Continuity mistake: After reading the will of the deceased, the lawyer folds back the first page twice in two different shots. (00:26:05)
Continuity mistake: When Freddie holds the Mauser 1910 gun, Alison Sterling holds it in a very characteristic way (thumb and and pinky finger stick out) in the front views. It is held in a much more orthodox way in the views from behind. (00:43:50)
Continuity mistake: Starting the seance, Poirot ask everyone to hold their hands. Lazarus barely stifles a laughter. Between that shot and the previous, his hand goes from above the table to underneath it. (01:38:25)
Continuity mistake: Miss Lemon's ice cream quite literally melts between shots (and the actress ignores the dripping on her fingers). (00:51:15)
Continuity mistake: When Poirot shows Freddie the bullet, in the close-up his hand is right by the sugar bowl, but he was shown putting the cigarette holder at greater distance, closer to Freddie herself. (00:25:05)
Continuity mistake: Poirot shows Hastings Nicki's hat; he holds it in a different way (using the thumb to pinch, or with the light brim tucked in between index and middle) between shots. (00:08:55)
Continuity mistake: Poirot and Hastings are eating after their first visit to End House. During the entire scene, natural light changes in intensity depending on the angle of filming. (00:20:15 - 00:21:10)
Continuity mistake: During the sentence when Hastings tells Poirot he's got "No imagination at all", the lady sitting behind the Belgian faces the other way between shots. (00:02:25)
Continuity mistake: When Japp talks to Poirot and Hastings about the gallery troubles, the peppermint rock candy he is waving is wrapped differently between shots. (01:13:40)
Continuity mistake: Poirot meets Hastings about to go play golf with a Stiffie. Hastings holds his hat by the brim, which turns into the crown in the reverse shot. (01:02:05)
Continuity mistake: When Poirot stands as his employer sends him packing, the shadow projected on the back wall is taller than the cupboard by a good margin, roughly from the shoulders up. In the close-up that follows, Poirot is standing in the same spot when he replies "I shall not fail to do so", but the shadow is shortened considerably. (00:14:50)
Continuity mistake: As Poirot, holding the family picture, turns around to ask Mrs. Oglander about the kids in the portrait, he suddenly has his finger near the middle of the frame, much higher than before. It keeps going up and down during the conversation. (00:36:40)
Continuity mistake: Ralph Walton flubs the line and breaks character walking off set: he begins undoing his collar. He repeats the same action ('begins' to undo it) next time the camera is on him, and during a cut when he is in frame both shots, his hands jump off/on the collar. (00:04:35)
Continuity mistake: When Mr. Russell interrupts Hastings' plans of randomly shooting in the middle of the Alexandria harbor, an empty brandy glass is on the table next to him in the first shot, and comes closer the second time he's in frame. (the two shots are not strictly consecutive but there's no reason why the frail old man, still in the same position both times, would pull his empty glass a couple inches closer when off-camera). (00:26:20)
Continuity mistake: Clapperton demonstrates how he can deal cards of his choosing at will and therefore he refrains from playing bridge. In the close-up of his hand and table you can see the cards he dealt are stacked irregularly, but when he deals the last 4s the cards are more neatly arranged, spread in a fan. (00:17:10)
Continuity mistake: Sitting down with Miss Lyall as she coughs, Valentine invariably has her left hand up when shot by the right side, just the elbow on the armrest, while every time she is shot from the left side she has the whole arm leaning on the chair, hand down. (00:29:00)
Continuity mistake: Poirot at the ruins meets Mrs. Gold, and he starts telling her more about the local findings. You can see in the faraway shot how next to the fence two guys are working by the goat. One of them has a black beret, the other the typical saharienne outfit. Change shot, and as Poirot lets out a "What a beautiful day" remark, the dude in black becomes another man in khaki instead. (00:13:20)
Continuity mistake: When Jimmy reads the solicitor's letter, the date is 5 October 1935. Hastings wrecks his car here but in Murder in the Mews, taking place on the 6th of November, he has it again. Assuming that he has been able to get his car back to form entirely restoring/replacing the ruined sections (Japp tells him that it's now just "an expensive scrap of metal"), in that episode the car needed ordinary maintenance work, while going by the events of this episode it would have been fresh off the car shop instead.
Continuity mistake: As Poirot stands from the late dinner with the young socialites to go talk to Inspector Japp next to the door, he leaves his napkin on the table. The napkin changes between shots, going from mostly straight to crumpled (when Mildred says "How dreadful!") to straight again. (00:22:20)
Continuity mistake: As the two porters are carrying the piece of furniture, the draping on top of it goes all the way down one side when they have just unloaded it from the van, and the opposite side when they are bringing it up Whitehaven Mansions' stairs getting cranky at the doorman. (00:01:40)
