Seinfeld

Seinfeld (1990)

9 quotes from show generally

(14 votes)

Movie Quote Quiz

Cosmo Kramer: If you don't wanna be a part of society, just get in your car and move to the East Side.

Kramer: It's a write off for them.
Jerry: Write it off what?
Kramer: They just write it off.
Jerry: You don't even know what a write off is, do you?
Kramer: Do you?
Jerry: No, I don't.
Kramer. Well they do, and they're the ones writing it off.
Jerry: I wish I had the last 20 seconds of my life back.

Elaine: Recently I've been thinking about this friend of mine.
Carl: What friend?
Elaine: Oh, just this woman. She got impregnated by her troglodytic half-brother and decided to have an abortion.
Carl: You know, someday we're gonna get enough people in the Supreme Court to change that law.

Bishop73

Jerry: You can't keep avoiding her.
George Costanza: Why not? If she can't find me, she can't break up with me.

Jerry: I'm not gay. Not that there's anything wrong with that.

George Costanza: It became very clear to me sitting out there today that every decision I've made in my entire life has been wrong. My life is the complete opposite of everything I want it to be. Every instinct I have, in every aspect of life, be it something to wear, something to eat - it's all been wrong.

Elaine: Ugh, I hate people.
Jerry: Yeah, they're the worst.

The Burning - S9-E16

Continuity mistake: At the beginning of the episode, when Puddy is farewelling Elaine on the street, he is standing on the sidewalk and leaning through the driver's window. The following shot when she pulls out quickly, you can see through the windows of the car that Puddy is nowhere to be seen.

Lummie

More mistakes in Seinfeld

Trivia: No matter who the characters in Seinfeld call, they never have to look up the phone number in the phone book. They have the phone numbers to every restaurant, hotel, and business memorised.

More trivia for Seinfeld

Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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