When sitcom TV shows have restaurant scenes, are these typically filmed in a real restaurant or is a set created?
raywest
15th Jan 2018
General questions
9th Jun 2024
General questions
When an actor wants to leave a show or is fired, why is the character killed off instead of having them do something else? In House M.D, Kal Penn wanted to leave the show, so his character was written as having committed suicide. Wouldn't it have been better to have his character leave the show by either having him take a job somewhere else or having him get fired instead of him killing himself? In Roseanne, her character overdosed. Why not have her character divorce Dan instead?
Answer: Often times it's done for dramatic purposes, even if the actor leaves on good terms. Writing an episode where a character dies is much more jarring to the audience and something they may talk about the next day. Plus, actors that suddenly leave the show, don't return the next season, or die in real life, aren't there to say goodbye to friends, family, or colleagues before taking another job, going off to college, or getting fired. Which is what normally happens in real life, so it would come across as unrealistic. But there's plenty of shows/characters where an actor is knowingly leaving the show, so writers do have time to write a farewell type episode in. Also, by killing off characters, the audience doesn't have an expectation for their return and writers don't have to think about them. Of course, the alternative is recasting the character and then just dealing with the backlash or criticism of such a cheap move.
It does seem like recasting is rarely done, and the audience usually doesn't like the replacement.
There's a number of cast replacements in TV shows, but often it's minor characters. More prominent ones include Dick Sargent replacing Dick York as Darrin in "Bewitched," and Sarah Chalke taking over Lecy Goranson's role as Becky in "Roseanne." Neither replacement actor was warmly received by viewers.
9th Jun 2024
General questions
Is there a general reason why American actors are chosen for starring roles as British characters, or vice versa? I've read about Renée Zellweger working at a British publishing firm to prepare for the Bridget Jones movie. Andrew Lincoln played a Southern US man on "The Walking Dead" for several years. Natalie Portman hired a coach to help her prepare for playing Anne Boleyn. With all due respect to them, would it not be easier to simply use an actual British or American actor?
Answer: Why "easier"? If an actor can do the right accent and is the best fit for the role, there's no great hardship in someone traveling for work and changing their voice. It's not like they're hiring someone with a completely inappropriate physical look that will involve hours in makeup every day. If the best person for the role happens to be a different nationality, far better to get them to do an accent and make the movie better, rather than hiring someone with the right natural accent but who isn't actually as good a fit. Producers and directors and casting directors don't owe it to actors of either nationality to give them work, their job is to find the best person for the film they're making.
Why the snappy response? This is why people are afraid to ask questions.
What was "snappy"? You used the word easier, I asked why. I didn't accuse you of implying anyone was owed work, I was just stating that as a fact. Slightly odd you'd reply "thank you for your comment" then later come back with your own "snappy" response, when I just answered the question you asked. No evidence anyone's afraid to ask question either - they get asked here all the time.
By "easier", I only meant that some of the preparation work might have been skipped by choosing someone who is already American or British. Also, I did not mean to imply that any actors are "owed" work. They're not. I was only curious about why actors are chosen for such roles. Thank you for your comment.
Even actors playing someone of their own nationality often have to work with a dialect coach to perfect a regional accent. An American actor who grew up on the West Coast does not speak the same as someone from New England, the Mid-West, the South, Texas, New York, etc. The same for British actors as there are many regional accents and dialects they may have to master.
Answer: Working Title Films tried for years to raise the finance to make "Bridget Jones' Diary", but nobody was interested, even with Rachel Weisz and later Kate Winslet attached as Bridget. Then one day Renée Zellweger signed on and Miramax and Universal threw money at them. This explains the many jarring Americanisms in the film, sops to the film's US financiers.
Answer: Would add to the other answers that it's typical when casting a movie there are usually multiple actors considered for a main role. Movies are a huge and risky financial investment, so for a big-budget film, it's usually a small pool of bankable A-list actors that are considered, regardless of their nationality. In the case of Bridget Jones' Diary, Helena Bonham-Carter, Cate Blanchett, Emily Watson, Rachel Weisz, Cameron Diaz, Kate Winslet, and Toni Collette were considered. Some were already tied to other projects, Winslet was ultimately considered too young, Weisz was too pretty, and so on before producers landed on Zellweger. I also suspect some of these well-known actresses balked at playing a slightly overweight character that would have required them gaining weight for the role. Zellweger put on 20 lbs. To pay Bridget.
19th Mar 2024
General questions
What exactly is the "lowest common denominator" audience? I've heard people say this when they think a movie or show is bad - that it was made for the "lowest common denominator." But why would studios/networks deliberately make something that the majority of people will not like?
