Seinfeld

Seinfeld (1990)

3 continuity mistakes in show generally - chronological order

(14 votes)

Show generally

Continuity mistake: The exterior shot they use when establishing Monk's cafe is completely different than what is inside in The Cafe. First the outside has neon lights with just RESTAURANT. The inside of The Cafe, the menus, windows and door all have Monk's cafe logo on them. Secondly the door should be in the middle of the restaurant, instead the interior shows it to be to the left of the restaurant and somewhat to the side. Lastly the windows in the exterior shot are extremely large with no writing, logo and curtains pulled to the side. Inside The Cafe, the windows are much smaller, with permanent curtains coming halfway up the windows and the rest being blocked by Monk's cafe logo.

Lummie

Show generally

Continuity mistake: The inside and the outside of the Costanzas' home do not match up. From the inside, you can see that if you walk in the front door the kitchen would be on your left and a sitting room-type area is on your right (accessible from the living room). However, from the outside, it shows bay windows on what would be the left (kitchen) side and a door to another townhouse on the right (sitting room) side.

The Dog - S3-E4

Character mistake: When George and Elaine go to the coffee shop after The Movie without Jerry, they establish that Elaine moved to NYC in 1986. Then they make fun of the way that Jerry throws up; both imitating Jerry. The "Dinner Party" episode is after the "The Dog". In the "Dinner Party" episode, Jerry brags that he hasn't thrown up since June 29th, 1980. The black and white cookie ended this streak. Elaine would not have been around to see this, not arriving in NYC until 1986.

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The Wink - S7-E4

Elaine: So you're saying that 95% of the population is undateable?
Jerry: UNDATEABLE!
Elaine: Then how are all these people getting together?
Jerry: Alcohol.

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Trivia: No matter who the characters in Seinfeld call, they never have to look up the phone number in the phone book. They have the phone numbers to every restaurant, hotel, and business memorised.

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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