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Trivia: Prologue: In Ludendorff, whilst driving away from the bank in the getaway car, the player can decide to veer off the road and drive down towards a frozen lake. If they do so, the body of an alien can be found frozen in the lake.

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Continuity mistake: The Bureau Raid (Fire Crew Approach): In the FIB building, when Michael walks into the elevator, he presses the button for the floor he wants to go to. The door then closes and he is standing near the front. The shot then cuts to a view from the CCTV and he is suddenly standing towards the back of the elevator.

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Other mistake: Reuniting the Family: Just after Michael walks into his home, he takes out a bottle of whiskey, and goes to pour it into a glass. Just before he goes to pour, there is already a sliver of whiskey in the bottom of the glass, even though it should be empty. It appears as if the sliver of whiskey shown in the glass was used as an animation reference to help the animators during post-production.

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Revealing mistake: In the establishing shots of Los Santos, in the shot of the Del Perro Beach Pier, the railings surrounding it suddenly pop-up onscreen midway through the shot.

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Trivia: Hood Safari: When Franklin, Trevor and Lamar are approaching Grove Street, three men who bear a resemblance to CJ, Ryder and Sweet from Grand Theft Auto: San Andreas, can be seen driving away from the cul-de-sac in bikes. This is a reference to the mission Sweet and Kendl from GTA: San Andreas in which they have to ride bikes to evade a gang.

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Revealing mistake: Casing the Jewel Store: When Michael and Lester return to the garment factory after taking pictures of the jewellery store, there is a shot from the side of the building that pans from the car around to the building. When the shot is panning around to the building, there are some cardboard boxes and other objects shown next to the building that are suddenly animated partway into the shot. They just appear to pop-up onscreen out of nowhere.

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Continuity mistake: Paleto Score Setup: When Michael, Trevor and Lester return to Trevor's office after surveying the bank, Trevor takes a bowl of stew out from his fridge with his left hand, but when he goes to put the bowl in the microwave, the bowl is in his right hand.

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Continuity mistake: Caida Libre: When Martin Madrazo shows Michael and Trevor the picture of Javier on his tablet, in the front shot Madrazo's right hand is along the side of the tablet, near the bottom and the fingers on his left hand are pressed against the tablet, but in the next shot, his right hand is along the bottom of the tablet, and his left hand fingers are more curled.

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Continuity mistake: Did Someone Just Say Yoga?: Whilst practicing yoga, when Michael is bending over, Amanda's shadow is cast on his mat, but when the game cuts to the cutscene, her shadow has suddenly moved to the edge of Michael's mat.

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Continuity mistake: Dead Man Walking: Dave Norton takes a photo of Ferdinand Kerimov to show to Michael. When he first takes out the photo, his index finger is touching the corner of the photo. The shot cuts to a close-up of the photo, where his index finger is now placed over most of the photo.

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Continuity mistake: Fame or Shame: When Trevor tells Lazlow to take his pants off, Lazlow lowers his pants to his knees, but in the next shot, his pants are suddenly off completely and on the ground beside him.

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Continuity mistake: The Jewel Store Job (Smart Approach): After stealing the jewels, Michael heads for the exit. Just before Michael makes it through the front door, Franklin is seen talking to a police officer who has his arms by his side. The cutscene then starts playing where the police officer suddenly has his arms raised.

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Continuity mistake: Prologue: After Michael and Brad have been shot and the three extra police cars arrive, Trevor turns around and notices a woman standing in the far background. The woman is standing out of the shadow, but when the shot cuts to a closer shot, she is suddenly standing much closer to the shadow.

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Continuity mistake: Prologue: Michael and Brad starting talking after escaping the bank and Trevor shouts to stop them. When the shot is on Trevor, the outside of the car can be seen through the back window, and it is driving on the right side of the road. The shot then cuts to an exterior angle behind the car, where the car is driving on the left side of the road.

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Revealing mistake: Marriage Counselling: Just after Michael and Franklin return to the house after thinking they have outrun Martin Madrazo, the game cuts to a cutscene showing a wide shot of them approaching the house, and Michael thanking Franklin. When this happens, an animation error occurs where the shadows of the house and trees alter on-screen.

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Other mistake: Marriage Counselling: When Franklin arrives at Michael's house to find the tennis coach jumping off the balcony, there are numerous animation errors shown around the balcony, notably when the player shifts the camera angles. First, there are flowers around the balcony when the coach jumps off, but there are some frames in which the flowers have not been animated. Second, there are some frames in which the door to the balcony has not been animated, leaving a colourless arch shape. Third, numerous rendering layers of the balcony door will pop-up on screen during each individual key frame when the camera angle is altered.

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Other mistake: Marriage Counselling: The opening shot of the intro cutscene is shown partway up the staircase of Michael's house looking down on the hallway. In the foreground of the shot, there is an ornament suspended from the ceiling, hanging around the staircase. The ornament starts off a very shaded colour, but an animation error occurs, causing the ornament to shift to a much lighter colour within a frame.

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Revealing mistake: Marriage Counselling: When Michael walks into his house at the start of the cutscene, keep an eye on the bouquet of white roses, shown in the hallway to the left of shot. In the very first frame, the white roses have been animated very brightly. After that first frame, an animation error occurs on-screen, where the white roses suddenly shift to a much more shadowed white.

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