Continuity mistake: The PI hands Angela a picture of a house and the way Angela holds the photo changes between shots. (00:22:30)
Continuity mistake: When Hodgins holds up the label from the clothes, the way he holds it changes between shots. (00:05:45)
Continuity mistake: At the start, the sweets that Hodgins has got in his hands changes from 1 red lolly to 2 gold coins. (00:04:30)
The Secret in the Soil - S3-E4
Continuity mistake: Just as the gang establish it's a pitchfork Hodgins has an open file in his hands. When the camera changes, he opens the folder. (00:32:10)
The Secret in the Soil - S3-E4
Continuity mistake: When taking her tablets near the start, she has left hand across her lap then up by her head in the next. (00:07:50)
The Secret in the Soil - S3-E4
Continuity mistake: When talking to the victims wife, the daughter givers her some tablets, and she grabs them with her left hand. The camera cuts and now they are in her right hand. (00:07:50)
Soccer Mom in the Mini-Van - S3-E2
Continuity mistake: Hodgins walks up onto the platform holding a tray of equipment when talking about the victims lawyer. The way he holds the tray and the hand that's holding it, however changes between shots. (00:15:40)
Soccer Mom in the Mini-Van - S3-E2
Continuity mistake: When Bones first opens the locket at the crime scene the way it's held changes between shots. (00:02:50)
The Widow's Son in the Windshield - S3-E1
Continuity mistake: In the interrogation room Booth shows the girl a picture of her and the victim kissing, and he then clasps his hands together. However, when we see Booth on the screen behind the glass which is a live feed of what's happening inside the room, his hands are clasped.
The Widow's Son in the Windshield - S3-E1
Continuity mistake: When Booth and Cam are talking about hiring Clark, Cam has her hands in a bowl of peanuts in one shot and holding a beer bottle in the next. (00:09:10)
The Widow's Son in the Windshield - S3-E1
Continuity mistake: Just as Booth learns that a cannibal has eaten the victims face, the amount of sandwich he has left changes between shots. (00:05:40)
Stargazer in a Puddle - S2-E21
Continuity mistake: Near the end we see Bones show Max that she is wearing her grandmother's ring. In the closeup her fingers are all together but in the long shot her fingers are splayed apart. (00:29:30)
Stargazer in a Puddle - S2-E21
Continuity mistake: Max asks Bones to try the ring on and Bones has her arms by her side. As the shot changes she now has her arms crossed in front of her and on the table. (00:09:45)
Stargazer in a Puddle - S2-E21
Continuity mistake: The way Max holds out the ring for Bones changes between the long shot and the extreme closeup. (00:09:30)
The Glowing Bones in the Old Stone House - S2-E20
Revealing mistake: When Booth does the U-Turn after working out who the killer is, In the clip of the SUV turning you can see skid marks on the road from previous takes. (00:37:00)
The Glowing Bones in the Old Stone House - S2-E20
Continuity mistake: When speaking to the husband in the kitchen and saying about going over the books, the husband has his hand up to his head in one shot and lowered in the immediate following shot. (00:18:30)
The Killer in the Concrete - S2-E18
Continuity mistake: When the bounty hunter sits down in the diner, booths grip on his spoon changes between shots. (00:08:30)
The Priest in the Churchyard - S2-E17
Continuity mistake: In the diner, Booth states that Father Donlan keeps getting sent troublesome priests. When he does he has one hand in the air. Camera cuts and now he has both hands up in the air. (00:31:00)
The Priest in the Churchyard - S2-E17
Continuity mistake: When Bones and Dr Gordon are in the interrogation room, Dr Gordon has his hands up in front of him when Bones gets a phone call. As the shot changes, his hands are lowered and on the table. (00:26:40)
The Priest in the Churchyard - S2-E17
Continuity mistake: When Bones is saying about the yew trees near the start, Booth puts his hand up to his mouth to hide him saying shut up. His hand is empty in one shot and got a piece of paper in the next. (00:06:20)
Chosen answer: Pickering states the name "Juan Guzman" and during the run of the show we are never told who he is, or why Brennan had been in Cuba and met with this Juan Guzman. We don't know if there is any kind of "relationship" between Brennan and Guzman. A bit frustrating, but I like how this short scene shuts down Agent Pickering's entire review, and it hints at Brennan's career history and her level of security clearance.
Super Grover ★
Thanks for the clarification. It's been a while since I watched the series start to finish. It also adds to show how much power Brennan actually has.
Ssiscool ★
Do you remember when Bones was telling Angela about the time she was on one of her out of the country trips, and she was thrown in a dark cell for what she later found out was 3 days? She was crying and looked terrified as she remembered this. She had that same look as someone who was remembering past trauma when Pickering said this name. I kind of always thought that "Juan Guzman" was the one who did that.