Other mistake: Miss Lemon reminds Poirot of the dentist appointment he has at 11. Poirot then receives a phone call from Japp. It turns out during the investigation that the police broke into the apartment at 10:45. Considering that at least a preliminary examination needed to be made and at the time of the phone call Japp was in his office and Poirot was still comfortably having his tisane, everything leads to believe that the dentist appointment should have been later in the day (or the events at the Mews sooner). (00:03:30)
The Adventure of the Clapham Cook - S1-E1
Continuity mistake: When the mysterious Aussie lawyer gives Miss Dunn his card, he hands it to her with the fingertips pinching the paper in the top corner, while in the reverse shot he's holding it by the bottom corner. Also, just a moment later she gives it back to him using her right hand. Unfortunately, the card was in her left hand. (00:30:20)
Four and Twenty Blackbirds - S1-E4
Continuity mistake: As Poirot and Hastings watch the farce, the sword gets grabbed from the table by two hands, the left one doing the lifting by the handle. But the comedian in the following shot has it in his right hand. (00:32:04)
Four and Twenty Blackbirds - S1-E4
Factual error: At the art gallery, Poirot and Hastings are looking at a painting identified as "Man Throwing a Stone at a Bird" by the surrealist Joan Miro. But the painting featured is completely different from the real one. (00:21:50)
Other mistake: At the end of the episode, the clock Poirot presents to Miss Lemon is pointed exactly at 3:28, which would be the time of the murder in the original novel, not in this adaption, when it was changed to 12:28.
The Adventure of Johnnie Waverly - S1-E3
Continuity mistake: When Hastings stops his car in front of the train station at the end of the episode, he talks to Poirot holding his hand on the outer circle of the steering wheel, or on the inner part in the reaction shots. (00:49:20)
Audio problem: When Hastings is caught off guard by the premature launch of the clay pigeon, he fires a couple of shots in a haste. Fairly obvious that he does not, and the mere sound of it has been added in postproduction. (00:01:40)
The Adventure of the Clapham Cook - S1-E1
Continuity mistake: Hastings is reading a letter that makes him go "Good Heavens." He is holding the letter by the top left corner, which becomes the top right in the (lack of) reaction shot from his Belgian friend. (00:24:20)
Continuity mistake: When the secretary leans in to console "Henry" after Walton has been escorted away, he pins her handkerchief hand to the desk; in the next shot the hand is turned differently and caught in midair. (00:07:45)
Continuity mistake: During the entirety of the scene in the kitchen, Patricia keeps her hands in her lap, but they change repeatedly from being side to side, to her right hand lying on top of the upturned left. (00:22:40)
Continuity mistake: When Pamela Lyall is talking to Poirot before his scheduled leave going as far as wishing there were a murder so he could stay, her right hand moves on and off the table between shots. (00:24:20)
Other mistake: When Hastings pulls Poirot's slip of paper out of his pocket, he's reading it upside down - as you can see from the close-up, the torn up part should be at the bottom, not at the top. (00:11:40)
Character mistake: Somehow, Poirot is the first person to get to the basement - he obviously would have slowed down terribly the policeman and the young and spry Jimmy rushing down the stairs with him.
Continuity mistake: Mrs Clapperton puts down the score notes and pencil before lighting up her cigarette. Between the shots and the reverse, the pen disappears and the notebook changes position. (00:13:35)
Continuity mistake: When Miss Lemon announces the anonymous caller to Poirot through the window, she holds the receiver at noticeably different heights between the consecutive shots. (00:09:00)
Continuity mistake: When Miss Henderson gets back aboard, the same extra (bearded man with black robes and brown belt) walks by coming from both directions at once. (00:26:30)
Visible crew/equipment: At the very end of the episode, as Poirot's car drives off headed to the harbor, filming equipment is neatly reflected in the door. (00:51:40)
Other mistake: At the very end of the episode, Miss Lemon stops talking as if she could see Poirot glaring at her above the newspaper - while in fact, he is facing the other way.