Starring: Joanna Pettet, Rod Serling, Larry Watson, Matt Pelto
The Messiah on Mott Street - S2-E38
Plot hole: No one in Goldman's house finds it at all strange that a mailman arrives at the door with a letter after midnight on Christmas Eve. Nor, a short time later, does the doctor or anyone else passing by at this very odd hour wonder why the same mailman is collecting mail from a street box at dawn on Christmas Day.
Since Aunt Ada Came to Stay - S2-E9
Visible crew/equipment: Before Craig finishes speaking with Joanna and puts the car in reverse, a set crew member in a blue shirt is seen in the driver's side mirror.
Rod Serling: Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.
Trivia: The closing scenes were shot through green-gold filters to give the streets a drab, hellish appearance. An appalled film lab technician tried to dye the sequence pink, and defied the director's order to "leave it green." NBC, the lab tech argued, would never accept those scenes because this was supposed to be color television. After demanding several re-dos, the director won the shouting match, the green prevailed, and NBC, apparently, never noticed.
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