)
Continuity mistake: The inspector is showing the singer the gruesome images of her friend. As he says "It's how we identified the remains", she raises her right hand, but in the next shot it's with the left hand that she's touching her lips. (00:04:45)
Continuity mistake: Grace has blood on most of her face from her eyes down, nose, and lips when she goes up to Aiden and Mia's loft, but most of it appears to be gone when she goes into the hallway to meet Richard. (The hallway is dark, but the blood should still be visible). (01:33:19 - 01:35:40)
Continuity mistake: Shaft Jr is in an FBI meeting, and the director asks for a volunteer for a mission. Shaft raises his right hand, next shot his left hand is raised. (00:10:05)
Continuity mistake: Molly interjects as the journalists are putting Katherine in a tough spot: she slips a hand around her waist in the close-ups, but the hand is not there in the wider shot. (00:46:40)
Continuity mistake: When we see Christmas Flint with her dad and Miss Rayleen for the first time, she's watching them bicker, her chin perched on the back of her hand. Which hand, though? It's her left hand for the greater part of the scene, but in the shot when Jim Gaffigan is saying "I got to find my pants. You move my pants?" it's the right one. (00:05:00)
Continuity mistake: In church, Mrs. Smith was seated at the aisle, John was to her right, and Mr. Smith was next to John. After John stood up, he was standing next to the aisle and his mother was not there. In a wide view two seconds later, Mrs. Smith is sitting next to the aisle and John and Mr. Smith are to her right again. Also, when John was standing at the aisle, he was very close to the pews on the opposite side, but when Mrs. Smith was sitting next to the aisle, the aisle was about three times as wide. (00:17:32 - 00:18:23)
Continuity mistake: In the sequence with the pigeon that tries to topple the severed hand off the gutter, twigs are right next to its fingers or not, depending from the angle. (00:06:35)
Continuity mistake: The spacing (almost touching versus several inches apart) and appearance (shape and whether there are shoots) of the two flowers in the vase on Estelle's/Betty's table at the restaurant vary. Sometimes, the flowers on her table look more like the ones that could be seen on the table in front of hers after Brian/Roy entered the restaurant. (00:03:40)
Continuity mistake: Katie has been grounded, and like most teenagers decides to just drink up a lot of booze. She's sitting on the bedroom floor with her bestie and passes her the bottle of vodka: her friend takes it with her left hand and drinks, but in the following shot she's finishing the gulp by holding it in her right hand instead.
Continuity mistake: Much to the photographer's dismay, Kate's husband receives a 'very important call' when they are posing at the beginning of the movie. The photographer's right hand is horizontal on the lens during his reaction shot, but he had it vertical on the camera body before the cut. (00:01:20)
Continuity mistake: Feng's "sex doll" Maria apparently moves herself further down on the bed. When Bruce is offering Feng stacks of $100 bills, Maria can be seen in the background with her head at the middle of and largely horizontal to the two pillows by the headboard. After Bruce leaves and Feng turns around waving the credit card, Maria is closer to the foot of the bed and her head is more toward the right of the screen. (00:27:44 - 00:28:36)
Continuity mistake: Barney, Jim, and Angus enter a hallway that has a few lamps setting atop dresser drawers or tables. There are two lamps closest to the door; Angus stops after the first two lamps. When the camera shifts to a close-up, the hallway wall behind the lamp is no longer straight. Instead, there is an indentation (short wall) behind the lamp and the first lamp is not visible. Also, Angus becomes taller than the lamp in the close-up. (00:40:27)
Continuity mistake: When Aunt Sarah arrives, she dumps her luggage in the hands of Jim and then passes him to his right, leaving him between herself and the door. In the reverse shot, Jim is on the opposite side. (00:29:15)
Continuity mistake: After the alien abduction, Emmet plans to lead a rescue mission and opens the gate asking "Who's coming with me?" During the sequence, the shadows change completely. At first he is not casting much of a shadow, then it reaches the metal doors, then it stops midway towards it. (00:20:55)
Continuity mistake: When everyone is leaving the basketball game near the beginning, watch the crowds around the main characters as they walk down the hallway. Sometimes the extras aren't consistent from show to shot. Ex. At one point a black couple brushes past Ryan - the man is on his right and the woman is on his left. When the shot cuts to the opposite angle, suddenly the man is to Ryan's left and the woman is totally missing. This happens a few times throughout the scene.
Continuity mistake: When the yeti takes the air conditioner and the cousin calls the police, it goes from daylight to night time in seconds.
Continuity mistake: When Emma is with the clients at the beginning of the movie, Doug's ginger pen once he mentions 'rebranding' is either in his hand or on the notepad, depending on the angle of the shot. (00:04:10)