Collateral

Continuity mistake: In the scene when Max and Annie get off the train after Vincent dies, it is pitch black. After the train moves away, and Max and Annie walk down the street, dawn has broken.

Continuity mistake: When Foxx and Cruise are in the lift with the cop in the hospital, the door to the lift closes all the way to the right. When they get out, the door closes in such a way that two doors meet in the middle.

SexyIrishLeprechaun

Continuity mistake: In the club Fever, one of the Korean bodyguards gets up off the ground and runs to restrain Vincent. As he gets up, the people around him are dancing when they're supposed to be running around panicking. When Vincent shoots the bodyguard holding the MAC-10, another bodyguard in a white suit is visible in the background already trying to pull Peter Lim out of the booth. The bodyguard does not run to Peter Lim until a few seconds later in the scene.

Continuity mistake: After running out of the hospital, Vincent and Max face off on the foot-bridge over the freeway. As Vincent moves toward Max, in the long shot you see him move the gun from his right hand to his left. In the close-up, it stays in his right hand.

Kristal

Continuity mistake: After Max and Vincent leave the first hit, while they're talking about why Max cares about the death of "some fat Angeleno," their cab is being followed in rapidly successive shots by a silver car, then a black SUV, then the silver car again, then the police cruiser.

Kristal

Continuity mistake: When leaving the club Fever (I think) the taxi driver is so shaken he drives off and hits two cars parked to the left, leaving them badly damaged. Later, just before he flips the taxi, you can see that both sides are unmarked, which seems unlikely.

Continuity mistake: After they leave El Rodeo there is noticeably more blood on the roof of the cab and in the cracked glass of the windshield, so much so that it is running down toward the hood.

Kristal

Continuity mistake: When Vincent shoots the two guys in the alley who stole his briefcase, there is no damage on their bodies whatsoever from the gunshots. Despite shooting both numerous times you can see there are no holes or blood on either of them.

Continuity mistake: In the scene after Max visits Felix - when they drive away - the tape holding the taxi sign on the top of the taxi changes. The top piece of tape is gone in one of the shots, and then it comes back.

Jacob La Cour

Continuity mistake: When the police are examining the place on the ground where the first victim fell, there is lots of glass from the broken window - and it's close together. That glass is not there in previous shots - for example when they look down from the window.

Jacob La Cour

Continuity mistake: After this dialog "You might make it through the night, come out 700 bucks ahead". Notice there are fewer cars behind them, next shot more cars behind, then again fewer. The scenery behind the car changes in seconds.

Continuity mistake: When Max gets off the train, he has his glasses on. However, in the next shot of him getting off, his glasses are gone.

Other mistake: In the scene where they're loading Tom Cruise's first victim into the trunk, as Max lifts at the arms you can see the "dead" guy holding onto Max's forearms. (00:20:55)

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Trivia: The film was almost entirely shot in high definition. Director Michael Mann states he did this to capture the night scenes more vividly.

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: The number of movies shot in less-than-HD could be counted on one hand.

I believe it refers to the fact that Collateral is considered to be the first major movie to use a digital camera, not the traditional film support.

Sammo

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Question: I noticed from the previews that this movie looks very different. What is it? Is it a digital camera that has been used? Or no lighting effects used? The movie really has a "behind the scene" feel.

Kirill Ostapenko

Chosen answer: It was shot with a digital camera. IMDB is a great place to answer questions like this. Go to *Technical Specifications* in the *Other Info* section of the menu on the left hand side of the screen. In an interview in American Cinematographer, Michael Mann said that as far as he was aware, this was one of the first movies to attempt to make a "look" out of digital video rather than trying to make Digital Video look like film. This approach meant the movie could be shot in the low-light scenes of urban desolation Mann wanted - because Digital reacts much better to low light than film. The approximately 20% of the picture that was shot on film was mostly, according to Mann, the portion set in the "Fever" nightclub - because this is the scene with the brightest lighting states, a condition in which Digital Video does not perform as well.

J I Cohen

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