Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: In his covert action in the wine cellar at the beginning of the episode, Magnum reaches for a bottle that has two labels in the wide angles, a single Cabernet Sauvignon label in the close-up. (00:02:50)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: Magnum sits down waiting for the mysterious client. To the left of the long shot, a woman in teal shirt and beige skirt is walking away from him. Tom Selleck close-up, and the same woman is behind Magnum. (00:05:25)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: Magnum is chatting with one girl, two...they keep multiplying. During this scene when they hire him, the same extras walk back and forth randomly and without logic. (00:05:40)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: When the eldest of the group (Nancy) pulls Magnum aside so the young and impressionable don't hear, her hair gets suddenly windblown between shots. Close-ups show her hair really messy, the wider angles are more forgiving. (00:06:50)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: Nancy's long hair is sometimes in front of, sometimes behind her left shoulder when Leslie chimes in with the job negotiation with Magnum. (00:07:40)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: "Huggins" is checking out of the lads who seem distressed. The kid with the pigtails tells him it's the gumdrops; her arms and her lei are dangling freely off the armrest of the couch. In the next shot she's in a different position. (00:10:25)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: When Nancy says that Higgins is exhausted and that means he'll sleep well, she noticeably changes arm position between shots. (00:11:20)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: When Nancy phones Mother Goose, the hair over Leslie's shoulder moves back. (00:11:30)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: Magnum and TC go to the counter of the really bad bar. There's a john that is fondling a lady in black. He touches the shoulder and his hand moves down the back of her arm, but at the first cut the hand is back at the top of the shoulder. (00:13:35)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: In the first shot of the girls in their cellar that is heating up, the girl with the lei has her hands on her thighs, but at the cut ("Darlene") her right arm is folded. (00:32:00)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: Magnum and co. Are taken to the Hawaiian gangster's place. Mano's hand in the very first shot (when Higgins' asks who's in charge) is on his own leg, but in the reverse shot he's toughing the blonde chick's thigh. (00:34:35)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: When the boxer guy is defending himself from Magnum's stroke of genius, he is gesturing with his right hand, or not, depending on the camera angle. (00:37:10)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: In front of The War Memorial Linda Booton is about to get out of the car; her hand on top of the window is in direct sunlight in one camera angle, shadow before and after. (00:38:05)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: On one side of the metal detectors, the bad guy has sweat soaking his shirt from shoulders to pits. When he retrieves the painting, he has just a stain at the middle of his back. (00:46:00)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: The position of the tube at the end of the conveyor keeps changing between shots. (00:46:40)
Thank Heaven for Little Girls and Big Ones Too - S1-E4
Continuity mistake: The bad guy is supposed to retrieve the painting just a few minutes after Magnum made the drop, but the light is very much different between the two scenes, and the sky seems to change even between the moment the obese villain goes up the stairs and the time he somehow makes his way down them without dying.