The Messiah on Mott Street - S2-E38
Plot hole: No one in Goldman's house finds it at all strange that a mailman arrives at the door with a letter after midnight on Christmas Eve. Nor, a short time later, does the doctor or anyone else passing by at this very odd hour wonder why the same mailman is collecting mail from a street box at dawn on Christmas Day.
Continuity mistake: The shots of Doran from his left rear shows him a couple feet away from the wall while frontal shots show him backed up against the wall.
Rod Serling: Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.
Trivia: The closing scenes were shot through green-gold filters to give the streets a drab, hellish appearance. An appalled film lab technician tried to dye the sequence pink, and defied the director's order to "leave it green." NBC, the lab tech argued, would never accept those scenes because this was supposed to be color television. After demanding several re-dos, the director won the shouting match, the green prevailed, and NBC, apparently, never noticed.
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