Continuity mistake: When Lister tips his socks onto the floor, he throws the bin behind him, near the bunkbeds. But when he picks them up again, the bin has moved over in front and to the right of him. (00:08:20)
Continuity mistake: When we see Rimmer's Death video, the atomic blast pushes him into the Captain's office. However, in "The End," Holly indicates that the two piles of dust next to each other in the centre of the drive room are Captain Hollister and Rimmer. (00:10:00)
Continuity mistake: When Lister and the Cat are talking to the original Rimmer in the cinema, the new Rimmer enters and argues with the original. The original Rimmer makes hand puppets, while the new Rimmer sits at the front. When Lister does the ippy-dippy, the Rimmers have swapped places. The new Rimmer says that he was there first, without complaint from the original. (00:23:30)
Continuity mistake: Lister and Rimmer's bunk room looks exactly the same in the flashback scenes during this series as it does in the present time. In the first series it looked completely different, so surely the look should have changed slightly for the flashback scenes?
Continuity mistake: When Holly interrupts Rimmer learning Esperanto saying "The menu looks interesting", he appears on the TV screen, with his chin blocked by the edge of the frame. The shot then cuts to a view of the screen, and his entire face is suddenly fully in the frame. (00:05:00)
Continuity mistake: When Lister is getting ready, he pulls his trousers off the table, causing the boot on the table to wobble. In the next shot, the boot is entirely still. (00:10:35)
Continuity mistake: When Lister is questioning how they can remake Casablanca, he is holding the video tape, but in the next shot, the tape has disappeared from his hand and is touching the control panel. (00:04:40)
Continuity mistake: When Lister puts his Better Than Life helmet on, the cable is hanging over his right shoulder. In the next shot it is hanging down over his left shoulder. (00:15:45)
Answer: The cello is a large four-stringed instrument, which, when it is played, stands vertically on the floor between the player's legs (assuming they are seated). If it is to grow as large as the other instuments mentioned will, it would require a rather unseemly lack of femininity to be able to encompass it with the legs.
Rooster of Doom