Collateral

Revealing mistake: In the scene where Max flips the cab, after it comes to a stop and you see Vincent hanging in the back seat, you can see the yellow "rollcage" bar under his shoulder. (01:32:00)

Collateral mistake picture

Revealing mistake: In the train scene if you look closely at Vincent's ear as he steps off the train ready to shoot Max and Annie, it looks like he has an earpiece or some kind of small blood pack in his ear. (01:44:05)

The-Immortal

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Suggested correction: He could, in fact have an earpiece/hearing aid in place, and what with the wild night he's been having, the accident and all, a blood pack is not out of place either.

dizzyd

It's visible that just a little amount of blood dried up in the ear. Not any earpiece or blood pack.

Revealing mistake: In the scene in the morgue, you can see the carotid artery beat on the "body".

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Mistakes

Other mistake: In the scene where they're loading Tom Cruise's first victim into the trunk, as Max lifts at the arms you can see the "dead" guy holding onto Max's forearms. (00:20:55)

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Quotes

Max: The fat man, the penthouse guy, the jazz man. That leaves two.
Felix: Can you finish?
Max: In six years, when have I not?

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Trivia

Trivia: The film was almost entirely shot in high definition. Director Michael Mann states he did this to capture the night scenes more vividly.

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Suggested correction: The number of movies shot in less-than-HD could be counted on one hand.

I believe it refers to the fact that Collateral is considered to be the first major movie to use a digital camera, not the traditional film support.

Sammo ★

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Questions

Question: I noticed from the previews that this movie looks very different. What is it? Is it a digital camera that has been used? Or no lighting effects used? The movie really has a "behind the scene" feel.

Kirill Ostapenko

Chosen answer: It was shot with a digital camera. IMDB is a great place to answer questions like this. Go to *Technical Specifications* in the *Other Info* section of the menu on the left hand side of the screen. In an interview in American Cinematographer, Michael Mann said that as far as he was aware, this was one of the first movies to attempt to make a "look" out of digital video rather than trying to make Digital Video look like film. This approach meant the movie could be shot in the low-light scenes of urban desolation Mann wanted - because Digital reacts much better to low light than film. The approximately 20% of the picture that was shot on film was mostly, according to Mann, the portion set in the "Fever" nightclub - because this is the scene with the brightest lighting states, a condition in which Digital Video does not perform as well.

J I Cohen

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