The Cemetery - S1-E1
Continuity mistake: From the inside view of the window the Hendricks gravestone and the family name is visible on it. From the outside view of the window the gravestone and the Hendricks are facing away from the window.
The Cemetery - S1-E1
Continuity mistake: After Jeremy wheels Mr. Hendricks to the window, Hendricks' right arm moves up to his face. The next shot Hendricks' arm moves up again to his shoulder.
Continuity mistake: When the derelicts discover the medical bag in the alley, a blue sedan parked in the background disappears and reappears repeatedly throughout the scene. (00:06:30)
Continuity mistake: After she leaves the sanitarium, Elaine's long blonde hair is blowing wildly in the wind as she drives. In the next shot, with no time for her to have combed it, her hair is neatly coiffed again. (00:10:00)
Continuity mistake: When the ship's captain is questioning the survivor, the man is sitting up with the iron bedstead behind him. When the shot cuts, he's suddenly lying flat with his head on the pillow.
They're Tearing Down Tim Riley's Bar - S1-E17
Continuity mistake: When William Windom comes into his office, we see a stone wall in the background, with a wall clock, a painting and a credenza, but when Bert Convy comes in through the same door later, the background is completely different. And again, when William Windom leaves his office after he's been fired, the background has changed again. (00:03:30 - 00:07:10)
They're Tearing Down Tim Riley's Bar - S1-E17
Continuity mistake: When Randolph Lane swivels in his chair, his hair changes from slightly mussed to disheveled.
Continuity mistake: The shots of Doran from his left rear shows him a couple feet away from the wall while frontal shots show him backed up against the wall.
Since Aunt Ada Came to Stay - S2-E9
Continuity mistake: When she leaves the campus, Joanna gets wet running through the rain to her car. Just minutes later, she arrives home completely dry and with her hair neatly coiffed again. (00:27:10)
Continuity mistake: Malloy places his flashlight on the floor about a foot and a half away from the door and at an angle. When he opens the door, the flashlight is now right up against the door and directly perpendicular to it.
Continuity mistake: A brick being shoved into place attracts Malloy's attention. The mortar is not neat and tidy, wet, and the bricks are slightly askew. When Malloy turns to face the brick wall, the mortar is neat, dry, and the bricks neatly laid.
Continuity mistake: The size of the matchstick being consumed by the flame varies size as Malloy lights the candles.
Continuity mistake: The shape and number of blood spots on Malloy's left hand change instantly after dripping on him.
Continuity mistake: It is daylight at the front door before Colonel Malloy enters the haunted house, but pitch black when he opens the door and enters.
Continuity mistake: Earlier, Malloy empties his six shot revolver, yet kills himself with a gunshot with no indication he reloaded the weapon.
Continuity mistake: After the marine is shot by the police officer, his body is lying flat on his back. The following scene of the marine's body has the body lying on its right side in an almost fetal position.
Dr. Stringfellow's Rejuvenator - S2-E28
Continuity mistake: In the saloon, Stringfellow pours himself a drink and picks up his glass. When the camera angle reverses, his glass is back on the table and his hand is on the bottle instead. In the next shot, he's holding the glass again. (00:11:30)
Continuity mistake: During Juan and Agatha's dinner together, the camera circles them, passing behind Juan (where an "invisible" cut occurs) and continuing to move left around the table. Between the two segments, the position of Agatha's hands changes noticeably. (00:11:50)
Continuity mistake: While she talks to Mrs. Gibbons on the stairs, Agatha's paper sack changes its position and appearance several times between shots. (00:16:15)
Continuity mistake: Agatha opens the restroom door form the outside and it opens inside to the left. The inside view of the restroom shows Agatha opening the door to the right.
