Agatha Christie's Poirot

Peril at End House - S2-E1

Continuity mistake: When Mr. Vyse is beginning to talk about the new will, in the wide shot encompassing the whole table, the open folder is raised, as the left page is sitting on top of another object. In the close-up of the letter, the folder is perfectly level with the table. (00:34:45)

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Peril at End House - S2-E1

Continuity mistake: Commander Challenger in front of his boat laughs with Hastings "I hope my alibi is in order." As he says that, Hastings nods. During this close-up, his hat is casting a completely different shadow, covering his whole shoulder instead of just the back of the neck as in the rest of the scene. (01:03:35)

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Peril at End House - S2-E1

Continuity mistake: Jim Lazarus pulls over by the protagonists to complain about being unable to see Nick. During the scene, Paul Geoffrey's different facial expressions are shown in the side mirror of the car, but each time we cut back to him, he has the same stoic face listening to Poirot. (00:47:00)

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Agatha Christie's Poirot mistake picture

Peril at End House - S2-E1

Continuity mistake: Poirot rudely awakens Hastings with his three questions. You get a good view of Hastings' wristwatch on the bedstand. When at the end of the Q&A Hastings turns his attention to the watch, it is in a completely different position. (00:41:25 - 00:42:35)

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Agatha Christie's Poirot mistake picture

The Veiled Lady - S2-E2

Continuity mistake: When Gertie and Joey make their escape running down the stairs of the hall, they pass by a couple (she has a white hat and a blue dress). When Poirot and Japp run after them, the same couple has jumped back several meters. (00:43:00)

Sammo

The Cornish Mystery - S2-E4

Continuity mistake: Hastings sits down when Japp is having his meal at the inn, and eats one of Japp's sandwiches. In the rest of the scene, the sandwiches on the plate change position and Japp's beer has been replenished a bit. (00:35:00)

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The Veiled Lady - S2-E2

Continuity mistake: When not-so-Lavington is spying Japp and Mad Dog Poirot outside of the station, he is holding the wheel with his right hand at the top, but a moment after he's using that hand to smoke instead. (00:34:35)

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The Veiled Lady - S2-E2

Continuity mistake: When the box opens revealing the jewelry, the jewelry is scattered differently each time it is seen. The box itself gets closer to the table's edge when the lady nabs the jewelry. (00:40:40 - 00:42:40)

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Peril at End House - S2-E1

Continuity mistake: Poirot and Hastings are talking with Freddie, by her invitation. She says "You'll be giving me a diploma next" and three extras walk by her chair. In the following shot she completes the action of standing up, but the extras are still there, behind their original positions. (00:44:15)

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The Veiled Lady - S2-E2

Continuity mistake: Lavington puts his hat on the couch before talking to Poirot. The hat shifts closer to Hastings and then back closer to the armrest during the scene. (00:12:45 - 00:14:30)

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The Dream - S1-E10

Plot hole: Nobody hears the sound of a gun being fired past a door they were waiting almost in front of, and the police cannot tell apart a shot fired point blank by one fired 20 feet away and probably at a very sharp angle. Moreover, the bleeding should be all over his face, since leaning the way it is shown in this adaptation is most likely to lead the victim to fall over, and even leave bloodstains out of the window and on the ground below, which someone would have noticed in the crowded factory.

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Problem at Sea - S1-E7

Trivia: Poirot in the ship's lounge is reading the actual May 1st 1935 issue of Bystander (recognizable by the cover and with the correct page order, does not seem to be a simple movie prop), roughly consistent with the time frame of the first season and a contest taking place on the 14th. (00:07:50)

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The Murder of Roger Ackroyd - S7-E1

Question: The doctor (James) put on a Dictaphone to make the suggestion that Roger Ackroyd was alive at 21:30 hrs. But how could he know that someone (Paton) would pass the door of Ackroyd's study at precisely that moment?

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