Night Gallery

The Waiting Room - S2-E51

Continuity mistake: It's the 1800s, and Dicter rides up to a building that has every window, upstairs and down, blazing with what is obviously electric light. When he walks into the ground floor saloon, however, there are no bright lights. It's dark and dim inside. (00:03:00)

Jean G

The Waiting Room - S2-E51

Continuity mistake: The shot of Dichter looking out the window shows him close to it and facing it straight on. The next shot Dichter is far away from the window with his head turned to his right shoulder.

Scott215

The Cemetery - S1-E1

Continuity mistake: From the inside view of the window the Hendricks gravestone and the family name is visible on it. From the outside view of the window the gravestone and the Hendricks are facing away from the window.

Scott215

More mistakes in Night Gallery

Rod Serling: Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.

More quotes from Night Gallery

Camera Obscura - S2-E36

Trivia: The closing scenes were shot through green-gold filters to give the streets a drab, hellish appearance. An appalled film lab technician tried to dye the sequence pink, and defied the director's order to "leave it green." NBC, the lab tech argued, would never accept those scenes because this was supposed to be color television. After demanding several re-dos, the director won the shouting match, the green prevailed, and NBC, apparently, never noticed.

Jean G

More trivia for Night Gallery

Join the mailing list

Separate from membership, this is to get updates about mistakes in recent releases. Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.

Check out the mistake & trivia books, on Kindle and in paperback.