Factual error: While the problem with refuelling the SR71 is a real one for D.A.R.Y.L., he is never going to get that far. The SR71 had no self starters and required a trained crew with a starter generator mounted on a truck to get the engines going in the first place. D.A.R.Y.L. just pushes a button and away he goes. Not likely.
Revealing mistake: As Carlos is giving his final goodbyes to Claire you can see in the background automobiles driving down the freeway. Shouldn't these roads be empty rather than having what seems to be a thriving highway? (01:10:00)
Suggested correction: Not a single car in the background.
Continuity mistake: While this movie is so bad and full of mistakes, its barely worth finding them all, one stands out in the history of movie mistakes. One of the officers on board the ship, Lt. Lamont, is killed by the villain. A few scenes later she shows up on the bridge as an extra.
Continuity mistake: Carmen is wearing white sneakers riding with Juni on the magnetic transporter. After jumping off the magnetic rider and entering the hidden temple, Carmen is wearing black sneakers.
Continuity mistake: Toward the end, Carmen Ibanez gets stabbed through the shoulder when she is brought before the big master alien thing. If you were to sustain such an injury, there would be so much swelling, not to mention just destroyed tissue, that you wouldn't be able to move that arm for weeks. Yet a few minutes later, she is seen hefting around a very large assault rifle, and seems to have no difficulty. I guess it's a pretty standard action movie "heroes can temporarily ignore injury in order to save the day" kind of oversight, but it just seems exaggerated in this case, considering how severe the shoulder trauma looked. (01:48:15 - 01:53:40)
Continuity mistake: During the street chase in Brazil, the time of day changes from night, to perhaps late afternoon/evening, to night again.
Plot hole: In all scenes where special or heavy items are used against the sixers, they are 'zeroed' in waves or circles. This can be seen by their stations turning red in clusters. This makes no sense as the stations have fixed positions, meaning that the sixers would have identical positions in the Oasis and have no freedom or own will to move relative to each other.
Suggested correction: From a military point of view it makes perfect sense. AOE weapons would be most likely to hit members of the same squads, companies or battalions. It would make sense for squad mates in the oasis to stick together in stations as well. I just watched that scene. As long as the Sixers are trained soldiers or players it makes perfect sense.
Factual error: Let's go by the movie geography; our planet is a big matrioska. By diagrams shown, this Hollow Earth would be by the Earth's core, thousands of miles deep. They enter from a portal in Antarctica. And yet, Godzilla later in the movie burns a random hole in the ground in HK deep enough to reach it, roars through it and Kong hears it, and the ape easily climbs it to poke back to the surface. Even admitting you can do the magic "1,000 miles in 2 seconds" warp anywhere, the scale is ludicrous.
Factual error: The deer in the forest somehow does not hear the giant dinosaur approaching, so doesn't run away. (01:21:10)
Suggested correction: A different interpretation is that the deer knows the difference in the sounds - gurgling/roars of an approaching herbivore versus carnivore - so it didn't perceive it as a threat until it got unusually close (so the deer looked to see why). The dinosaur flung the deer aside, then proceeded to eat the vegetation where the deer was. It isn't likely that the dinosaur (if a carnivore) would toss aside a fresh deer meat brunch in favor of some green brush.
The therizinosaurs were herbivores.
Other mistake: The video stream displayed in the night sky showing which tributes have died after the first day does not add up correctly. They display in district order. We see the start, the girl from three (so the boy is still alive), and the boy from four with no breaks. Then they break away to show Katniss and the control room, after which they continuously show the boy and girl from seven, the boy from eight (so the girl is still alive), the girl from nine (so the boy is still alive), and then fade to the end. We know that Foxface, the girl from five, dies later in the movie. Even if we assume that during the portion not shown, the girl from four, the boy from five, and both tributes from six are dead, that's only a total of ten. Thirteen are supposed to be dead at that point in the movie. (01:16:20)
Continuity mistake: The whole time sequence in the last part of the movie is messed up. After trying to nab the bad guys at the hotel, Tom Selleck goes home and puts his son to bed, then is called back in to work, and then the rest of the film is supposed to be the same evening, but it was already late night.
Character mistake: In the scenes in San Diego, all the scenes outside the sub are taking place during daylight hours. Immediately after the crewman relays the message about the mysterious telegraph transmission, the scene shifts to the sub. The commander asks what time it is in Melbourne and is told it is 1500 hours (3PM). But if it were that time in Melbourne, it would be 10PM in San Diego, and thus not during daylight hours. (01:33:30 - 01:38:05)
Plot hole: The opaque red lined map that Otomo retrieves from his first fight is ridiculous. Why would people who know where the hidden base is be carrying around a map on them (which shows a route so basic that they'd have to be brain-dead not to be able to remember it anyway) just so that conveniently one of their enemies can get it?
Other mistake: In the music within the ending credits, the lyrics incorrectly state that Raph is the leader of the group when all Turtle fans past and present know it is Leo.
Factual error: When they are trying to navigate the shuttle through Eadu, the shuttle abruptly collides with a rock, which causes Bodhi to jolt backwards. If the shuttle hitting the rock had caused the shuttle reduce speed so abruptly, in the way that was shown, then Bodhi would have jolted forwards, not backwards. (00:57:05)
Other mistake: When they encounter the first ant, the policeman runs out of ammo, but the FBI agent fires at least nine shots. Not bad for a snubnose revolver that holds 5 or 6 rounds.
Revealing mistake: After Nuclear Man destroys the cab's hood, the shot changes and there's a thick string running behind him all along the car, and the cab driver is stretching out to pull it. Probably he was activating some sort of bad FX.
Other mistake: When Sugimura is looking for Kotohiki, he activates his scanner to see if she is nearby. The scanner shows her location, but fails to show either Mitsuko or Kiriyama, who show up quickly after.
Factual error: In the car at the beginning of the movie, Jean uses her telekinetic powers to switch the radio from a station playing "By the time I get to Phoenix" by Glen Campbell to Warren Zevon's "Werewolves of London." It's 1975, and Zevon recorded the song only in 1978 (although the song itself had already been written in 1975, other artists played it in live concerts in the Fall of that year). (00:01:30)
Factual error: A ham radio requires the person to hold down the button while talking. Numerous times in the movie they are talking without pushing the button.
Suggested correction: This is actually subtly addressed in the film. The magic which allows the radio to work across time also allows the two men to speak without pressing the button. There is a moment where Frank wonders what is going on with the radio and presses the button a few times to talk but then notices that he doesn't have to press the button to be heard.
If that was true, then it wouldn't make sense for them to continue to show Frank and John hitting the squawk bar throughout the film.
That is a separate issue. The mistake entry states that you need to hold the button to talk on a ham radio, which is true, but the magic ham radio in the film doesn't require it. If the actors continue to occasionally press the button that could be considered a character mistake but it could also simply be a force of habit by the characters.