Buffy The Vampire Slayer

Intervention - S5-E18

Continuity mistake: Huge continuity gaffe. When Anya and Xander see Spike and the robot in the graveyard it is nightime. Xander goes back to speak to Spike almost immediately and sees Glory's followers kidnapping him. He wakes goes back to Buffy's house and from there they, again almost immediately, go looking for Glory's house - and it is the broadest of broad daylight. You could see it was still night before they left through the windows of the house. It also begs the question of how they got Spike from Glory's house back to his crypt in the sunlight since they had no blanket. (00:26:20 - 00:28:50)

Intervention - S5-E18

Continuity mistake: When the gang are fighting Glory's minions, one of them knocks Giles to the ground and then tries to choke him. As Giles hits the ground he lands facing downwards so we can't see his face. But when the minion is chocking him in the shot immediately afterward, he is suddenly facing upwards.

THGhost

Halloween - S2-E6

Continuity mistake: Willow is turned into a ghost. Throughout the entire episode, she can't touch anything (can't turn the pages of a book, etc.), yet towards the end when she and Giles go to Ethan's shop, and she leaves, you can hear that she opened and closed the door, even though she can walk through walls and can't actually touch the door. The curtain moves when she leaves too. (00:34:05)

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Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Answer: She has superpowers, ergo fast movement. The reason she outruns him so easily in "Touched" is that she stops trying to actually fight him and just dodges instead.

Shay

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