Stupidity: When the shuttle arrives with the assassins, O'Niel is shown loading a shotgun, then he carries that gun when he runs to his office. When he leaves his office again to confront the assassins he grabs another shotgun from the locker. Why didn't he just grab the gun he walked in with?
Stupidity: The characters wish for the resurrection of just one person (Roshi) rather than everyone killed by Piccolo as would be natural (and as they do in anime and manga). Okay, Piccolo in this movie sucks at killing and resurrecting Muten covers 50% of the total body count, but they can't know that.
Stupidity: Lily dying at the end seems poetic but it would obviously cause legal trouble for Lucas and Annabel. The court/CPS would still be checking in on the girls, making sure that Lucas and Annabel were responsible guardians. There's no possible way that they could explain the disappearance of Lily. Victoria would certainly be removed from their care and there would be legal action against them, as negligent caregivers. (01:30:00 - 01:40:00)
Suggested correction: Except, of course, if Lily's body is found and her death is determined to be a tragic accident.
Her body can't be found though, because when she died, her body ceased to exist and all that was left was a butterfly.
Stupidity: At the very beginning of Donnie Yen's fight inside the CIA conference room, security barriers start descending in the room, windows first and then doors, but somehow the exitway for him (which even communicates with the main elevator. Not a secure bunker or anything) starts shutting down a minute later so he can baseball slide past it before it closes. That's pretty nonsensical security protocol. In fact, the whole operation is successful because apparently the CIA Headquarters lack any cameras and sensors in the corridors, security at the lower floors, main doors, perimeter, especially during the top brass meetings (that happen in a room with huge windows with reinforced glass a man can break jumping at it). (00:09:20)
Stupidity: The whole premise of the plan is summarized by Helen in the sentence "They don't know Andi is dead, so why would they suspect anything?" However, "they" conspired in unison to financially ruin her sister, and "they" did not answer the mail, none of them. The possibility that "they" all could have gathered and silenced her by force is one of the most likely ones, and yet neither she or Blanc consider even for a moment that the literal crime conspirators could have conspired.
Stupidity: When Stuntman Mike is taking photos of the girls, he is shooting with the lens cap on the camera.
Stupidity: Howard has the opportunity to shoot Jack at the end, but doesn't for no discernable reason; he's already committed multiple felonies, and shooting Jack would help cover his tracks all the better. In fact, he could even have just taken the cash onto the subway and left Annie behind while staying in full disguise as a cop.
Suggested correction: Howard Payne's taunting dialogue in the subway station suggests that he wants Jack to live a long life, tormented by the fact Payne was able to beat him. He doesn't become intent on murdering Jack until the dye pack goes off, ruining the money. After that, he tries to shoot Jack but runs out of bullets, then decides to beat him to death with the detonator but fails.
Stupidity: When Susan is on the balcony with the man trying to kill her, she pulls out her gun with one hand (she's leaning on the other hand). He says she won't shoot because the gun's magazine has fallen out and Susan gives up and drops the gun. However, if there is a round in the chamber, the gun can still fire without a magazine in it. As trained as Susan is suppose to be, she should know this. But, if there's not a round in the chamber, then, as a trained agent, Susan is ineptly prepared to use her gun. If there's not a round in the chamber, pulling the trigger will not fire the gun nor will pulling the trigger chamber a round. But she would need both hands to chamber a round and she only has one hand free. There is the occasional gun that has a magazine disconnect safety, but it would be stupid for field agents to have one since they may be in a situation where they need to fire without a magazine in (such as this situation).
Stupidity: During the auction, we see the dinosaurs are brought into the room and placed in the middle. Thus blocking half of the bidders from the auctioneer's view. (01:16:40)
Stupidity: Mike Roark is supposed to be the director of an agency that is in charge of coordinating all the resources of the city in the event of a natural disaster, but he doesn't know what a "geological event" is, not to mention magma?
Stupidity: When Michael goes to Judith's room, all she says is, "Michael, what are you doing in here?" She doesn't even ask why he's all bloody.
Suggested correction: It's Halloween, and she most likely thinks he's got into the spirit. Let's also not forget how she treated him earlier when she blew off taking him trick or treating. It's obvious she doesn't care about him at all and is beyond self centered so it's not surprising she wouldn't comment on it.
Stupidity: Gargantos neutralizes Strange's cape tossing a motorbike at it. Hilariously enough, someone was riding the motorbike and Gargantos knocked him off the bike. The streets were littered with all sorts of wreckage; the biker who made a conscious effort to drive around all sorts of obstacles literally blocking 90% of the roads and ride right at the enormous monster in plain sight must have been in a hell of a rush.
Stupidity: Red and his gang have a barn full of stuff and talk about other couples and people they have kidnapped, robbed and probably killed. This indicates they have been in the "game" for a long time and been successful to avoid capture this long yet when Kurt Russell didn't want to get in the car, instead of cutting their losses, they went along with kidnapping his wife and initiating the whole ruse of her never getting in Reds truck which is what led to their downfall. Someone with the experience of this that Red has should know not to take such a big risk with a complicated story.
Stupidity: Jack has been using Mosley's badge and identification to pass himself off as FBI. He never once uses this trick to commandeer a civilian car for him and John when it would have been the safest way to get to L.A. much sooner.
