Continuity mistake: While Rocky and Jim are at the trailer discussing jury duty, when George and Fran Bassett arrive Jim tells them to come in. In the shot facing them, as they climb up the exterior steps and walk through the doorway, changes occur; there are four holes in the door trim, there's only about three inches space between the shutters and doorway, the toggle switch is down. Next shot, the four holes are gone, space between the shutters and doorway significantly increased, and the toggle switch is now up. (00:12:40)
Visible crew/equipment: While Rockford is in the parking garage he's abducted then placed in another car, and when the front passenger door is closed, we can see the reflection of the camera operator and camera on the door's surface. (00:26:50)
Visible crew/equipment: When Rockford is riding in the car with his abductors, in the exterior shots facing all three men in the car, the shadow of the camera is visible on the car's hood. The car's rearview mirror also vanishes and reappears on the windshield between shots. (00:27:30)
Visible crew/equipment: After Rockford causes the car to crash, and he escapes from his abductors, the reflection of lighting and filming equipment is visible across the side of the car. (00:28:15)
Continuity mistake: At the end, while the Bassetts and Karen Hathaway are at Rockford's trailer, there's still damage to the door's wood trim from the earlier shooting, but when the couple exit the trailer all of that damage disappears, between shots. (00:44:10 - 00:44:55)
The Man Who Saw the Alligators - S5-E17
Visible crew/equipment: When Richie brings Tony Boy to the car to see their mother, during this scene there are multiple reflections of the crew's lighting including 9-light par banks, and when Tony shuts the car door the reflection of the camera operator is visible as well. (00:09:15 - 00:11:40)
The Man Who Saw the Alligators - S5-E17
Visible crew/equipment: At Adrianna's cabin Tony Boy confronts Rockford directly, and just as Rockford says, "Why don't you and I just talk," the tip of the moving microphone pokes up at the bottom of the screen. Then, when Tony Boy says, "Maybe take a look into the future, everybody grab a seat, let's go," the microphone moves around quite a bit more at the bottom of the screen. (00:37:10)
Never Send a Boy King to Do a Man's Job: Part 1 - S5-E20
Visible crew/equipment: After Jim gives Angel the twenty dollars as a courtesy audition fee Angel storms off. In the next exterior shot, when Jim and Richie exit the building, on its glass doors we can see the reflection of the moving boom pole/mic being held by the boom operator with his arms up.
Never Send a Boy King to Do a Man's Job: Part 2 - S5-E21
Visible crew/equipment: When Rocky reminds Jim that he's supposed to be doing something constructive, and Jim replies, "I'm trying to straighten up my checkbook," the bouncy boom mic casts a shadow on the door, at the right side of the screen. (00:15:10)