Night Gallery

She'll Be Company for You - S3-E11

Continuity mistake: Henry smashes a wooden rolling pin on the kitchen table, leaving splinters all over it. He then crosses to the cupboards, finds a knife and returns, at which point all the broken pieces of the rolling pin have disappeared. (00:21:15)

Jean G

Night Gallery mistake picture

They're Tearing Down Tim Riley's Bar - S1-E17

Continuity mistake: When William Windom comes into his office, we see a stone wall in the background, with a wall clock, a painting and a credenza, but when Bert Convy comes in through the same door later, the background is completely different. And again, when William Windom leaves his office after he's been fired, the background has changed again. (00:03:30 - 00:07:10)

Dr. Stringfellow's Rejuvenator - S2-E28

Continuity mistake: In the saloon, Stringfellow pours himself a drink and picks up his glass. When the camera angle reverses, his glass is back on the table and his hand is on the bottle instead. In the next shot, he's holding the glass again. (00:11:30)

Jean G

Cool Air - S2-E35

Continuity mistake: During Juan and Agatha's dinner together, the camera circles them, passing behind Juan (where an "invisible" cut occurs) and continuing to move left around the table. Between the two segments, the position of Agatha's hands changes noticeably. (00:11:50)

Jean G

Cool Air - S2-E35

Continuity mistake: While she talks to Mrs. Gibbons on the stairs, Agatha's paper sack changes its position and appearance several times between shots. (00:16:15)

Jean G

The Waiting Room - S2-E51

Continuity mistake: It's the 1800s, and Dicter rides up to a building that has every window, upstairs and down, blazing with what is obviously electric light. When he walks into the ground floor saloon, however, there are no bright lights. It's dark and dim inside. (00:03:00)

Jean G

Logoda's Heads - S2-E42

Continuity mistake: As Kyra is leaving the village, Logoda's fang necklace, in close-up, has two of its teeth flipped over and out of alignment with the rest. In full shot, though, all the teeth are back in perfect order. (00:09:10)

Jean G

More mistakes in Night Gallery

Rod Serling: Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.

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