Suggested correction: Probably because If he did that, the car's owner like Red the bar owner would eventually call the FBI office to get their car back and then the feds would know the make, model, license plate, and the last location of Walsh and the Duke. The police would have caught them in minutes. Walsh had to keep a low profile.
Stupidity: Colonel Sharpe retrieves a gun from a locker on the Freedom shuttle. However, said gun is shown lying flat on the floor of the compartment, with no visible means of securing it, which would hardly be standard NASA procedure given the shuttle undergoes a high-G launch, orbital manoeuvres and various other high acceleration events. A loaded gun bouncing around is the last thing anyone would allow on a shuttle. (01:42:39)
Stupidity: Having become the leader of the universe's most stealthy fighters, he promptly leads them in a Custer-esque noisy frontal charge into a force with known weapon and technology superiority. Zero effort to utilize ANY of their amazing stealth, just have them slaughtered so badly that the planet has to sacrifice animals to save them from extinction.
Stupidity: We know that the two 'special visitors' have been in our universe longer than a day. Despite being capable, smart, heroic figures, they did diddly-squat until the plot says so, since they haven't tracked down the very public (they recognize them) partners of Spiderman, they don't show up for the battle broadcast by JJJ on giant screens, but more importantly, they do not know who the "Avengers" are, showing they didn't look into Peter's history - the name would have popped up in relation to Stark, the blip and much more. Seems that they didn't even try to look for him.
Stupidity: Diana and Steve are both characterized as heroes and highly moral individuals, but they both are perfectly fine, without giving any shadow of a second thought, with the fact that Steve is inhabiting the body of a real person, with a real job and friends, completely innocent and whose life has been taken. We don't ask for a movie to cover every possible nuance, but they make reference to his job, use his stuff, endanger the innocent body and use it 'for pleasure' too. They make a big deal of Cheetah losing her humanity, but what the heroes do is arguably worse.
Suggested correction: While this is bad writing that makes them unsympathetic, it is not objectively a mistake. They endanger the man through Steve because the entire world is at stake. They have sex using his body because they, like the writers most likely, do not consider it rape because there's no indication that the man is conscious in Steve's body or that he'll ever find out (So closer to date-rape), and ultimately, Diana wanting Steve to stay in the man's body forever, while arguably out of character, is a character flaw they both realise she needs to overcome by the end of the movie.
Not objectively a mistake? Actually I agree! Stupidity entries are in a tab separate from the proper "mistakes" tab for a reason; all those behaviors that are not full plot holes but happen against logic and character, just because they are being a tool for the plot. The movie does not make them unsympathetic by design; that would be good writing, that wouldn't be stupid, it would be human. But no, their love antics are never characterized as problematic or inherently creepy. The choices they make and that are outlined in your comment are glossed over; the movie hides the face of the guy but they both see it when they 'rape' him and when they risk his wellbeing, When she gives up on him she does it to get her powers back, she is not overcoming a character flaw, since the presence of the "other guy" is not addressed even at that moment, even if they see him. (if Steve were in a new body, the scene would have played exactly the same). Nobody could act this blasè.
Everything you've said in the stupidity entry and comment is your opinion (well, probably the opinion of the one YouTube video we've all seen where the guy bashes the film and then others repeat his opinion). Wonder Woman sees Steve, not the man whose body Steve is in. Not to mention we don't hear all their conversations about the situation because it would become clunky dialog. And before she starts losing her powers, the two really had no idea what had happened to the man. But nothing in the film regarding this situation is out of character of the "good guys" because we've never seen them in this situation (nor has anyone actually been in this situation to claim "nobody would act this blasé).
I invite you to rewatch the actual movie and not any youtube video; she sees the guy, they both do; he's never Chris Pine, who is 'canonically' never in the movie as himself. Chris Pine is what we, the audience, see. Look back at the scene of the mirror. They explain it. She says "He's great, but all I see is you." Not meaning that she LITERALLY sees Steve, but that she knows it's Steve and so she thinks of him. He even says, about himself, when he tells her to look for other men, "What about this guy" and she says "I don't want this guy." What's in the movie is out of character for any human being who is not delusional to the point of actually seeing the face of someone else. Which is what the movie needs to turn us viewers into to make the plot work.
Nothing in the film suggested to me she sees the other man after Steve comes back. I was basing my comments on watching the film (the YouTube comment was because this mistake is the same rehashed comment found there). When the camera pans around and the audience sees Steve, I took it to mean Diana sees Steve. When she says "all I see is you", I took that to mean she literally sees Steve. The mirror scene was to show the world still sees the man, but not Diana. But I can understand if others' take away was Diana sees the other man but just knows inside her heart it's Steve.
She sees that guy at the party, and only through Steve's words she then realises it's him, which the movie portrays from then on by showing Steve to us. The earlier part of the mirror scene is even more clear. He says; "Look at you. It's like not one day has passed." And she replies jokingly "I can't say the same thing about you." He does not look the same! And he in fact then goes to the mirror saying, "Right, right, right." and comments on the look of "He." So yes, I do firmly believe that it's what the movie says. If I may; the fact that some people on Youtube posted a video saying some things does not mean that anyone else supporting a specific idea - which does have a foundation in what the movie said, as I hope I clarified - did not reach the same conclusion and should be dismissed because they are lazily rehashing hersay. Glad you at least see where I come from, even if you may have not read the movie facts the same way I did.