The Spy Who Loved Me

Continuity mistake: When Bond turns in the opening scene to fire his ski pole he turns left, then a split second later he turns right. No way at that speed anyone could turn left then right without falling. (00:02:00)

Continuity mistake: When Bond hangs the clear sheet on the screen, the dark line is both next to and on top of the pink line showing the submarine course. A moment later, the clear sheet has moved, making the lines further apart. (00:13:58 - 00:14:41)

Movie Nut

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: The pink line is always visible and depending on the camera angle it's brighter in places than others, if the clear sheet with the black line on has moved it's very slight.

The mistake says nothing about the pink line not being visible or changing brightness. And if the clear sheet moved slightly, that's a mistake.

Bishop73

Continuity mistake: When Bond goes to check Fekkish's bedroom the top button of his coat is buttoned. He goes to the door, looks in, and comes back out with the button unbuttoned, without unbuttoning it. (00:24:50)

Continuity mistake: When 007 pushes Jaws outside the train, he breaks the window, but it is intact in the following shot. It's broken again a little bit later.

Dr Wilson

The Spy Who Loved Me mistake picture

Continuity mistake: In the scene where Stromberg is thanking Dr. Bechman and Professor Marcovitz, he has a towel in his hand. When the camera changes to another angle that shows the back of his chair, his hands are totally empty and resting on an arm of the chair. Then it changes back to the original camera angle, and he now has a towel in his hands again.

Continuity mistake: When Q is showing the microfilm to Bond and XXX, Bond points at the Stromberg fish. But he points right at the projector. That would have made his finger much larger compared to the screen than it is in the next clip - and blurred. Furthermore, the position of his finger on the screen doesn't match with the position he holds it in.

Jacob La Cour

Continuity mistake: When Bond skis downhill in the beginning, in the close-up of his skis, you can see a hard, firm snow surface. But in the next clip, he is skiing off-piste.

Jacob La Cour

Continuity mistake: When Shandor is about to fall off of the roof and is holding Bond's tie, his grip changes from very low - with about four inches left - to higher up, so he can slide down again.

Jacob La Cour

Continuity mistake: When the rescue pod is speeding towards the surface you can see it has a keel weight which, judging from the size of the pod, must be 3-4 meters long. When it floats into the cargo bay of the navy ship, there wouldn't be room for the keel. You can see that the water level in the cargo bay is no more than 1-1½ meters.

Jacob La Cour

Continuity mistake: When Stromberg is thanking Dr Bechman and Professor Marcovitz, the position and amount of food on his plate keeps changing all the time.

Sacha

Continuity mistake: At the end of the film we see the large tanker ship exploding at many different areas of its hull including a lot of explosions on the topside. However, there is a point where the camera shows the ship sinking with an underwater shot, sinking with bow first and then progressing towards the stern and there are no holes let alone burn marks that would show where the explosions took place.

Tobin OReilly

Continuity mistake: When Bond is waiting to meet Stromberg he notices the remains of the women killed at the beginning by the shark, but the tank with the shark in has nothing in it but water and the shark. The tank Bond is looking at has coral and other fish in it.

Continuity mistake: When we see Stromberg's living room from the inside, there is very little space between the windows, and the corner column is very narrow. But when we see it from the outside (when the Helicopter is taking off) there is more then 2 meters between the windows.

Jacob La Cour

Continuity mistake: When Stromberg raises his 'house' from the sea, in the first shot where the paintings slide up, you can see the water's surface in the top of the window. But in the next clip, exterior shot, the house is still fully submerged. And based on the size of the house and the location of Stromberg's living room, his windows must have been 10-20 meters below the surface in the first situation.

Jacob La Cour

Continuity mistake: When Bond is chased by agent Barsov, you see a clip where Bond has gone through quite deep, new snow - leaving two tracks in the fresh snow. In the next clip, when Bond turns to fire his ski pole missile, he is riding on a prepared piste with a lot of other tracks.

Jacob La Cour

Continuity mistake: When Bond places the OHP film on the tracker, it perfectly matches the line of the course, whereas when Q arrives on the scene, the line of the tracker deviates.

Continuity mistake: When XXX is freed by 007 to escape the torpedoed base she is wearing a red bikini. As the escape develops this changes to black.

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: It's not a bikini, it's a dress (with a bikini-type top half). And it turns a darker colour because of being soaked from water during the escape.

DEvans

Plot hole: If they assembled the wet bike on the submarine, they wouldn't be able to get it off as it would be too big to fit through the hatch.

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Question: I have two questions. Firstly, where did they film the scenes when Bond and Anya first encounter Jaws, it looks like the Karnak Temple to me. And secondly, why was Bond so desperate to rescue Anya at the end, considering he knew full well that Anya was planning to kill him after the mission was complete (although thankfully she changed her mind).

Gavin Jackson

Answer: First, it was indeed filmed at Karnak. Second, he rescues her because they are, for the time being, on the same side-therefore, she is an ally, and Bond won't just leave her to drown/die. I think, if he is even mindful of her promise during the heat of the moment, he would still consider it wrong to leave her behind; while the mission is on, she's a colleague in distress, and that's that. Once the mission is over, she can do what she likes, and Bond will deal with it then. (Though his surprise when she first draws the gun on him in the escape pod suggests he wasn't taking her threat seriously, so...bit of a freebie for him).

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