Visible crew/equipment: When the group is flying into the island, there's a shot of the plane flying in front of the cloud, and there's the obvious shadow of the helicopter that filmed that shot. (00:15:25)
Visible crew/equipment: When Tom and Dylan are hanging from the chandelier, there is a shot of the ceiling showing the chandelier coming loose. Then when it cuts back to Tom hanging from the chandelier, in the background behind him is a crewmember holding a boom mic. (00:24:15)
Visible crew/equipment: On Skull Island, when Carl says, "No one has lived here for hundreds of years," the distinctive reflection of the reflector screen is visible in the lens of Preston's glasses, as he looks down; there are other moments in the film where this happens with characters' eyeglasses.
Visible crew/equipment: As Melanie drives up to have dinner at Mitch's, the reflection of the cameraman on the inside of the window can be seen moving in the upper-left hand portion of the screen. (00:32:10)
Visible crew/equipment: If you look closely, after the shootings with the Russians and the guys go in to the second room, next to Chris Brown you can visibly see the camera man (shorts and the camera).
Visible crew/equipment: In the first scene of the Christmas party when Takagi steps out of one the offices and greets a couple of his guests, the camera pans left to show the orchestra and other guests. A huge shadow of the camera and its operator is being shown on the back wall, then the stage light gets moved to light a different area and the shadow is gone. (00:02:20)
Visible crew/equipment: The scene where Martin and Ethan watch the Cavalry ride in through the river, a car or truck is seen driving up a road to the right and comes to a stop.
Visible crew/equipment: Bond follows the girl through the streets of Venice. The camera follows him with a track shot. Bond turns left, going into some kind of alley, and the dolly keeps going. The dolly, camera, and crew are reflected in a window for a second. (02:02:10)
Visible crew/equipment: When Monica is in bed with her boyfriend and they get up to dance, the whole film crew is mirrored on the glass of the window.
Visible crew/equipment: When George enters Ken's apartment the first time and Wanda approaches him, if you look in the mirror you should be able to see a crouching crew member wearing a blue shirt. (00:03:15)
Visible crew/equipment: While passing the frat-house bus, in the close-up, as the two girls are about to flash, the reflections of the camera and two crew members moving on the crew's vehicle are visible on the glass window. (00:14:15)
Visible crew/equipment: In the scene after Patrick Bateman's second encounter with the detective in his office, we see Bateman having sex at Courtney's apartment. After he rolls off her, Bateman approaches the large, stand-up mirror in the bedroom. In the upper right hand corner of the mirror, a boom microphone can clearly be seen moving around to pick up Christian Bale's lines. The next time we get the same long shot, the microphone is gone. (00:52:45)
Visible crew/equipment: In the scene where Napoleon watches the farmer shoot the cow, the film crew and camera are visible in the reflection of the glass door of the passing school bus. (00:16:20)
Visible crew/equipment: Near the beginning of the movie, the old priest is in Northern Iraq and you can see the shadow of a microphone on his hat.
Visible crew/equipment: In the extra footage after the credits, the reflection of the crew is visible in the picture frames around the apartment.
Visible crew/equipment: In the scene when Kermit confronts Doc Hopper he comes walking out of the bar. If you look at the top of Kermit's legs when he walks out, two pair of hands can be seen moving the legs.
Visible crew/equipment: When Lloyd is daydreaming about Mary as the doors to Mary's house open and Lloyd picks up Mary. He lifts up her skirt to show a little flesh, in the background you can see the feet of two crew members laying on the ground holding the doors open. (00:31:10)
Visible crew/equipment: After Conan is set free from slavery he finds a cave where he removes a sword. When he climbs out of the cave you'll notice someone's hands near his feet pushing up his shackles. (00:29:25)
Visible crew/equipment: As the Tin Man gets to the end of his song, he's dancing in front of three mirrors. If you look past him as he's centered in the middle mirror, you can see the camera lens looking out of the canvas at him.
Visible crew/equipment: When the young lady is trying to drag her dead husband away to bury him, as she takes a hold of the blanket you can see the covered wagon in the background and someone's legs behind the wheel begin to move to the right. She was suppose to be alone except for her dead husband. (00:34:00)