Answer: It's actually the reverse - the lowest common denominator audience is meant to be the simplest, least demanding, lowest-expectations audience. Basically an audience that might want some special effects or a generic sexy plot, without being that bothered about creativity, artistic merit, etc. The broad idea is that that covers quite a large section of the population, just not a "highbrow" section. It's often applied to films or shows that might have a high commercial appeal (but not always) but get low critical ratings. Some/all of the Transformers films might fall into this category, for example. The people who like them really like them, but a lot of people don't, and they don't get good reviews, but still make a lot of money.
There is also a segment of "guilty pleasure" viewers. Unlike the lowest common denominator, they claim to be aware that a movie/show is poor quality, however, they get a smug satisfaction from watching. Low-budget thriller movies and "trashy" reality shows are good examples. Many people will watch those "ironically" and believe that they are superior to the audience ("I'm smart enough to know better"). Networks probably have these viewers in mind, too.
Totally agree with your assessment, but would add that many moviegoers often prefer familiar and predictable plots because they think they've figured everything out, know "who did it," who gets the girl or boy, that the hero will save the day, and so on, without realizing it's the same story over and over. I have friends who prefer one or two types of movies (romantic comedies for women and action/superhero movies for guys) where they don't have to think too hard about the plot and want a predetermine outcome. Hollywood knows what audiences like, do test screenings for audience reaction, often change endings based on feedback, and formulate what makes the most money. Familiar plots are continually rehashed, knowing what sells to the widest audience. It's unfortunate as creativity and innovation is squashed for formulaic, profit-motivated projects.
19th May 2023
General questions
Are there any TV series that were cancelled before a complete first season was even aired? I am mostly curious about sitcoms and dramas/thrillers, not reality shows.
Answer: Honestly, there have been numerous TV shows cancelled before a complete first season was aired. Another great example is cult-favorite sci-fi series "Firefly," which was cancelled before the 14 produced episodes finished airing. "Emily's Reasons Why Not" is another good example. It's a romantic comedy series that was cancelled after only one of the six produced episodes aired. (The remaining five episodes never aired on TV, but were quietly released on a DVD set.) "Viva Laughlin," a musical comedy-drama series produced by Hugh Jackman was cancelled after only two episodes, and none of the remaining episodes have aired or been given a DVD release. "Mockingbird Lane," a re-imagining of "The Munsters," was cancelled after it's pilot was aired as a TV-special, so the remainder of the first season was never produced. There's honestly probably hundreds of shows that were cancelled before a complete first season was aired.
I was wondering if there are contracts that require the entire first season to be shown, before a network can decide not to show another season. I guess not, based on the answers here.
Shows being pulled mid-season isn't indicative of what other shows' contracts consist of. Some shows may have had it in their contracts that the entire season be aired (there are shows that get pulled mid-season beyond season 1). I don't have personal knowledge because that would be a lot of contracts to read to find out. So maybe someone does. But there's plenty of shows that don't produce an entire season prior to being picked up, so it's possible all the episodes produced were aired.
Answer: So, so many. Drive comes to mind - Nathan Fillion thriller about an illegal road race, only had a few episodes before being pulled off air. "Selfie" (2014) with Karen Gillan and John Cho was cancelled by ABC after only 7 episodes. "Do No Harm" (2013) cancelled after 2 episodes. The Dictator (2012) starring Christopher Lloyd only had one episode.
Answer: One of the shortest TV shows ever was the 1997 series "Lawless," starring former NFL player Brian Bosworth. It was cancelled after the first episode. Also, "Cop Rock," a TV show in the 90s, was cancelled after only 11 episodes. "When The Whistle Blows," a TV sitcom in the 80s, also only lasted 11 episodes.
Answer: There was a police drama roughly 10 years ago called Golden Boy. It was about the youngest police Commissioner in NYPD history and kept hinting at a department-wide shootout that led to the man's promotion. It lasted 13 episodes.
Answer: Another show was called "Brimstone" and had actors Peter Horton and John Glover. The show only had 13 episodes.
The 1963 ABC "The Jerry Lewis Show" was originally planned for 40 episodes in the first season. It went off after 13 shows.
Answer: Outlaws 1986, was cancelled after a few episodes. Sitcom In Case of Emergency, with Kelly Hu, was cancelled after only a couple of episodes.
6th May 2023
General questions
When movies or TV shows are filmed on location, how do they manage to film a scene without interference from the local public?
Answer: They will typically have areas closed off. If it is filmed in an area with heavy pedestrian traffic, there will be notices displayed that anyone in the area could end up on camera and is giving consent to be filmed by being in the area. The film crew will have security measures in place to prevent people from disrupting the production.
