Collateral

Other mistake: In the scene where they're loading Tom Cruise's first victim into the trunk, as Max lifts at the arms you can see the "dead" guy holding onto Max's forearms. (00:20:55)

Other mistake: In the scene where Max and the lawyer board the train, they go down the stairs for their train. Vincent is a level above and gets on the same train somehow. (01:46:00)

Other mistake: In the scene where Jamie Foxx flips the taxi, you can see Tom Cruise sitting bolt upright, hanging from the ceiling as the car is sliding. As the car stops, however, you see that he was not wearing a seatbelt and is lying on the roof of the overturned car.

Audio problem: Just as the two criminals who robbed Max are walking away, Vincent asks them if that is his briefcase. The guy with the long hair replies, "Yeah it is. Why you want it back?" but his mouth doesn't match what he is saying. It appears he is saying something closer to, "Put up your f**king hands." (00:35:15)

Lummie

More mistakes in Collateral

Vincent: Max, I do this for a living.

More quotes from Collateral

Trivia: The film was almost entirely shot in high definition. Director Michael Mann states he did this to capture the night scenes more vividly.

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: The number of movies shot in less-than-HD could be counted on one hand.

I believe it refers to the fact that Collateral is considered to be the first major movie to use a digital camera, not the traditional film support.

Sammo

More trivia for Collateral

Question: I noticed from the previews that this movie looks very different. What is it? Is it a digital camera that has been used? Or no lighting effects used? The movie really has a "behind the scene" feel.

Kirill Ostapenko

Chosen answer: It was shot with a digital camera. IMDB is a great place to answer questions like this. Go to *Technical Specifications* in the *Other Info* section of the menu on the left hand side of the screen. In an interview in American Cinematographer, Michael Mann said that as far as he was aware, this was one of the first movies to attempt to make a "look" out of digital video rather than trying to make Digital Video look like film. This approach meant the movie could be shot in the low-light scenes of urban desolation Mann wanted - because Digital reacts much better to low light than film. The approximately 20% of the picture that was shot on film was mostly, according to Mann, the portion set in the "Fever" nightclub - because this is the scene with the brightest lighting states, a condition in which Digital Video does not perform as well.

J I Cohen

More questions & answers from Collateral

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