Star Trek

Miri - S1-E9

Revealing mistake: When Kirk and Miri are in the kid's hideout, Kirk is attacked by Louise, the wild woman. After Kirk knocks her off his back, she falls to the ground and tries to get up again, Kirk has to resort to stunning her with his phaser. The blue beam starts coming out then starts coming back towards the phaser before going back out again. (00:26:12)

Tomorrow is Yesterday - S1-E20

Revealing mistake: Traveling towards the Sun and away from the Earth, parts of the Enterprise are missing due to superimposing the model into the current shot. As the Enterprise goes by, one of the warp engines seems to be disintegrating at the rear. (00:42:05)

The Changeling - S2-E3

Revealing mistake: A number of times through the episode, the wire holding Nomad up and moving it around is visible. Example: When Nomad first moves off the transporter pad, look directly above it; the black wire can be seen in front on the light over the pad.

Movie Nut

Catspaw - S2-E7

Revealing mistake: Near the end of the episode, after Kirk has destroyed the orb, we see Korob and Sylvia in their true form. As they move, you can see the black strings used to manipulate the puppets.

Requiem for Methuselah - S3-E19

Revealing mistake: When Spock examines the unknown Brahms waltz, we get a close-up of the music. Unfortunately, the hand-written score bears no resemblance whatsoever to the piece Spock has just played, though he expressly identifies it as such. (00:19:10)

Jean G

Charlie X - S1-E3

Revealing mistake: When McCoy is examining Charlie in sickbay, several shots of the diagnostic panel show a clear reflection of Charlie's upright profile. But Charlie isn't sitting up during the exam - he's lying flat on the table. The close-ups of the panel were shot while actor Robert Walker Jr. was either sitting or standing nearby. (00:04:10)

Jean G

A Private Little War - S2-E19

Revealing mistake: While Nona is struggling with her Villager attackers, the camera tilts just far enough to show, in the distance, a nice (if slightly smoggy) view of buildings, docks and boats in Santa Monica Harbor. (00:45:00)

Jean G

Tomorrow is Yesterday - S1-E20

Factual error: Towards the end of the show the Enterprise is leaving Earth orbit and heading towards the sun. We see the Earth diminish and the moon appear looking exactly as it does from Earth. From this angle we should be seeing the "dark side" of the moon, which looks completely different. (00:40:50)

von

More mistakes in Star Trek

Journey to Babel - S2-E10

Amanda: And you, Sarek, would you also say thank you to your son?
Sarek: I don't understand.
Amanda: Well, for saving your life.
Sarek: Spock acted in the only logical manner open to him. One does not thank logic, Amanda.
Amanda: Logic, logic - I'm sick to death of logic! Do you want to know how I feel about your logic?
Spock: Emotional, isn't she?
Sarek: She has always been that way.
Spock: Indeed? Why did you marry her?
Sarek: At the time, it seemed the logical thing to do.

Super Grover

More quotes from Star Trek

Who Mourns for Adonais? - S2-E2

Trivia: An ending that was planned but abandoned for this episode would have revealed that Lieutenant Palamas was pregnant with Apollo's child.

More trivia for Star Trek

What Are Little Girls Made Of? - S1-E8

Question: When the Enterprise is in orbit, it uses the Impulse engines to maintain orbit. The Impulse engines are located on the back (aft) of the primary saucer. Why were these not on or lit up? Unless they're using gravity, but there are the familiar engine sounds.

Movie Nut

Chosen answer: If they're in orbit, they're being pulled along by the planet's gravity well, therefore, impulse engines would only be used for minor corrections and would be "on standby" while in orbit, but not active. (Like keeping your car idling without revving the engine and creating plumes of exhaust).

Captain Defenestrator

Thank you for the info.

Movie Nut

Answer: Happy to help.

Captain Defenestrator

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