Continuity mistake: During the sign-up for the app at the beginning the girl says "I want to be Sarah." Look at her hair; mostly in front of her left shoulder, just a couple locks on the right side of her face. At the cut, hair behind the left shoulder and a bigger right bang. Camera angles and hairstyles switch again back and forth. (00:02:30)
Continuity mistake: Scooby and Shaggy are lying face down on the massage table when the zombies arrive. Shaggy has his robe lowered baring the upper back, but in the close-ups you can still see the robe up covering his shoulders perfectly. (00:28:00)
Continuity mistake: When Aunt Sarah arrives, she dumps her luggage in the hands of Jim and then passes him to his right, leaving him between herself and the door. In the reverse shot, Jim is on the opposite side. (00:29:15)
Continuity mistake: The location and intensity of Lavinia's purple hair highlights vary throughout the movie. For example, the purple highlights on the right side were far more pronounced (two wide, distinct, vivid lines) when she got home compared to when she first met Ward. Lavinia rode her horse Comet home, so her hair would have been wind-blown and the highlights would not have been likely to be neatly straight down, especially since she has long curly hair. (00:05:10 - 00:07:13)
Continuity mistake: When the yeti takes the air conditioner and the cousin calls the police, it goes from daylight to night time in seconds.
Continuity mistake: After the cover is removed from Judge Straight's head, the camera shifts to him over 40 times within about 7 minutes and his hair looks different almost every time. Initially, a back view of the judge's head shows long dishevelled hair with some strands above his head. A little later, a side view shows his hair mostly combed (not unruly). The location of his part varies (right side to middle). He may or may not have bang strands dangling; if dangling, the number and direction of strands vary. (00:02:48 - 00:04:40)
Continuity mistake: Andrei is mentally rehearsing icebreaker lines for his first approach to Ramona. Fake macho Silviu sits by him and puts a blunt in front of him, practically under his nose. Reverse shot, and it's gone. (00:02:00)
Continuity mistake: The protagonist woke up in the lobby, where he went to wait for the return of his daughter and wife. He goes to the receptionist, talks to her, mentions the doctor. She says she'll have the nurse station pass a message. Sam Worthington in the reaction shot has taken both hands off the counter. Cut, and he is waiting and staring at the nurse, but with the right hand on the counter. (00:34:25)
Continuity mistake: The Man (as Panda) had one red spot in the top center of his chest and two on his upper left chest (lapel area). The middle red spot remained there, but the other two moved to his upper right chest. (00:21:45)
Continuity mistake: The spacing (almost touching versus several inches apart) and appearance (shape and whether there are shoots) of the two flowers in the vase on Estelle's/Betty's table at the restaurant vary. Sometimes, the flowers on her table look more like the ones that could be seen on the table in front of hers after Brian/Roy entered the restaurant. (00:03:40)
Continuity mistake: After the cartoon segment, Deni entertains some playful banter with his girlfriend and takes off, putting a shirt on while he runs. When the neighbour asks him "Late again?", the guitar strap is on opposite sides of the instrument as the editing switches to a reverse shot. (00:06:40)
Continuity mistake: When Enzo was lying in front of the Christmas tree, the wrinkled wrapping paper changed locations a couple times, but there was no sound to indicate Enzo had moved it. Initially, the wrinkled wrapping paper was several inches away from Enzo. Next, smaller pieces were between Enzo's front legs. A couple seconds later, there was wrapping paper on both sides of Enzo's front legs but none between them like earlier. (00:23:58)
Continuity mistake: Moose is sitting at a desk writing a letter to Mr. Dunbar in a spiral bound notebook. There is a magazine to the right of the notebook with about the same width. After a couple quick camera shifts, the notebook is suddenly stacked on top of a few magazines and whatever Moose is writing on is obstructed by the stack. After a couple more quick camera shifts, the notebook is back in front of Moose, and he tears out the page he was writing on. (00:25:55)
Continuity mistake: The clock at the Ford pit shows 05:09 during the phone call and 00:53 (can't see it exactly because it is too blurry) in the next shot, when the mechanic holds the sign EZ Miles. (01:56:10)
Continuity mistake: When George gets shot, he lies flat on his back. When Gloria walks in on the scene, there's a closer view of him and he is lying on his side. (01:18:45)
Continuity mistake: When the girls bring a birthday cake into Judy's room at the first time, her bed sheet is patterned with what looks like flowers but when Judy is fast asleep the next time, the sheets are plain white. (00:52:30 - 01:15:30)
Continuity mistake: She is walking from the sofa barefoot, but when she puts down the school year book on the glass table you can see that she has slippers with diamond stones on. (00:28:00)
Continuity mistake: The distance between Dr. Beyer's car waiting on the road and the mermaid/wheelchair crossing in front varies (some shots being closer). Also, after the doctor hit the mermaid/wheelchair and stopped near the parked white car, the red truck should still be visible. (01:02:58)
Continuity mistake: The front view of Sheriff Garrett [Ethan Hawke] while he is talking to Billy shows a stone-walled well between him and the cabin door, but there's no well visible in the rear view. When Billy walks out with his hands up, there appears to be a well to his right (where the horse rail should be visible), but there is no well when Sara and Rio exit the cabin. (00:14:04 - 00:15:10)
Continuity mistake: When Pinky barges into the protagonist's home, multiple times (for instance when he sits in front of her) her pigtails move behind her shoulders from the front and vice versa between cuts. (00:06:00)