Continuity mistake: While Jerry calls George from the coffee shop to tell him about the survey question, there is a shot of the waitresses and staff sitting at the tables. Behind them you can see the booths the gang usually sits at and there is a wall right next to the booth with pictures and pipes. Only problem is there are always booths next to the two near the front entrance. Even in this episode you can see the other booths as there are menus, condiments and napkins at the booths next to the regular booths.
Continuity mistake: When George is in the boardroom, he places his briefcase on the conference table, and opens it, with the top leaning against a carafe. As George yammers on, the briefcase is closed in a couple of shots, and then open again for the rest of the scene.
Continuity mistake: In the episode 'The Soul Mate,' there is a scene where Kramer is talking to Jerry's girlfriend in The Library with the help of Newman. Kramer elbows Newman through the shelf knocking some books down, but in the next shot we see Newman rising and the books are back on the shelf.
Continuity mistake: George has constructed a model of the boardroom when his briefcase was destroyed. Jerry thinks George should be represented by the Yellow M&M figure. When the camera shows a close up of the figure, Jerry is holding it in a different position than the far away shots.
Continuity mistake: When George and Jerry are discussing Elaine's poor dancing, The Keys that are sitting on Jerry's kitchen counter inexplicably disappear between shots. (00:04:10)
Continuity mistake: In the theater, before The Movie starts, Brodie has his right hand on the outside of the candy bag in one shot, and suddenly in the next shot his hand is reached into the interior of the bag. (00:07:20)
The Fatigues - S8-E6
Continuity mistake: When Frank breaks open an egg in the close-up of the pan, we see there are more than half a dozen eggs in the carton. However, in a wideshot of the kitchen, the carton appears to have only about three eggs. (00:16:15)
The Fatigues - S8-E6
Continuity mistake: At the start of the episode, Cynthia is drinking a glass of wine. While speaking near the end of the scene, she is holding the glass in her right hand and says, "You know, guides you in your career path." The next shot is of Jerry and instantly the glass has disappeared from her hand with her right hand resting on the table. You can also see the glass is closer to her left hand now.
The Checks - S8-E7
Continuity mistake: When Jerry is showing George how he twirls the umbrella in his apartment, it has distinctive bright red and yellow stripes. He sets it on The Couch and then Kramer accidentally sits on it. It is now dark colored.
Continuity mistake: When Kramer spills the tomato juice all over Jerry's walls, he grabs a light colored oven mitt to wipe it off. In one shot he wrings out the sopping mitt over the juice pitcher. When the shot changes and he tosses the mitt back onto the counter, the mitt is still the original color with no hint of red stains.
Continuity mistake: Due to the effect of the red glow on Kramer's eyes, he confuses the pitcher of tomato juice from Jerry's refrigerator for a pitcher of milk, pours it into the cereal, then gags and promptly tosses the contents of the bowl into the trash beside the fridge. In the close-up he tries to wipe some of it off the wall, but there's still a huge red mess left on the wall, in the trash, etc. In the next wide shot of Jerry and Kramer, the trash and wall are spotless.
Continuity mistake: When Newman is first eating the chicken in Seinfeld's apartment, the amount of meat on the leg changes without Newman putting down the leg and getting another one out of the box.
Continuity mistake: After crazed Jerry and Elaine leave to get a hat, Kramer picks up the tub of ice cream Jerry had set down and starts to put the lid on. In the next shot, he's not holding the ice cream.
Continuity mistake: In one scene George is solving a Rubik's cube in Jerry's apartment. When he leaves, he places the cube on Jerry's kitchen counter, and it is in the middle of the counter with the red color facing out. In the very next shot, it is moved much closer to the far edge of the counter and the color facing out has changed.
Continuity mistake: After George and Jerry discuss the fact that George will never have sex again, they stand up to leave the coffee shop and George places a large book under his arm. In the very next shot, he is holding the book in both his hands.
Continuity mistake: When Celia breaks out of prison and comes to George's apartment, George opens the door and starts talking with her. After George says "And you decided to pop in" the shot shows Celia but the door has now closed behind her. It would have been impossible to close without us seeing it because Celia would have had to have moved forward to close the door.
Continuity mistake: The exterior of the video store in the episode looks different from the interior. From the inside, we see a neon "open" sign on the window and other writing, and also no exit sign on the door, all of which is contrary to the outside view of the store. (00:09:25)
Continuity mistake: When Morty's exercising first wakes Kramer up, his clock reads 5:30. Then in another shot, the clock reads 5:26. (00:10:05)
Continuity mistake: We find out George's parents sleep in separate beds. His father says "Thirty years ago we came to an agreement. It was the only way I could get some rest. Estelle's got The Jimmy arms." This contradicts S5E10, "The Cigar Store Indian", when George's parents come back from their trip, Estelle finds a condom wrapper in "our bed." Also Frank asks George, "You were having sex on our bed?", and Estelle follows by saying, "Who told you you could have sex in our bed?!" (00:16:50)
Continuity mistake: In the episode "The Suicide", Kramer discusses suicide with Jerry, and says that he'd give someone 72 hours to come out of a coma before all his property is up for grabs. However, in the episode "The Comeback", Kramer tells Jerry that he never knew that people could come out of a coma.
Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".
Bishop73