Visible crew/equipment: When Jason, his brothers and all his men are marching down the wet street, tire treadmarks from the camera truck are visible in the mud under their feet.
Visible crew/equipment: After Josh picks Jilly as the winner of the cookoff, a few shots later when Yolanda walks into the apartment, the end of the set wall is visible at the right side of the screen. (00:16:40)
Visible crew/equipment: Right after Mary Jo tells Anthony to eat her shorts, when the camera points at him, you can see the edge of the set and several people behind it. (00:08:15)
Visible crew/equipment: In the opening sequence, when Karl opens the door to his apartment, you can see the top of the set wall and the stage lights hanging above, in the corner of his living room.
Revolution - S1-E5
Visible crew/equipment: When Tara gets into her car after seeing her therapist with Max in the beginning of the episode, watch closely when the camera moves up to the side of Tara's car. If you look at the bottom-left corner of the screen, you can see the top of a crew-member's face and some camera equipment reflected in the driver's side window right before the scene changes. (00:05:40)
The Big Sexy Shame Episode - S1-E18
Visible crew/equipment: At the start of this episode, when Dee Dee walks into Mona's apartment, the shadow of the moving microphone/boom pole can be seen on the door as it closes. (00:00:01)
Visible crew/equipment: After Dr. Samuels comes down the stairs and starts to talk to Charlie, a shadow of a boom mic can be see behind Charlie.
Visible crew/equipment: Tootie and Arnold walk into the room where Blair and Jo are. The shadow of the boom mic is visible on the wall.
Visible crew/equipment: You can see the camera in the backseat as they pull into the gas station.
Visible crew/equipment: With fifteen minutes left before the bomb goes off, it then cuts to the Shady Rest. When Kate says, "It's as clean as I've ever seen it," the actor's white tape mark is visible on the carpet, as Uncle Joe heads to the couch to take a nap.
Visible crew/equipment: The boom mic can be seen reflected in the door when Fran and Maxwell are standing by the door looking at the limo.
Carpetbagging, Anyone? - S2-E28
Visible crew/equipment: In the opening sequence, when troopers Stanley and Livingstone are heading towards the Captain's office, shadows of a production light and a boom mike and operator are seen on the ground.
Visible crew/equipment: As Benson, Kraus, and Clayton go to leave President Voorhees, and as they cross the first area, if you watch the top of the screen, you briefly see the boom mic following them.
Visible crew/equipment: In the wall mirror behind Clint Eastwood, the shadow of the boom rigging can be seen moving up and down. (00:08:00)
Maude's Desperate Hours - S5-E17
Visible crew/equipment: When the detectives leave Maude's house, a camera enters the shot from the upper left corner.
Russell's Father's Son - S2-E13
Visible crew/equipment: In the bathroom scene with Audrey and Jeff, you can see down the hallway and there are visible people in the background standing in their living room.
Visible crew/equipment: When Steve goes into the dining room, he meets Jill and they chat for a bit. When Jill says, "I'm sorry, am I making you nervous?", a boom mic can be seen in the upper right corner of the screen. (00:11:45)
Everybody Hates Christmas - S1-E11
Visible crew/equipment: Tip of the microphone boom is visible for a split-second when looking at the mom after Drew gets tattled on by his sister.
Woman Haters - S1-E1
Visible crew/equipment: At the end as the boys were old men, the shadow of the boom mic can be see on the curtains behind them.
Visible crew/equipment: 2/3rds into the show, in Binghamton's office, Ensign Parker is making believe he is a Royal Navy Admiral and McHale introduces himself. The camera zooms in and the shadow of the equipment goes across Binghamton. He even looks at it but goes on with the scene.