Night Gallery

A Question of Fear - S2-E18

Continuity mistake: Malloy places his flashlight on the floor about a foot and a half away from the door and at an angle. When he opens the door, the flashlight is now right up against the door and directly perpendicular to it.

Scott215

A Question of Fear - S2-E18

Continuity mistake: A brick being shoved into place attracts Malloy's attention. The mortar is not neat and tidy, wet, and the bricks are slightly askew. When Malloy turns to face the brick wall, the mortar is neat, dry, and the bricks neatly laid.

Scott215

Dr. Stringfellow's Rejuvenator - S2-E28

Continuity mistake: In the saloon, Stringfellow pours himself a drink and picks up his glass. When the camera angle reverses, his glass is back on the table and his hand is on the bottle instead. In the next shot, he's holding the glass again. (00:11:30)

Jean G

Cool Air - S2-E35

Continuity mistake: During Juan and Agatha's dinner together, the camera circles them, passing behind Juan (where an "invisible" cut occurs) and continuing to move left around the table. Between the two segments, the position of Agatha's hands changes noticeably. (00:11:50)

Jean G

Cool Air - S2-E35

Continuity mistake: While she talks to Mrs. Gibbons on the stairs, Agatha's paper sack changes its position and appearance several times between shots. (00:16:15)

Jean G

Cool Air - S2-E35

Continuity mistake: Agatha opens the restroom door form the outside and it opens inside to the left. The inside view of the restroom shows Agatha opening the door to the right.

Scott215

Logoda's Heads - S2-E42

Continuity mistake: As Kyra is leaving the village, Logoda's fang necklace, in close-up, has two of its teeth flipped over and out of alignment with the rest. In full shot, though, all the teeth are back in perfect order. (00:09:10)

Jean G

More mistakes in Night Gallery

Rod Serling: Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.

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