Jerry: "The ocean called, they're running out of shrimp"?
George: Yeah, yeah, yeah. But, then I said to him, "oh yeah? Well, the jerk store called and they're running out of you."
Jerry: Really? That's great, you said that to him?
George: Well, actually I, I thought it up on the way over here.
Jerry: Oh, that's not quite the same.
Jerry: She had man hands.
Elaine: Man hands?
Jerry: The hands of a man. It's like a creature out of Greek mythology. I mean, she was like part woman, part horrible beast.
Elaine: Well, would you prefer it if she had no hands at all?
Jerry: Would she have hooks?
Elaine: Do uh, do hooks make it more attractive, Jerry?
Jerry: Kinda cool looking.
Father Curtis: Tell me your sins, my son.
Jerry: Uh, well I should mention that I'm Jewish.
Father Curtis: Oh, that's no sin.
Jerry: Oh, good. Anyway, I wanted to talk to you about Dr. Whatley. I, I have a suspicion he that he converted to Judaism for the jokes.
Father Curtis: And this offends you as a Jewish person?
Jerry: No, it offends me as a comedian. And it'll interest you to know, that he's also telling Catholic jokes. And they're old jokes. I mean, the Pope and Raquel Welch in a lifeboat.
Father Curtis: I haven't heard that one.
Jerry; Oh, I'm sure you have. They're out on the ocean and yada, yada, yada and she, and she says "those aren't buoys."
Father Curtis: [Laughing].
Jerry: [Father Curtis still laughing] Father.
Father Curtis: One second. [Continues laughing].
George Costanza: Anna told me that Elaine said I was one of the worst seeds she'd ever seen.
Jerry Seinfeld: Interesting. She doesn't care for you. Then a stern warning. Suddenly a phone call. Seems Elaine's made you the bad boy. And Anna digs the bad boy.
George: I'm the bad boy. I've never been the bad boy.
Jerry: You've been the bad employee, the bad son, the bad friend.
George: Yes. Yes. Yes.
Jerry: The bad fiancé, bad dinner guest, bad credit risk.
George: OK, the point is made.
Jerry: The bad date, the bad sport, the bad citizen. The bad tipper.
Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".
Bishop73