Continuity mistake: At the breakfast table, Marcus asks Mike, "Why you put me in this, man?" His son is picking a bit of food from the plate. The phone rings across the camera cut, and the sentence continues ("I'm with my babies"), but the kid's hand is off the table by his hip. He's back chewing on the food, with that hand raised only when, a few seconds later, the exact camera angle from before is used again. (00:11:35)
Continuity mistake: When Marcus is trying to convince his wife to give him some in the morning so he can be lighter on his feet, Martin Lawrence is sprawled with his left arm over the pillows in close-up, but in the wider angle he is in a much more normal position with his arm by his torso. (00:10:10)
Continuity mistake: In his first scene with Marcus and his wife, the lighting on them changes constantly between shots, and the same can be said for the position of Theresa Randle's hands on Martin Lawrence. (00:09:30)
Continuity mistake: When Martina Lawrence calls the bulky carjacker on his side a "big Popeye chicken-eating motherf…," the gun popping in frame from the top is held by a left hand. When the scene is shot with the camera on Will Smith's side, the guy is holding his gun with the right hand. It switches again, left or right depending on the camera angle used. (00:02:35)
Continuity mistake: At the beginning of the movie, Fouchet shoots the decoy cop with his gun. Once. The cop has two bullet wounds. (00:05:30)
Continuity mistake: When Martin Lawrence is in bed with Tea Leoni and a dog and brings up the disturbing image of him "coming with thunder," she suddenly has her hands on her own chest in contrast with the previous shot. (01:17:40)
Continuity mistake: When the two female characters enter the fancy hotel room, they make a point to say they will only be there for a couple of minutes. It is daylight when they go in. The visit is cut short (the one that's supposed to be a few minutes long) because of a gun battle in which one of the women dies and the other escapes. The escaped one gets out through the roof into an evening's sky. There's still light visible, but for a visit that lasts all of 4 minutes, it's far too quick a change. (00:23:00)
Continuity mistake: When Marcus meets Julie Mott she attacks him with a bat. He takes the bat off her and moves to leave. The next shot of Julie Mott sitting on the floor shows the bat in the foreground. Cut back to Marcus still holding the bat and he asks her, "Look lady, you ain't got no more bats, do you?" (00:35:00)
Continuity mistake: Just as Mike saves Marcus from being hit by the taxi, there is a blue bumper attached / missing / attached / missing from the taxi. (01:37:05)
Continuity mistake: Before Eddie Dominguez is shot sitting in the chair, the bad guy in the green suit is on the left of the large guy, but when the big guy pulls the trigger the man in green is on his right side. (00:27:45)
Continuity mistake: When Marcus and his wife walk up the stairs in the house, they are having a heated discussion and his wife (off camera) shouts down "and you don't even have your wedding ring on." At this point his wedding ring IS on his finger, then in the next shot the ring is NOT on his finger and Marcus attempts to put it back on. (00:44:10)
Continuity mistake: When Marcus is talking to his wife in bed about having some early morning sex, she gets up and he is leaning on his side. She tells him the kids will be coming any minute and when they do come bursting through the door, Marcus is now under the covers on his back. Given that we heard them approaching, there's no time for him to move. (00:10:25)
Continuity mistake: When Will and Martin are in Martin's car, just after they find the dead guy, watch the microphone hanging from the rear view mirror. Depending on the camera shot, it changes position. (00:20:00)
Continuity mistake: In the scene at the beginning of the film, when the villain of the piece shoots Julie's friend, he proceeds to turn the gun on Eddie and shoot him in the leg. After Eddie reels back in pain and falls into the chair, a conversation begins. Throughout the course of this conversation, the drool that flew from Eddie's mouth and landed on his right lapel, disappears and then reappears. (00:27:30)
Continuity mistake: In the final car chase - in the close-ups - we see Marcus turning the steering wheel quite far from side to side. With the speed they are going that would make the car slalom severely - and probably go out of control. At that speed only very small movements of the steering wheel are necessary (and safe). (01:50:00)
Continuity mistake: In the party scene, when Fouche shoots Eddie Dominguez, his collar goes from being buttoned all the way to the neck and then being opened as the scene goes back and forth between shots. (00:27:25)
Continuity mistake: When Marcus Burnett drops Julie Mott off at Mike Lowery's apartment it's dark outside. When he leaves shortly after, there is daylight outside.
Continuity mistake: When Marcus wakes up towards the beginning of the film, he knocks a Florida snowglobe and some other stuff off the top of his alarm clock. In the next shot, the snowglobe is back on top of the clock. (00:09:30)
Continuity mistake: The kegs of ether in the truck have hazardous material labels applied to them. These are diamond shaped labels that indicate the class of material in the container. Throughout the chase scene they alternate between Flammable Liquid labels (solid red) and Flammable Solid labels (half red, half white). (01:10:45)
Continuity mistake: Mike and Marcus go to meet Sanchez and Ruiz on the steps, Sanchez is sat down holding a doughnut (or something) in his right hand and a coffee in his left. A few seconds later, when talking about bongos, there's a close up shot and the items change hands. Back to a wide shot when Mike and Marcus enter they switch back. (01:41:30)
