Agatha Christie's Poirot

The Adventure of the Cheap Flat - S2-E7

Continuity mistake: Poirot is doing his round of phone calls at night clubs looking for the chanteuse; the pen before Hastings' arrival is pointed to the left side of the screen, when he sits down (and Poirot has not touched it) it points to the right. (00:24:40)

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The Kidnapped Prime Minister - S2-E8

Continuity mistake: When Poirot tells his tailor that it's his equipment that is at fault, Hastings holds the newspaper in ways not coherent between shots (he folds it, but in the reverse shot is still looking at the top of the page, and so on). (00:04:20)

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The Kidnapped Prime Minister - S2-E8

Continuity mistake: Poirot opens the car window in two shots; in the first he is holding his walking stick close to the body, but in the second he has a completely different posture, with the cane perfectly vertical and his arm at a right angle. (00:13:20)

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The Kidnapped Prime Minister - S2-E8

Continuity mistake: Hastings has lost sight of the car he was pursuing, and stops at the crossroads. In the wide shot you can see his left hand holding the top of the windshield, but in the close-up he's using just his right hand. (00:40:40)

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Double Sin - S2-E6

Continuity mistake: At the end of the episode, Hastings flips the cutting, having the left palm on the back of it. Next shot, and he's holding it by a corner. (00:50:45)

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Peril at End House - S2-E1

Continuity mistake: When Mr. Vyse is beginning to talk about the new will, in the wide shot encompassing the whole table, the open folder is raised, as the left page is sitting on top of another object. In the close-up of the letter, the folder is perfectly level with the table. (00:34:45)

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Peril at End House - S2-E1

Continuity mistake: Commander Challenger in front of his boat laughs with Hastings "I hope my alibi is in order." As he says that, Hastings nods. During this close-up, his hat is casting a completely different shadow, covering his whole shoulder instead of just the back of the neck as in the rest of the scene. (01:03:35)

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Peril at End House - S2-E1

Continuity mistake: Jim Lazarus pulls over by the protagonists to complain about being unable to see Nick. During the scene, Paul Geoffrey's different facial expressions are shown in the side mirror of the car, but each time we cut back to him, he has the same stoic face listening to Poirot. (00:47:00)

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Agatha Christie's Poirot mistake picture

Peril at End House - S2-E1

Continuity mistake: Poirot rudely awakens Hastings with his three questions. You get a good view of Hastings' wristwatch on the bedstand. When at the end of the Q&A Hastings turns his attention to the watch, it is in a completely different position. (00:41:25 - 00:42:35)

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Agatha Christie's Poirot mistake picture

The Veiled Lady - S2-E2

Continuity mistake: When Gertie and Joey make their escape running down the stairs of the hall, they pass by a couple (she has a white hat and a blue dress). When Poirot and Japp run after them, the same couple has jumped back several meters. (00:43:00)

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The Mysterious Affair at Styles - S3-E1

Plot hole: Can't fault this massive plot hole to the adaptation, but to the source material; the culprit (forgetting the stupidity of writing an incriminating letter detailing the plan to murder someone, and put it in a desk he shares with her) since there are people outside the room that are about to enter, tears the letter in 3 neat vertical strips, rolls them, puts them in the vase on the mantlepiece, and then opens the side door to slip away...instead of simply pocketing the letter and going through that same door. Nobody was going to search him or anything and could have burned it, torn it into confetti, anything, later. It takes way way longer to do what he did, which needed him to stay there in the room increasing the chances of being found out. And of course he and his accomplice do not retrieve the letter after.

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Problem at Sea - S1-E7

Trivia: Poirot in the ship's lounge is reading the actual May 1st 1935 issue of Bystander (recognizable by the cover and with the correct page order, does not seem to be a simple movie prop), roughly consistent with the time frame of the first season and a contest taking place on the 14th. (00:07:50)

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The Murder of Roger Ackroyd - S7-E1

Question: The doctor (James) put on a Dictaphone to make the suggestion that Roger Ackroyd was alive at 21:30 hrs. But how could he know that someone (Paton) would pass the door of Ackroyd's study at precisely that moment?

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