Agatha Christie's Poirot

Peril at End House - S2-E1

Continuity mistake: Poirot and Hastings are eating after their first visit to End House. During the entire scene, natural light changes in intensity depending on the angle of filming. (00:20:15 - 00:21:10)

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Peril at End House - S2-E1

Continuity mistake: When Poirot shows Freddie the bullet, in the close-up his hand is right by the sugar bowl, but he was shown putting the cigarette holder at greater distance, closer to Freddie herself. (00:25:05)

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Peril at End House - S2-E1

Continuity mistake: When Mr. Vyse is beginning to talk about the new will, in the wide shot encompassing the whole table, the open folder is raised, as the left page is sitting on top of another object. In the close-up of the letter, the folder is perfectly level with the table. (00:34:45)

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Agatha Christie's Poirot mistake picture

Peril at End House - S2-E1

Continuity mistake: Poirot rudely awakens Hastings with his three questions. You get a good view of Hastings' wristwatch on the bedstand. When at the end of the Q&A Hastings turns his attention to the watch, it is in a completely different position. (00:41:25 - 00:42:35)

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Peril at End House - S2-E1

Continuity mistake: When Freddie holds the Mauser 1910 gun, Alison Sterling holds it in a very characteristic way (thumb and and pinky finger stick out) in the front views. It is held in a much more orthodox way in the views from behind. (00:43:50)

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Peril at End House - S2-E1

Continuity mistake: Poirot and Hastings are talking with Freddie, by her invitation. She says "You'll be giving me a diploma next" and three extras walk by her chair. In the following shot she completes the action of standing up, but the extras are still there, behind their original positions. (00:44:15)

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Peril at End House - S2-E1

Continuity mistake: Jim Lazarus pulls over by the protagonists to complain about being unable to see Nick. During the scene, Paul Geoffrey's different facial expressions are shown in the side mirror of the car, but each time we cut back to him, he has the same stoic face listening to Poirot. (00:47:00)

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Peril at End House - S2-E1

Continuity mistake: Commander Challenger in front of his boat laughs with Hastings "I hope my alibi is in order." As he says that, Hastings nods. During this close-up, his hat is casting a completely different shadow, covering his whole shoulder instead of just the back of the neck as in the rest of the scene. (01:03:35)

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Peril at End House - S2-E1

Continuity mistake: Starting the seance, Poirot ask everyone to hold their hands. Lazarus barely stifles a laughter. Between that shot and the previous, his hand goes from above the table to underneath it. (01:38:25)

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The Veiled Lady - S2-E2

Continuity mistake: At the beginning of the opening credits, there is a close-up of the model boat pushed forward. It passes by a kid who is hunched over, hands on his thighs. Wider shot, and the kid just watches the sailboat pass by standing apathetically. (00:02:15)

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The Veiled Lady - S2-E2

Continuity mistake: Sitting on the park bench, Japp narrates the jewelry heist to Poirot. The passersby during the scene change in the various angles, and the most evident demonstration is offered by the fella that starts his walk exactly when Japp sits down. Grey pants, a sleeveless vest and hat, he walks all the way to the path in the background and exits stage right. But he's walking behind Japp when he says "The stones in his pocket were not the real stones." (00:03:00 - 00:03:45)

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The Veiled Lady - S2-E2

Continuity mistake: When Poirot and Hastings enter the Athena, there's an establishing shot as they walk to the right of the concierge. In the following shot, some elements like the lady with the flower dress by them are consistent, but the desk employee is suddenly on the phone and a bellboy appears by the stairs. Also the lady in the corner changes from a blonde to an elderly woman in a red coat. (00:05:50)

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The Veiled Lady - S2-E2

Continuity mistake: Poirot tells Miss Lemon to calm down because "It is only the simple blackmailer." Pauline Moran has her right hand on the bag, but in the close-up that follows her hand is at a distance from it. The difference in position (and thus in the takes being edited together) is reflected by a mistake happening a few seconds later, when you can notice as she turns around to answer the door, that her gloves have also switched hand. (00:12:10)

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The Mysterious Affair at Styles - S3-E1

Plot hole: Can't fault this massive plot hole to the adaptation, but to the source material; the culprit (forgetting the stupidity of writing an incriminating letter detailing the plan to murder someone, and put it in a desk he shares with her) since there are people outside the room that are about to enter, tears the letter in 3 neat vertical strips, rolls them, puts them in the vase on the mantlepiece, and then opens the side door to slip away...instead of simply pocketing the letter and going through that same door. Nobody was going to search him or anything and could have burned it, torn it into confetti, anything, later. It takes way way longer to do what he did, which needed him to stay there in the room increasing the chances of being found out. And of course he and his accomplice do not retrieve the letter after.

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Problem at Sea - S1-E7

Trivia: Poirot in the ship's lounge is reading the actual May 1st 1935 issue of Bystander (recognizable by the cover and with the correct page order, does not seem to be a simple movie prop), roughly consistent with the time frame of the first season and a contest taking place on the 14th. (00:07:50)

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The Murder of Roger Ackroyd - S7-E1

Question: The doctor (James) put on a Dictaphone to make the suggestion that Roger Ackroyd was alive at 21:30 hrs. But how could he know that someone (Paton) would pass the door of Ackroyd's study at precisely that moment?

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