Agatha Christie's Poirot

Murder in the Mews - S1-E2

Other mistake: Miss Lemon reminds Poirot of the dentist appointment he has at 11. Poirot then receives a phone call from Japp. It turns out during the investigation that the police broke into the apartment at 10:45. Considering that at least a preliminary examination needed to be made and at the time of the phone call Japp was in his office and Poirot was still comfortably having his tisane, everything leads to believe that the dentist appointment should have been later in the day (or the events at the Mews sooner). (00:03:30)

Sammo

Agatha Christie's Poirot mistake picture

The Adventure of the Clapham Cook - S1-E1

Continuity mistake: When the mysterious Aussie lawyer gives Miss Dunn his card, he hands it to her with the fingertips pinching the paper in the top corner, while in the reverse shot he's holding it by the bottom corner. Also, just a moment later she gives it back to him using her right hand. Unfortunately, the card was in her left hand. (00:30:20)

Sammo

The Dream - S1-E10

Continuity mistake: Poirot gives his enigmatic host a letter; he looks at it and puts it down on the desk. The letter is at an angle, but in the following reverse shot, the letter arranges itself neatly aligned with the registry underneath. (00:15:40)

Sammo

Four and Twenty Blackbirds - S1-E4

Continuity mistake: As Poirot and Hastings watch the farce, the sword gets grabbed from the table by two hands, the left one doing the lifting by the handle. But the comedian in the following shot has it in his right hand. (00:32:04)

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Four and Twenty Blackbirds - S1-E4

Factual error: At the art gallery, Poirot and Hastings are looking at a painting identified as "Man Throwing a Stone at a Bird" by the surrealist Joan Miro. But the painting featured is completely different from the real one. (00:21:50)

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The Dream - S1-E10

Other mistake: At the end of the episode, the clock Poirot presents to Miss Lemon is pointed exactly at 3:28, which would be the time of the murder in the original novel, not in this adaption, when it was changed to 12:28.

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Problem at Sea - S1-E7

Audio problem: When Hastings is caught off guard by the premature launch of the clay pigeon, he fires a couple of shots in a haste. Fairly obvious that he does not, and the mere sound of it has been added in postproduction. (00:01:40)

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The King of Clubs - S1-E9

Continuity mistake: When the secretary leans in to console "Henry" after Walton has been escorted away, he pins her handkerchief hand to the desk; in the next shot the hand is turned differently and caught in midair. (00:07:45)

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The Third Floor Flat - S1-E5

Continuity mistake: During the entirety of the scene in the kitchen, Patricia keeps her hands in her lap, but they change repeatedly from being side to side, to her right hand lying on top of the upturned left. (00:22:40)

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Agatha Christie's Poirot mistake picture

Triangle at Rhodes - S1-E6

Continuity mistake: When Pamela Lyall is talking to Poirot before his scheduled leave going as far as wishing there were a murder so he could stay, her right hand moves on and off the table between shots. (00:24:20)

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The Third Floor Flat - S1-E5

Other mistake: When Hastings pulls Poirot's slip of paper out of his pocket, he's reading it upside down - as you can see from the close-up, the torn up part should be at the bottom, not at the top. (00:11:40)

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Problem at Sea - S1-E7

Continuity mistake: Mrs Clapperton puts down the score notes and pencil before lighting up her cigarette. Between the shots and the reverse, the pen disappears and the notebook changes position. (00:13:35)

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The Dream - S1-E10

Continuity mistake: When Hastings holds the letter addressed to Poirot from Farley, his left hand goes between shots from the top to the bottom of the sheet, and vice versa. (00:07:35)

Sammo

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The Murder of Roger Ackroyd - S7-E1

Question: The doctor (James) put on a Dictaphone to make the suggestion that Roger Ackroyd was alive at 21:30 hrs. But how could he know that someone (Paton) would pass the door of Ackroyd's study at precisely that moment?

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