21st Nov 2015
Visible crew/equipment: After Charles confronts Choi Sung Ho about the candy, Ho explains that he sold it on the black market to buy real food, and when Ho reenters the mess tent through the side door, we can see that outside there's a director's chair, which actors also use, with something printed on its back.
21st Nov 2015
Continuity mistake: There are two sets of the 4077 compound - the outside Fox Ranch set located at Malibu Creek State Park, and the second set inside the studio's Stage 9. The layout of both sets are quite different - Studio 9's set was vastly smaller than the Ranch set, so things such as the proximity of the Swamp to the mess tent are different between the shots filmed at the Ranch and shots filmed at Studio 9, when seen within the very same episodes.
21st Nov 2015
Visible crew/equipment: While Hoops Potter is going for the camp record in free throws, in overhead shots with everyone encircling the 'basketball court' - particularly right after free throw 28 and after Potter says that he feels like a sideshow freak, the boom can be seen moving around right beside the hoop's post at the top, left side of the screen.
21st Nov 2015
Visible crew/equipment: While Hawkeye, BJ, and Charles are in the Swamp reading the letters, when BJ says, "Leave it to Charles to be the world's first poison pen-pal," the shadow of the boom mic can be seen moving around at the top right corner of the screen.
21st Nov 2015
Visible crew/equipment: While BJ, Hawkeye, and Charles are in the Swamp, when BJ starts reading the letter from the child who thinks the army is like camping out Charles takes that letter away from BJ, and just as Charles is about to sit back down the edge of the Swamp set can be seen at the top right corner of the screen.
21st Nov 2015
Visible crew/equipment: When Colonel Potter and Charles exit the mess tent carrying the trays, so they can serve breakfast in bed to the winners, they split up and as Charles walks to the Swamp saying, "What a shame to have wasted all these years as a doctor," we have a great view of the boom and boom mic at the left side of the screen as it moves backwards away from Charles, outside the Swamp.
21st Nov 2015
Visible crew/equipment: When they're all in the OR talking about Aggie being at the 4077, Charles compares Colonel Potter's art style to Aggie's, and in the next shot as Potter tells the art critic to tread softly, the boom mic is visible at the top, right side of the screen and just as the mic starts to pull up the shot zooms in on Aggie.
21st Nov 2015
Visible crew/equipment: When BJ's in Margaret's tent talking to Aggie about feeling like a prisoner of war, just as he says, "I work because of the war," the boom mic dips into view at the top of the screen.
21st Nov 2015
Visible crew/equipment: After Klinger gives the envelope with the forged discharge papers to the driver going to I Corps, just as he walks through the doorway we can see the two actors' tape marks on the ground, where the driver and Sidney were standing when they arrived.
21st Nov 2015
Visible crew/equipment: When Sidney arrives and speaks with Klinger in the office the door remains open for the next few shots, and while Klinger first talks to the doctor and then to the driver, we can see the top of the crooked "sky" backdrop behind the tent in the compound.
21st Nov 2015
Visible crew/equipment: While Klinger's practicing Colonel Potter's forged signature on the notepad, when BJ walks in on him and then picks up Klinger's notepad the boom mic moves across the top of the screen.
21st Nov 2015
Visible crew/equipment: While BJ and Hawkeye are in the Swamp playing darts, after BJ barely misses Charles with his throw, just as Charles storms into the Swamp the boom mic dips into view at the top of the screen, over Charles.
21st Nov 2015
Visible crew/equipment: After the opening credits, in the very first shot in the OR we can see the boom mic dipping into view at the top, left side of the screen.
20th Nov 2015
Continuity mistake: When Colonel Potter, BJ, Hawkeye, and Charles are in the changing room, Charles wants to be alone so he takes his tan jacket off the first nail on the right and leaves, but in BJ and Hawkeye's closeups the tan jacket is still hanging on that first nail, then it vanishes again.
20th Nov 2015
Visible crew/equipment: When Father Mulcahy and the farmer are talking to BJ and Hawkeye about the wounded cow, the doctors say they'll get help from Colonel Potter, and when they walk away the T-mark can be seen on the ground where they were standing.
20th Nov 2015
Follies of the Living - Concerns of the Dead - S10-E10
Continuity mistake: When BJ, Charles, and Hawkeye are in the Swamp getting drunk they toast to "war, the fountain of loveliness," and Charles attaches the surgical clamp to BJ's hand and it dangles with the end facing out in the closeup, but the clamp faces the opposite way in the wideshot, then it's changed again.
20th Nov 2015
Visible crew/equipment: While Hawkeye's being questioned by the prosecuting counsel, we can see the curved chalk foot marks on the floor right behind Hawkeye's chair, such as when council asks where Hawkeye was when the camera was stolen.
20th Nov 2015
Visible crew/equipment: While Colonel Potter, Margaret, and Father Mulcahy are in the mess tent, we see that BJ and Hawkeye arrive back at camp in the jeep, and when they walk into the mess tent the curved chalk foot marks can be seen on the floor under the table, between Potter and Mulcahy.
20th Nov 2015
Communication Breakdown - S10-E6
Continuity mistake: When Charles leaves the shower with newspaper covering his privates, the newspaper at his backside is wrinkled and messed up when he enters the Swamp in the exterior shot, but next shot the papers are different and arranged neatly.
20th Nov 2015
Communication Breakdown - S10-E6
Visible crew/equipment: While Colonel Potter and Margaret are with Charles, a nurse sees them and announces the presence of a newspaper, then when everyone gathers around Charles while he sets the reading rules, there's a man with blondish shoulder length hair and a beard, wearing a blue button down shirt and white pants who's standing in the background, partially hidden by the signpost.
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