One Hour Photo
One Hour Photo mistake picture

Continuity mistake: When Sy is following Nina and Jake after he put the picture of the husband cheating in with Jake's pictures, the cars pull over to the side of the road. If you watch when they pull over, you see that they pull over next to a down sloping hill that is nicely green with grass and a few sporadic trees. But when they show Sy's car in the rearview mirror, you see that they are now pulled next to a large up sloping hill that is covered in leaves, dirt, and a lot of trees. (00:53:40)

One Hour Photo mistake picture

Continuity mistake: In the scene where Sy is giving the toy to Jake after the soccer game near his car, he hands the toy to Jake and Jake says he can't accept it etc. Then we see Sy put the toy back in the Savmart bag, but when the shot changes the toy is still in his hands, not in the bag. (00:35:05)

One Hour Photo mistake picture

Continuity mistake: Near the middle when Sy is imagining he is in the Yorkin's home, he is sitting on the couch watching a ballgame. Behind the couch is a tall white square sculpture. Sy turns to the dog and says, "Good game." When the camera goes back to Sy, look behind the couch, the sculpture has disappeared. But when you see the Yorkins come in the door, and the camera goes back to Sy on the couch, the sculpture has reappeared. (00:30:15)

One Hour Photo mistake picture

Continuity mistake: As Sy is developing Nina Yokin's birthday party negative the film canister shown has the green and white Fuji colors and layout. When Sy holds the processed negatives up to the light to view the exposures the film information along the side of the strip indicates the film is Kodak Portra 400VC. (00:06:50)

One Hour Photo mistake picture

Continuity mistake: As Sy is watching tv (just before he turns onto The Simpsons) there is a glass of coke on the sidetable sitting on a napkin. The next shot its moved a bit to the left almost next to the napkin. (00:17:05)

Lummie

One Hour Photo mistake picture

Continuity mistake: Near the middle when Sy is imagining he is in the Yorkin's home, he is sitting on the couch watching a ballgame. Behind the couch is a tall white square sculpture. Sy turns to the dog and says, "Good game." When the camera goes back to Sy, look behind the couch, the sculpture has disappeared. But when you see the Yorkins come in the door, and the camera goes back to Sy on the couch, the sculpture has reappeared. (00:30:15)

More mistakes in One Hour Photo

Sy Parrish: Most people don't take snapshots of the little things. The used Band-Aid, the guy at the gas station, the wasp on the Jell-O. But these are the things that make up the true picture of our lives. People don't take pictures of these things.

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Trivia: The names of the SavMart employees announced over the in-store P.A. are all the names of famous photographers.

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Question: At the very end of the movie, when Sy's camera ends up having only photos of "the little things" as opposed to the pictures of the other characters pretending to have sex, I interpreted it as Sy not having actually TAKEN pictures of the couple, but really taking pictures of the room itself, on purpose - so that the pictures wouldn't get out, but instead he would just be giving them what he feels they deserved. However, on a couple other websites I have found the ending interpreted as Sy having hidden or disposed of the film that he took the lewd photographs with. Are either of these considered to be "correct"?

Answer: There is a line from the cop at the very beginning of the film in the interview room with Cy "We processed the roll of film we found in your bag Mr. Parish, they're not very pretty pictures. Also you left a camera in the hotel, we processed that roll as well. "As he talks about the second roll he indicates the folder containing the photos we see at the end. Therefore we can assume the "not very pretty photos" found on the roll of film in the bag are the lewd ones of the pretend sex acts. Whether he left the other ones behind as a cover or what he intended to do with the lewd ones we can but guess.

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