Collateral

Continuity mistake: At the very beginning, just after Max puts the photograph on the visa, the shot cuts to Max's boss holding a Coke with his right hand and the other hand is down by his side, but in the following shot he has his hands crossed in front of him. (00:02:35)

The-Immortal

Continuity mistake: In the scene where Annie hands Max her business card, you initially see the car window lowering and then stopping halfway down. In the next shot the window is still moving; a moment later the window is still in its halfway-down position and stopped again. (00:12:45)

Continuity mistake: At the beginning of the film, when Vincent first approaches Max's cab, Max reaches up to the visa in his taxi with his left hand. When the shot goes to Vincent, it's now Max's right hand, not his left. (00:13:35)

The-Immortal

Continuity mistake: Near the beginning of the film when we see Max pull up to the first hit location and Vincent is talking to him in the back; watch closely and in one shot we see that Vincent has his hands below (probably on his knees), but in the following shot we can see his left arm is now up and grabbing onto the glass that separates the driver from the passenger inside a taxi. (00:16:25)

The-Immortal

Continuity mistake: When Max and Vincent pull up to the second contract killing, Vincent gets out of the back of the cab holding two seals in his right hand, but in the following shot the seals are in his left hand. (00:29:10)

The-Immortal

Continuity mistake: When Max and Vincent pull up in the alley on the second contract, on the overhead view there is nothing on the alley, but when it goes to a shot of the back of the taxi, there are two large concrete objects, also if you look closely there is only one person in the cab. (00:29:20)

The-Immortal

Continuity mistake: When the 2 detectives are talking outside the apartment where the first contract was carried out, in one shot of the detective with the long raincoat like jacket he is facing the other detective on the scene, in the following shot, he is talking with his back towards him. (00:37:45)

The-Immortal

Continuity mistake: In the middle of the movie at the jazz club, Max and Vincent are talking, at one point you see Max look at Vincent and raise his drink, in the following shot you see that his face is down looking at his drink, then he looks at Vincent. (00:39:05)

The-Immortal

Continuity mistake: At the third contract killing, where Max and Vincent are sitting at a table in the jazz club with Daniel (the owner), watch the glass and receipt on the table, in one shot both the glass and receipt are on Daniel's side, then in the following shot both the glass and receipt have moved across the table somewhat to Vincent's side. (00:39:45)

The-Immortal

Continuity mistake: When Max and Vincent are in Max's mother's hospital room, Max is at the window and in some shots the window lever is in the open position and sometimes in the closed position. (00:48:40)

The-Immortal

Continuity mistake: In this scene when Max and Vincent are talking about Max's limo service, if you look out of the side window, the scenery changes 3 times in the course of about 3 seconds. (00:55:40)

The-Immortal

Continuity mistake: When the feds are on the way to the club to protect their witness, the lead agent has his walkie talkie by the side of his head. When the shot goes to outside the cab, he's putting the walkie talkie to the side of his head again. (01:11:45)

The-Immortal

Continuity mistake: As the feds and Max and Vincent arrive at the club, there is a shot from the feds car of the taxi pulling into the side street where the club is, the shot goes back to in front of the cab, and they are just turning in, even though in the previous shot they should already be in the street. (01:14:50)

The-Immortal

Continuity mistake: In the club Fever scene, the detective (Fanning) sees Max and runs to him. In one shot, he has his gun in the air in his right hand. In the following shot, it has vanished. (01:20:25)

The-Immortal

Continuity mistake: When Vincent is in Annie's office and looks over the desk, her cellphone is on a file which is also under the office telephone, but in the following shot her cellphone is now on the desk. (01:34:25)

The-Immortal

Continuity mistake: When we first see Vincent in Annie's building, he is in an office to the left side of the building. You can tell this because there were offices down and to the right. However, when Max is telling Annie "now" there is an office below her on the right side of the building. (01:39:00)

Cynthia Gurski

Continuity mistake: When Max and Annie are walking away from the train, in a shot from behind Max has his right hand on Annie's back, but in the following shot from the front Max's right arm is all the way around Annie fixing her jacket. (01:47:35)

The-Immortal

Continuity mistake: When Vincent is shot in the face, the bullet left a long gash below his cheek across his jaw line. A couple of scenes later, when he's in the train the gash is gone. All we see is make up which is supposed to be blood.

Jane Doe

Continuity mistake: When Vincent faces Annie for the first time in her office, her face and forehead are all sweaty and her hair is a mess and all over her face. In the following scene where Max and Annie are in the elevator, Annie's hair is back to normal and is very well combed. Also, her face is not sweaty anymore.

Other mistake: In the scene where they're loading Tom Cruise's first victim into the trunk, as Max lifts at the arms you can see the "dead" guy holding onto Max's forearms. (00:20:55)

More mistakes in Collateral
More quotes from Collateral

Trivia: The film was almost entirely shot in high definition. Director Michael Mann states he did this to capture the night scenes more vividly.

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: The number of movies shot in less-than-HD could be counted on one hand.

I believe it refers to the fact that Collateral is considered to be the first major movie to use a digital camera, not the traditional film support.

Sammo

More trivia for Collateral

Question: I noticed from the previews that this movie looks very different. What is it? Is it a digital camera that has been used? Or no lighting effects used? The movie really has a "behind the scene" feel.

Kirill Ostapenko

Chosen answer: It was shot with a digital camera. IMDB is a great place to answer questions like this. Go to *Technical Specifications* in the *Other Info* section of the menu on the left hand side of the screen. In an interview in American Cinematographer, Michael Mann said that as far as he was aware, this was one of the first movies to attempt to make a "look" out of digital video rather than trying to make Digital Video look like film. This approach meant the movie could be shot in the low-light scenes of urban desolation Mann wanted - because Digital reacts much better to low light than film. The approximately 20% of the picture that was shot on film was mostly, according to Mann, the portion set in the "Fever" nightclub - because this is the scene with the brightest lighting states, a condition in which Digital Video does not perform as well.

J I Cohen

More questions & answers from Collateral

Join the mailing list

Separate from membership, this is to get updates about mistakes in recent releases. Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.

Check out the mistake & trivia books, on Kindle and in paperback.