Starring: Ron Howard, Don Knotts, Andy Griffith, Frances Bavier
Continuity mistake: When Barney, Thelma Lou, and Andy are driving to Andy's blind date they're all in the squad car. When they're parked in front of Helen's house in the closeup shots the light mounted on the roof has vanished, the glass windshield's gone, the car's interior differs, etc., and then it changes back. The roof is black, then white, as well.
Visible crew/equipment: When Otis tries to escape from Aunt Bee's clutches by hiding in the laundry service van, just as Aunt Bee has the driver open the van's back doors we can see the reflection of the moving boom mic in the left window.
Opie's Group - S8-E9
Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.
Trivia: In Walker's Drugstore, among all the magazines by the wall there's a TV Guide magazine (from Oct 9, 1954) on the shelf, and on its cover is Lucille Ball the co-owner of Desilu Productions - which produced TAGS, and also filmed at Desilu Studios.
Question: Beginning with the "Convicts at Large" episode in season 3, full width window boxes appear at the bottom of both front windows on the inside of the Sheriff's Office. Prior to this episode, they did not exist. Window boxes are often used to display decorative plants but I don't see any plants. And if they were supposed to partially block the background, the blinds were long enough to accomplish that. I find it hard to believe that the producers would spend additional money (for material and labor) for something that seems to serve no purpose. So why were they added?
Answer: Those "boxes" are valences that used to be very common, before air conditioning. They allow for windows to be open during rain storms. They permit air circulation, without letting the rain in.
Answer: I suspect these were common, as to block the wind from blowing the blinds and papers on the desk.
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Answer: As noted in the previous answers, in real life, things like this provided wind and/or rain deflection, and also maintained a bit of privacy when blinds were raised somewhat. The interior courthouse set was located in the studio, so the "outside" Main Street didn't exist. I believe these things were added to the courthouse windows for practicality, to avoid some crew movement being visible on the opposite side of those windows. These are not "window boxes" to hold anything, as they're actually bottomless; we can see the Venetian blind's long pull cords under them. They're made of plywood and simple to build, so the "material and labor" was inexpensive. Similar variations made of different materials are in other movies/shows. In 1957's "12 Angry Men," textured chicken wire glass panels are in the jury room windows, and in "Jesse Stone: Night Passage" another type is in Jesse's office windows.
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