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Get Fit or Go Fight - S5-E16

Visible crew/equipment: As Klink and Schultz approach the barracks where Le Beau is "weightlifting", there is a cord or cable along the ground that would be for studio equipment.

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The Missing Klink - S4-E15

Visible crew/equipment: As the car with the kidnapped Klink takes off, the Stalag 13 buildings are reflected in the windows, along with the camera equipment and lighting. (00:01:20)

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One in Every Crowd - S3-E10

Visible crew/equipment: As Klink's car pulls up, and Klink comes around the front of it, the shadow of the camera is visible.

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Hello, Zolle - S1-E19

Visible crew/equipment: As Hogan and Le Beau crawl through the car and shut the door, the camera rig, equipment, and cameraman are reflected in the window.

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Hold That Tiger - S1-E2

Visible crew/equipment: As Klink gives the info on the Tiger tanks, in the close ups, the studio light is reflected in his monocle.

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The Informer - S1-E1

Visible crew/equipment: As Burkhalter looks down at the floor under the water tower, the studio lighting positions are distinguishable on the visor of his cap.

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The Big Dish - S4-E24

Visible crew/equipment: As the two German officers come out of Klink's office and approach the radar truck after Kinch leaves, the shadow of the cameraman, the camera, and the camera tripod are plainly visible on the left side of the scene on the ground.

Movie Nut

Standing Room Only - S5-E21

Visible crew/equipment: As Burkhalter is talking to Strauss and Klink in front of the office door, you can see the shadow of the boom mic moving over each as they talk.

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Go Light on the Heavy Water - S1-E9

Visible crew/equipment: When the staff car entering the compound stops, you can see a reflection of the crew member stopping the car, the light rig, and the camera in the chrome.

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Bombsight - S5-E7

Visible crew/equipment: After Carter (hidden in the trash can) switches the fake blueprints for the real ones, Kinch wheels the trashcan past Klink. As he does so, the shadow of the camera is seen on the can.

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Happy Birthday, Adolf - S1-E17

Visible crew/equipment: When spying on a gun emplacement, LeBeau is dressed as a little old lady. When putting on his shawl before going back, you can see the studio lighting reflected on the glasses he wears.

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Anchors Aweigh, Men of Stalag 13 - S1-E16

Visible crew/equipment: When in Klink's office, Hogan gives Klink the bum's rush, convincing him that he's tired. After Klink sits, the camera pans around. As it does so, you can see the shadow of the camera rig.

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Will the Real Colonel Klink Please Stand Up Against the Wall? - S4-E13

Visible crew/equipment: When Hogan opens the window, there is a reflection of the studio lighting on the top pane.

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Show generally

Visible crew/equipment: Many times that there is a close up on Klink, there is a reflection of the studio lighting.

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Watch the Trains Go By - S4-E19

Visible crew/equipment: When Klink is by the fence acting busy and talking to Schultz, twice you can see the shadow of the camera on Klink's overcoat.

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The Flame Grows Higher - S1-E31

Visible crew/equipment: Toward the end of the episode, after the two women are taken out by the Gestapo, Shultz, Hogan, Lebeau, and Newkirk are standing having a drink. The camera goes in for a close-up on Shultz, there is a noticeable shadow of the camera on Shultz's coat, and right arm.

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The Antique - S5-E12

Visible crew/equipment: When Burkhalter first comes into the office, the camera rolls a little closer. As it does, you can see the shadow of the camera on Burkhalter's arm.

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