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Cute Poison - S1-E4

Visible crew/equipment: When Sucre is on the phone, a boom is reflected in the phone. (00:13:30)

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Scylla - S4-E1

Visible crew/equipment: When the man gets out the limo to shoot Gretchen, a white screen and equipment is reflected in his sunglasses. (00:09:50)

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The Art of the Deal - S3-E13

Visible crew/equipment: When McGrady's dad is told to get out of there, a camera shadow is seen to move over the guard's uniform. (00:14:20)

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Bang and Burn - S3-E8

Visible crew/equipment: After Michael has dropped back into Sona we see him running away from the camera with a nice big camera shadow on his back. It's nothing in the surrounding area. (00:38:30)

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Good Fences - S3-E4

Visible crew/equipment: When Link gets into an argument with Sofia, as she says about him not being the only one who has people they care about in there a shadow can be seen to move over her back. However she is stationary, Lincoln is in front of her and Sure is sat on the sofa on the other side of the room as shown by the next shot. (00:31:00)

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Sona - S2-E22

Visible crew/equipment: We see Sucre as Bellick is being taken away. In this shot, the camera pans round Sucre, leaving a nice shadow on his shoulder. (00:18:20)

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Wash - S2-E18

Visible crew/equipment: When Mahone is asking Kim why would the brothers return to Chicago, there is a nice reflection of a boom operator in his sunglasses. (00:31:40)

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Wash - S2-E18

Visible crew/equipment: When Cooper Green is walking down the hallway in the museum, there is one shot where you can see his shadow on the (screen) left hand wall. There is a very quick shadow of a camera on the wall as well. (00:24:40)

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Wash - S2-E18

Visible crew/equipment: When Mahone has been given the order to kill Franklin, there is a shot of the laptop in front of Franklin. In this shot, there's a reflection of someone moving. However only Franklin and Mahone are in the room and it's not them. (00:22:00)

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Unearthed - S2-E9

Visible crew/equipment: When C-Note is making the stance about no guns, his friend in yellow says he's not going in without a gun. When he says this a boom shadow is visible on C-note's head and moves off it. (00:18:10)

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Dead Fall - S2-E8

Visible crew/equipment: At the end, there is an aerial shot of the city, If you look in the lower right corner, you can see part of the filming vehicle. (00:40:00)

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Buried - S2-E7

Visible crew/equipment: When Tweener gets out of the FBI truck in the desert they are in the middle of nowhere with lots of trucks and equipment reflected in the paint work. (00:39:30)

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Buried - S2-E7

Visible crew/equipment: When Linc is driving the blue car towards the end, the filming car can be seen in the paintwork by the door handle. (00:36:00)

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Map 1213 - S2-E5

Visible crew/equipment: When Linc opens the boot of the car for Tbag to get in, there is a nice square of equipment reflected in his sunglasses. There is nothing square in the area as shown previously. (00:23:20)

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Scan - S2-E3

Visible crew/equipment: When the state trooper is walking back to Sucre, look in his badge and you'll see a camera reflected. (00:30:55)

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Scan - S2-E3

Visible crew/equipment: When the police bike goes to overtake Sucre, the lights from the filming car can be seen in the paintwork of Sucre's car. (00:24:40)

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Manhunt - S2-E1

Visible crew/equipment: When the FBI arrives at the lock up, the film crew is reflected in their truck. (00:28:50)

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Odd Man Out - S1-E12

Visible crew/equipment: When C-note's associates get back in their truck a stage light and equipment is reflected in the paintwork. (00:38:00)

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Riots, Drills and the Devil: Part 2 - S1-E7

Visible crew/equipment: When the air hostess is saying they are making their final approach in to DC, a camera shadow can be seen moving over the seats as the camera pans. (00:09:00)

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