Continuity mistake: When Sy is following Nina and Jake after he put the picture of the husband cheating in with Jake's pictures, the cars pull over to the side of the road. If you watch when they pull over, you see that they pull over next to a down sloping hill that is nicely green with grass and a few sporadic trees. But when they show Sy's car in the rearview mirror, you see that they are now pulled next to a large up sloping hill that is covered in leaves, dirt, and a lot of trees. (00:53:40)
One Hour Photo (2002)
Directed by: Mark Romanek
Starring: Robin Williams, Connie Nielsen, Michael Vartan, Dylan Smith
Continuity mistake: In the scene where Sy is giving the toy to Jake after the soccer game near his car, he hands the toy to Jake and Jake says he can't accept it etc. Then we see Sy put the toy back in the Savmart bag, but when the shot changes the toy is still in his hands, not in the bag. (00:35:05)
Continuity mistake: Near the middle when Sy is imagining he is in the Yorkin's home, he is sitting on the couch watching a ballgame. Behind the couch is a tall white square sculpture. Sy turns to the dog and says, "Good game." When the camera goes back to Sy, look behind the couch, the sculpture has disappeared. But when you see the Yorkins come in the door, and the camera goes back to Sy on the couch, the sculpture has reappeared. (00:30:15)
Trivia: The names of the SavMart employees announced over the in-store P.A. are all the names of famous photographers.
Trivia: Robin Williams has the same last name in this as his character does in Jumanji; Parrish.
Sy Parrish: And if these pictures have anything important to say to future generations, it's this: I was here. I existed. I was young, I was happy, and someone cared enough about me in this world to take my picture.
Bill Owens: Sy, there's a 1000 other places where you can do your photos. There's no reason to come all the way down other than to fuck with me.
Sy Parrish: There's a very good reason. I calibrated that machine personally. It's the best mini-lab in the state.
Sy Parrish: Most people don't take snapshots of the little things. The used Band-Aid, the guy at the gas station, the wasp on the Jell-O. But these are the things that make up the true picture of our lives. People don't take pictures of these things.
Question: The photo that Sy got off the market stall, (the old photo of a women) he said to Nina that, that was his mother, was it his mother, or did he just say that to make himself feel better, and if so, why would he lie about that?
Answer: It wasn't his mother. He was just trying to fit in and make himself feel better. There is a scene earlier of Sy buying the photo at some type of vendor. Maybe a swap meet.
Question: At the very end of the movie, when Sy's camera ends up having only photos of "the little things" as opposed to the pictures of the other characters pretending to have sex, I interpreted it as Sy not having actually TAKEN pictures of the couple, but really taking pictures of the room itself, on purpose - so that the pictures wouldn't get out, but instead he would just be giving them what he feels they deserved. However, on a couple other websites I have found the ending interpreted as Sy having hidden or disposed of the film that he took the lewd photographs with. Are either of these considered to be "correct"?
Answer: There is a line from the cop at the very beginning of the film in the interview room with Cy "We processed the roll of film we found in your bag Mr. Parish, they're not very pretty pictures. Also you left a camera in the hotel, we processed that roll as well. "As he talks about the second roll he indicates the folder containing the photos we see at the end. Therefore we can assume the "not very pretty photos" found on the roll of film in the bag are the lewd ones of the pretend sex acts. Whether he left the other ones behind as a cover or what he intended to do with the lewd ones we can but guess.
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Chosen answer: This is mentioned on the DVD commentary - it's deilberately open ended so one can interpret it as either it's Sy imagining what he wants to happen OR it's what really happened.
Neil Jones
As Neil Jones said, the ending is open for interpretation. However, I think there is reason to believe that Sy imagined the photo. It shows him and the family outside of their house, all looking happy together. Would they want to take such a photo with Sy after the incident at the hotel? And before the incident, they were probably not close enough with Sy that he would be in a photo taken at their home. Him and no other guests/visitors.