Knight Rider

Forget Me Not - S1-E13

Continuity mistake: When KITT drives off the edge of the cliff, the car changes from a pontiac to another standard car a number of times. When KITT lands, his flight trajectory was from approximately 10 feet, not 100 feet. He should have landed like a belly flop onto the sand, not a shallow dive.

Hearts of Stone - S1-E14

Continuity mistake: When KITT jumps into the empty factory to save Michael the ramp is set a foot higher than the floor, yet when they drive out the same hole, the ramp is level with the floor so it can be driven down.

Big Iron - S2-E24

Continuity mistake: When KITT is pushed over the mountain by the earthmover, you can see the front bumper is actually a stock Trans-Am bumper instead of KITT's normal one.

Deadly Maneuvers - S1-E3

Continuity mistake: When Michael starts to scrape the blue paint off the shell, he scratches across the blue band and you see a few scrape marks where the paint is gone and it's white, like the shell, underneath. In the close up, it's slowly scraping such a small potion of the paint off and you see it's yellow underneath now.

Bishop73

Deadly Maneuvers - S1-E3

Continuity mistake: When Michael notices the accident report folder, the folder is touching the red candy basket. When goes to steal it by putting it under the basket, the folder is now further away.

Bishop73

White Bird - S1-E19

Continuity mistake: When Michael and Stevie are in the car and it jumps through the panel on the trailer, when the car lands and it cuts back to Michael there is no trailer in the background. (00:17:05)

martin79uk

White Bird - S1-E19

Continuity mistake: When Michael is racing to the airfield to stop the bad guys, when you see inside the car it is clear and sunny outside. Next shot of outside with the car skidding the driver is wearing a different costume, possibly taken from another episode. Then the outside is foggy, back to clear, then foggy as he approaches the jump. (00:39:15)

martin79uk

Chariot of Gold - S1-E18

Continuity mistake: When Michael rescues Bonnie and asks K.I.T.T to meet him, one minute it is night time, next scene bright daylight. If it was morning it wouldn't be that bright. This is where they have possibly used footage from a previous episode. (00:26:20)

martin79uk

Chariot of Gold - S1-E18

Continuity mistake: When they arrive at the museum and start to unload K.I.T.T it is raining fairly hard. When it cuts to Bonnie and the Professor and the woman it isn't raining. This keeps happening throughout the scene. (00:38:15)

martin79uk

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Knight Rider [Pilot; a.k.a. Knight of the Phoenix] (1) - S1-E1

Question: At one point, after promising help, Michael parks, and goes to a pay phone to call Devon. As he gets to the booth, over his left shoulder, there is a badly altered Pepsi sign. Black tape has been put over the word 'PEPSI' in the familiar logo, and also over the "si" in the phrase 'say Pepsi please'. What type of mistake would this be?

Movie Nut

Chosen answer: Before "product placement" became common, name-brand products were rarely, if ever seen in TV shows, mostly due to avoid advertising conflicts with program sponsors. The Pepsi logo may have been taped out to prevent any commercial infringements.

raywest

Are you kidding? Product placement was so rampant in the 50s that sometimes you'd wonder if you were watching a TV show or a paid ad.

Brian Katcher

Knight Rider wasn't produced in the 1950s. TV shows of that era had advertising more similar to the old radio shows from the 30s and 40s. The early 50s series often had a sole sponsor, so their product (and related items) was likely seen in a program. An announcer also informed the audience at the beginning that, "This program is brought to you by (insert brand name). " From the 60s on, brand-name products weren't generally seen in TV programs. Networks sold air time to multiple advertisers, and their ads were shown during the long commercial breaks. So no, I'm not kidding.

raywest

Answer: It wouldn't be a mistake. Anyone could have taped the sign for a number of reasons.

Brian Katcher

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