Sacha

An american girl in paris (part deux) - S6-E20

Visible crew/equipment: When the pastry shop scene starts, there's a wide angle of the store and a big glass door opening wide. The whole filiming crew and equipment are perfectly visible.

Sacha ★

An american girl in paris (part une) - S6-E19

Visible crew/equipment: When Big shows up at Carrie's place, a screen used for lighting and the boom mic are reflected on the car.

Sacha ★

An american girl in paris (part une) - S6-E19

Visible crew/equipment: Crew member in jeans with filming camera reflected on the Parisian hotel entrance.

Sacha ★

Lights, camera, relationship - S6-E5

Visible crew/equipment: Set lights and screens are reflected on both helmets' surfaces. (00:20:33)

Sacha ★

The perfect present - S6-E3

Visible crew/equipment: In the close-up shot of Big in the tub, the reflection on the bottle shows two lighting screens, a boom mic pole and a silhouette, most likely a crew member. (00:24:36)

Sacha ★

Visible crew/equipment: When Ray and his men open the balcony door at the junkies' place, a huge white screen used for lighting is reflected on the glass door.

Sacha ★

To market, to market - S6-E1

Visible crew/equipment: When Carrie confesses she bought six outfits for her date, camera and crew are reflected on the glass of Coke.

Sacha ★

I love a charade - S5-E8

Visible crew/equipment: Sam says "this party's gonna be amazing, A-list" and a black shade used for lighting is reflected on her sunglasses. (00:09:27)

Sacha ★

Old dogs, new dicks - S2-E9

Visible crew/equipment: At the phone booth, Steve says "blue moon", and right then two lighting screens get reflected on his lenses. (00:23:42)

Sacha ★

Models and mortals - S1-E2

Visible crew/equipment: After Stanford tells Derek he's going to be a star, the steadicam operator is reflected on the mirror behind.

Sacha ★

Models and mortals - S1-E2

Visible crew/equipment: When Stanford and Carrie walk backstage with the models, check the reflection on the glass and you'll see: the boom mic operator, camera and, best of all, a group of technicians crouching on the floor, failing to hide and moving around when Carrie and Stanford walk around.

Sacha ★

Models and mortals - S1-E2

Visible crew/equipment: When Big arrives at the cafe a moving boom mic is perfectly visible on the glass behind with an arm and a hand moving it.

Sacha ★

I heart ny - S4-E18

Visible crew/equipment: Lighting screens are reflected on Sam's sun glasses when she spies Richard.

Sacha ★

Visible crew/equipment: When the villains enter the fortress, the moving shadow of the crane used to make them fly is visible when the last villain flies towards the upper left quadrant.

Sacha ★

Visible crew/equipment: When the cocoon cradle crashes and the Kents pull-over, lights and bulky object (camera?) are reflected on the driver's door, perfectly visible when he opens the door. Seconds later, rigs and filming equipment are visible on the fender.

Sacha ★

Sex and the country - S4-E9

Visible crew/equipment: When Carrie tells Big that there's no-one she'd like to be except Aidan, two lighting screens get reflected on his glass.

Sacha ★

Baby, talk is cheap - S4-E6

Visible crew/equipment: When Charlotte shows Tray the refurbished bedroom, a squared set light is reflected on the wardrobe.

Sacha ★

The real me - S4-E2

Visible crew/equipment: When Carrie shows the Cindy Crawford picture, the filming crew plus lighting screens on the side and on the ceiling are reflected on the bottle.

Sacha ★

Hot child in the city - S3-E15

Visible crew/equipment: When Charlotte tells Trey to go to a doctor and she says "What options do we have?", two rectangular bluish lighting screens are reflected on her lenses. Can't be the lamp in front of her because it's vanilla coloured and has a totally different shape.

Sacha ★

Escape from new york - S3-E13

Visible crew/equipment: When Sam steps off the blue car a big white rectangular object is reflected on the door. Surely some type of filming equipment, for it disappears in the wide angle.

Sacha ★