Visible crew/equipment: After Trip fixes the car, the boom pole is reflected in the truck's back window.
Visible crew/equipment: When Dr. Boyle arrives in Boston, you can see the reflection of some crew members on the car.
Visible crew/equipment: When the camera is fixed on the television set, showing the news report of the death of Michelle, if you look to the left of the screen, there is a reflection of the camera, but more noticeable is the large red dot from it. (00:21:00)
Visible crew/equipment: In the scene where the team are searching for the killer, an overhead shot of the town shows some sort of a rain-making machine in the upper right hand corner of the screen.
Visible crew/equipment: When Schneider is being dragged along by two skipping ropes you can clearly see two wires attached to his shoulders which are actually pulling him along. (00:34:10)
Visible crew/equipment: When Kane is talking to Leland, after the campaign is over, there is a low angle shot looking up at Leland from Kane's feet. The shadow of the camera can be seen on Kane's right leg until he moves.
Visible crew/equipment: When James Stewart tells Doris Day that he lied about the telephone call being from the hotel, Doris gets excited and James struggles with her on the bed. During that scene, you can see on the upper left corner a shadow of a microphone.
Visible crew/equipment: When Kevin remarks how they must have run into an invisible barrier, the reflection of something can be seen in the barrier. Might be a camera or some other kind of equipment. (01:17:00)
Visible crew/equipment: When they unearth the cadaver, you can see in some shots that he wears a blue string. One of the men even sees it and tries to hide it subtly.
Visible crew/equipment: When the car with the bank robbers drives off Harry shoots the driver. The car crashes in a flower stand and knocks over a hydrant. When the camera angle changes to a view from the back you see a cable coming out of the trunk. (00:11:55)
Visible crew/equipment: In the end, when we see the closeup of Samara's eye, you can see several white sheets used to reflect light into her face, as well as the reflection of the camera, in dead center of her pupil.
Visible crew/equipment: As he shows them the kitchen the building manager says, "I'd be grateful to go that way myself when the time comes". As he turns around to leave the kitchen you can see the shadow of the camera on his jacket. (00:03:55)
Visible crew/equipment: When Cody throws the "explosive" mint out of the window, there is very obvious lens flare reflecting off the window on the left (look out for the blue flash.)
Visible crew/equipment: At the time when they get lost and stumble back to the river and the log, and Heather says "No, it can't be the same log", look across the river. There is someone standing there clad in white, and all three of them are standing on the same side of the river...
Visible crew/equipment: Right at the end of the car chase, the yellow van in the pile-up is flipped over by some kind of large metal lever in the undercarriage. This is seen from the last 2 angles of the crash. (00:52:45)
Visible crew/equipment: About half the way through when Paul Newman is sitting on a seat in the police station with James Garner, the boom operator and another guy scratching his head can be seen to the left of Newman in the marble wall. It is fairly obvious taking up a 1/3rd of the screen. Also in the same time when Newman is walking through the halls of the police station with Stockard Channing a whole heap of movie posters can be seen on the walls like they used the offices of a movie studio as a police station.
Visible crew/equipment: James Marsden and Cameron Diaz are getting ready to go to bed. They have a short conversation about turning off the Christmas tree lights. As Marsden is bending over to turn the lights out, there is a window behind him. As soon as the lights go out, you see a head start to pop up in the window. You only see the forehead of the person, then the scene changes quickly.
Visible crew/equipment: Near the end, when the main characters lift the top of the well and shine the flashlight down inside, you can see the reflection of a stage-light in the water.
Visible crew/equipment: In the bathroom stall scene when Elvis is examining the hieroglyphics, a mic can be seen in the window reflection when the camera shot is looking out of the stall at Jack the old man.
Visible crew/equipment: When Mel Gibson escapes from the hospital and hides in Julia Roberts's car, you can see the reflection of a camera man in the windshield when she drives off.