Casual Person

Visible crew/equipment: Whilst Yu is forcing his way through the Zero Church building, there is a moment where he seals a glass door with pole he found so that the executives can't get through. After he does this, the camera momentarily pans in on Yu and the executives on the other side, and the reflection of the camera and cameraman can be seen reflected on the glass door. (03:20:15)

Casual Person

Visible crew/equipment: When Yu and his friends have finished dragging Yoko into the van, Yu jumps into the van and closes the door behind him. When he finishes closing the door, the reflection of the boom mic can be seen in the window. (02:44:50)

Casual Person

Visible crew/equipment: Whilst Inoue is talking with Yoshiko in secret, just after he says "No, the day after tomorrow I'll call you for sure", she lifts up her head slightly to make eye contact with him. When she does this, the film crew can be seen reflected in her glasses. (01:03:45)

Casual Person

Visible crew/equipment: When Pat and Tiffany arrive at the hotel for the dance competition, in the first shot inside the building, the camera is shown moving forward towards them. To the left of shot, the reflection of the camera and cameraman can be seen in the glass window. (01:38:48)

Casual Person

Episode #1.9 - S1-E9

Visible crew/equipment: When Ae-sin is speaking to Eugene in his office and she is sitting at his desk, right after she says "Don't get me wrong. I'm actually here for a reason", she is shown looking down at her lap. When this happens, the reflection of the boom mic can be seen in one of the photographs on the table behind her. (00:46:24)

Casual Person

Visible crew/equipment: When Iniko has finished driving the car into the forest so that he can take Clarence to the beach, there is a shot of Clarence looking at Iniko while he says "What are you waiting for? Get out." In this shot, the reflection of a crew member, most likely the cameraman, can be seen moving around in the wing mirror. It can't be Iniko because he is standing on the opposite end of the car. (01:15:00)

Casual Person

Visible crew/equipment: When Yun-ji hears the sound of a barking dog coming from outside the apartment, he runs outside, then runs down the hallway and stops to look over a small wall once he sees where the barking is coming from. When the camera pans around him, just before it is revealed which dog was barking, the shadow of the camera can be seen briefly cast on his upper back. (00:25:35)

Casual Person

Visible crew/equipment: Whilst Dignan is leaving the motel, Inez gets Rocky to say to Dignan "Tell Anthony, I love him", to which Dignan says "All right, man, okay" and walks off. The following shot after this is of Dignan walking past the side of a building. Right at the start of the shot, for a split second, the reflection of the cameraman can be seen reflected in the window beside him. (00:48:45)

Casual Person

Visible crew/equipment: After telling the plumber to go the police station, the police investigator is inside his car, undoing his tie. There is a moment where he turns his head around to look out the back window. Here, the reflections of two people sitting in the back seat, one being the cameraman, the other, most likely the director, can be seen reflected in his sunglasses. (01:12:24)

Casual Person

Visible crew/equipment: When the police investigator is looking for Augusta on the beach, he walks up to the shower stall area, says "Augusta", then looks back at the beach. Whilst he is looking at the beach, the reflection of the camera crew can be seen reflected in his sunglasses. (01:16:15)

Casual Person

Visible crew/equipment: In his car, the police investigator briefly stops in the middle of the road to put on a tie. There is a close-up shot where he begins to place the tie around his neck. In the shot, the reflection of a crew member sitting in the passenger seat can be seen reflected in the sunglasses that he is wearing. (01:12:29)

Casual Person

Visible crew/equipment: When the police investigator is speaking with the man standing outside the store window and asks him if he would buy every tie in the store, in every close-up shot of the investigator, the reflection of the cameraman kneeling on the ground can be seen in his sunglasses. (01:08:25)

Casual Person

Visible crew/equipment: After exiting the turnstile, Sator looks through the window separating the two rooms and watches his past self interrogating the Protagonist in the opposite room. In the shot where his past self is shown hitting the Protagonist across the head with his gun (in reverse), the wheels of the camera dolly can be seen reflected in the window to the left of shot. (01:24:45)

Casual Person

Visible crew/equipment: When Liz walks into the art studio early in the morning, in the shot where she opens the door and enters, a boom mic can be seen in the bottom left hand corner of the frame and is quickly pulled out of shot. (03:14:54)

Casual Person

Visible crew/equipment: Just after Edouard goes outside and Marianne is left alone in the art studio, Marianne walks around the room and looks at some of the drawings, before resting on the couch. Right before she sits down on the couch, just as she extends her leg, a boom mic can be seen in the bottom right hand corner of the shot, briefly entering the frame. (02:12:48)

Casual Person

Visible crew/equipment: After going through the turnstile in Oslo, the Protagonist walks up to an ambulance, knocks out the driver and steals it. When he begins to drive off, the shadow of a huge stage light can be seen cast on the side of the ambulance. (01:44:34)

Casual Person

Visible crew/equipment: When Culpeper attempts to hide his car in the garage, the two taxicabs catch up with him, prompting Culpeper to drive away. In the shot of Culpeper driving out of the garage and away from the others, the camera crew can be seen reflected on the side of his car. (02:24:20)

Casual Person

Visible crew/equipment: Whilst Culpeper is walking across the park, a couple of seconds before Meyer is shown hiding behind the bushes, the camera passes in front of a tree and the shadow of the cameraman can be seen cast on the tree trunk when it passes. (02:07:50)

Casual Person

Visible crew/equipment: When Meyer drives his car into the river, the shadow of the camera can be seen on the side of his car. (01:31:09)

Casual Person

Visible crew/equipment: During Pike's fight with the two mechanics, one of the mechanics is shown clinging onto the ceiling whilst Pike is trying to pull him down, which then causes the ceiling to collapse. The crane used to hold the ceiling into place can be seen when the ceiling collapses. (00:54:29)

Casual Person