
Other mistake: Liesel goes to live with Papa and Mama in 1937, and starts attending school. About half way through the movie, 1942, Mama goes to school to tell her that Max was okay. Liesel is still sitting in the same chair and with the same teacher as in 1937, and the kids around her have not changed a bit.

Continuity mistake: Near the end of the movie Ryan Phillippe is in a hospital bed with oxygen connected to his nose. When Anna Paquin reaches over to touch his cheek it is gone.

Factual error: In this relatively low-budget but extremely well-produced 2013 science fiction film, a 6-man crew travels from Earth to Europa (one of the moons of Jupiter) to search for traces of life in the vast oceans beneath Europa's icy surface. One of the astronauts dies in-transit, leaving 5 crewmembers to complete the mission. When the large "Europa One" interplanetary spacecraft arrives at its destination, all 5 surviving crewmembers descend in a small landing craft to the moon's surface, leaving the Europa One spacecraft in orbit, totally unmanned. This is an inconceivable factual blunder. The narration plainly states that this mission picked up where manned lunar missions of the 1970s left off; so, many of the same protocols are in place. Just so, no manned space mission would ever abandon the primary space vehicle in orbit, placing the mission at risk by sending the entire crew down together in a landing party. At least two astronauts should have remained aboard the orbiting Europa One just in case the landing mission went sideways (as it does in this film).

Character mistake: Frank calls a box wrench a ratchet wrench when he's working on the car with Adele's son. (00:28:28)
Suggested correction: It looks like a ratchet wrench and Frank could have called it a socket wrench and still been correct - the terms are used synonymously. While I'm no expert on wrenches, my dad had all types of tools and I knew the different types of wrenches, saws, hammers, screwdrivers, etc. before I was a teenager. "Box-end" wrench refers to the shape of the wrench (box or ring), distinguished from "open-end." So, a ratchet wrench has the box-end shape and Frank correctly identified the ratchet wrench.

Revealing mistake: When the doctor intercoms the colonel because he cannot get into the medical room for the pregnant woman having nightmares, the camera shows the bridge intercom, which is simply the back end of a desktop computer with a couple of knobs stuck on it.

Continuity mistake: Just after Nick and Billy find professor Xavier and get back with the others, the sun changes between shots.

Factual error: This film takes place in the north eastern USA. During the beautiful scene with the large black bird soaring above, they added a close up of an Andean Condor. The Andean Condor only lives in South America; Peru, Argentina, Chile, etc.

Factual error: Tilda Swinton requests a flight from Detroit to Tangier, Morocco, but it must be an all-night flight since she and Tom Hiddleston are vampires. They end up accepting a flight connecting through Madrid. Flying west to east, it would be impossible. If they leave their home at sunset, say 6 p.m. Detroit time, and take off around 8 p.m. Detroit time, it is already 1 a.m. In Spain. Toss in the travel time and they will be landing in Madrid in the early morning, which would kill them.

Revealing mistake: Anthony turns on Jason and shoots him. Jason dies on his feet and falls to the floor. Even after some time passes in the scene, there is no blood around his body at all. (01:16:40)

Continuity mistake: Near the end of the film when Hannah goes to Elliot's house to make up with him, she parks her Volvo SUV directly in front of the door. In fact, the car is visible behind her when she enters the home. Then when she leaves after they argue, she has to walk pretty far up the street to her car, giving him time to catch her.

Factual error: The bikes used in film are Enfield Classics, which were introduced in 2010 and not available in 1960 or 1947. The engines are visible in 2 scenes (when young Milka meets his sister for first time in Delhi and when Milka rides to see his old home when in Pakistan) and are AVL engines, not the cast iron engines in 1950s bikes.

Revealing mistake: Montana gets a call from Sam who is informing her about Damon Diesel. The camera shows Montana rushing up to the phone which is on the table. When the phone rings it is not on the call screen, it is on the contact page. Shortly after Montana's mother comes and leaves Montana glances at the clock and hurries to call Sam. She raises her phone to her cheek and ask "Sam what's the flight number?" If you look closely, the call is not actually being made as her cheek is pressing different icons on her phone. (00:23:55 - 00:25:40)

Character mistake: In the scene where Beatrice looks at the newspaper clipping about her accident. The word "sentence" is misspelled "sentance" (00:24:35)

Continuity mistake: By the end of the film, we realise that the Djinn (in this case an invisible and shape-shifting earthly entity of Islamic lore) has staged most of the film's events as a mass illusion. Meaning, the Djinn is a deceiver and can lead humans into dangerous and even deadly situations, but the Djinn cannot perform physical miracles (or else the whole movie would end almost as soon as it started). At the story's climax, the lead characters, Khalid and Salama, end up in the 62nd-floor penthouse of a luxury high-rise, where Khalid drops Salama to her death from the penthouse balcony, just as the vengeful Djinn intended. However, only minutes earlier, we see that the high-rise building is actually still under construction, and it's stated that the building is months away from completion (its main entrance and plate glass have not even been installed). The Djinn only created the illusion that the building was completed to deceive the lead characters. In reality, without electricity and functioning elevators and hundreds of feet of completed stairwells, there was no physical way for Khalid and Salama to reach the 62nd-floor penthouse suite of the high-rise for the climax scene, even if they were being deceived by illusion.

Continuity mistake: The protagonist at the beginning of the movie sunbathes topless.The camera is positioned where the kid is spying her, and in that wide shot she is placing the garment she removed close to her lower half of the body. When he waves his hand casting a shadow over her eyes, the bikini top is in the corner of the towel next to her head. (00:01:20)

Character mistake: In the scene discussing the provenance of the mirror, the girl stated that Sherman marched to the sea in 1865. It was actually 1864.

Continuity mistake: After stabbing the bad guy at the beginning, Callahan for some reason pulls back and somehow dives past a door managing to drag in a grown woman who was all crouched down by the entrance. Wonky physics of it aside, the bad guy shoot at him, but shoots just a hole in the door frame. The hole appears to be CGI, and in fact when Callahan shoots back from the bedroom, the hole is gone. (00:01:35)

Audio problem: In the mansion during the second scene, Louis is among the group and his phone goes off vibrating. It is extremely obvious that the sound of the phone vibrating was actually someone humming in attempt to mimic the sound, and doing a poor job at it.

Continuity mistake: At the beginning of the movie, the waiter is wheeling the cart out of the building. Two workers are loading the van, with Saman to order them around. One is wearing a hat, the other isn't. Hatless Guy walks out of the van first and is sprinting back towards the building, with Hat Guy noticeably behind, but in the next shot Fabrizio passes the cart to Hatless Guy and Hat Guy is already way past them both. (00:01:30)

Continuity mistake: When Keisha shows the father the painting she made, the father places it on the table over the color palette. Then after Keisha screams in the father's face, the magazine is gone. He sprays her with breath spray and replaces the painting over the color palette. (01:07:00)