Your description is accurate, though I once wandered into a scene of the TV show, "Northern Exposure," that was filming in Seattle. I didn't realise I was in the shot, directly in front of the cameras down the street. The film crew didn't notice me. When the director yelled, "Action", I just walked away. I've also driven by several movies filming on the street with traffic passing through, such as "Sleepless in Seattle." I drove by Meg Ryan who was in a car. Tom Hanks was on the beach. Was commuting to work as "Fifty Shades Freed" filmed a car chase on the now-gone Alaskan Way Viaduct. Traffic was temporarily stopped during filming.
Answer: Some big budget shows like the Law and Order franchise have recorded outside scenes with green screens to block out the public but keep natural lighting, building exteriors, sidewalks etc. They add a nondescript city background later.
28th Apr 2020
General questions
I'm looking for the name of a film from my youth. Might be black and white. All I remember is that the leading lady 'popped' her leg when she kissed the 'right man'. And the uncle/grandfather hid cigars all over the drawing room as he wasn't allowed to smoke.
Answer: It's the 1964 film, "I'd Rather Be Rich," starring Sandra Dee, Robert Goulet, Andy Williams, and Maurice Chevalier (as Dee's cigar-smoking grandfather).
There was also a 1941 film titled, "It Happened With Eve," starring Deanna Durbin, Charles Laughton, and Robert Cummings that had a similar plot and on which the 1964 movie was based.
6th Aug 2019
General questions
This has been annoying the hell out of me for years. I'm thinking of an early 1960s (?) black and white American movie that features numerous cameos by A-List Hollywood actors who are so heavily made-up (with wigs and latex facial prosthetics) that they are all thoroughly unrecognizable. At the end of the film, as a complete surprise, there is a sequence of each of these otherwise unremarkable cameo characters removing their makeup for a big reveal. For example, a plain, middle-aged woman who only appeared for a few seconds onscreen grandly removes her latex face to reveal none other than Burt Lancaster. I believe Robert Mitchum and Tony Curtis were also among the reveals. What is this film?
Answer: "The List of Adrian Messenger" (1963). Burt Lancaster, Robert Mitchum, and Tony Curtis, along with Kirk Douglas and Frank Sinatra, remove their heavy makeup during the epilogue to reveal who they are. Although Lancaster and Sinatra didn't actual portray the characters they claimed to have been.
Thank you. The name of this movie has been on the tip of my tongue for many years.
Incidentally, director John Huston (who also made a cameo appearance in the film) tried to convince Elizabeth Taylor to play a disguised part in this movie; but, when Taylor learned that her lovely face would be completely hidden under heavy latex, she turned down the role.
27th Jun 2016
General questions
From what I vaguely remember it's about a woman in a fancy big house. There is a party going on. This guy is being nice to her and they are flirting. She says she has to go somewhere. He begs her to stay with him - she promises to come back, then she goes off, races back, and when she comes back the house is old and some person tells her no one lived there for over 100 years. I think if she had stayed the spell would have been broken. If someone has any ideas please put me out of my misery.
Chosen answer: It sounds like you're thinking of "Brigadoon". A Scottish village is under a spell where it only appears for one day every 100 years (which was done to preserve the way of life of the villagers.) When two men find it, one falls in love with a woman villager and if she were to leave the village, the spell would be broken and the village of Brigadoon would disappear forever, along with everyone in it (if he stayed he'd have to leave the real world behind). There's been a lot of adaptations of the story, so not sure which version you saw. Two versions I know of are a 1954 film and a 1966 TV movie.
The movie described in the question is not "Brigadoon." For one, the entire village disappeared and there was no old house with someone in it that remained in the intervening 100 years. Also, in Brigadoon, it was the man who came upon the village, not the girl.
Possible, but I've noticed when people only have a vague memory of things, they confuse what they saw with another film or mix up some points. The key points of 1 day and 100 years and a broken spell pointed to "Brigadoon." But there's been adaptations of the film that the person might have seen which may have alternate minor plots that I'm not familiar with, which I mention so the person could have a reference to look for in case I was wrong in guessing what they saw. I've noticed with these general questions that the original posters sometimes reply if the suggest film is not what they were thinking of.
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Answer: Due to the logistics involved in filming, in most cases, a set would be created. In some cases, a real restaurant might be used, but it would involve compensating a business for lost revenue during the filming, obtaining special city permits, hiring police to monitor crowd control, etc. It is simpler and more economic to build a confined set.
raywest ★
The above is certainly true but a rare third option is filming in an old, closed business. The place is refurbished by the crew, it looks realistic and it is simple to move the action in and out of the venue. An example is the bar at the beginning of The Wolverine, set in the USA but filmed in an old, closed pub in rural Australia.
Good point. There was actually a movie with Drew Barrymore (I don't know the title) that filmed a scene near my house that used a recently closed tavern.
raywest ★