Corrected entry: When Peter and Dana meet at the fountain, there is a shot of Nerd-boy sitting on the fountain. Next, Peter tells Dana, "Sigourney, but I like you as an artist." Peter mentions the actress's name, not the character name.
Corrected entry: At the end when they cross the streams, Stay Puft is looking at them at their level. He was nowhere near that tall.
Corrected entry: The Ghostbusters cross their proton pack streams which results in a tremendous explosion. The next scene shows the blast pushing Mr. Sta-Puft away from the building. A second later another scene shows the explosion radiating outward from the roof. The only part of him shown over the edge of the building is his head and his right hand. To get all over the Ghostbusters, marshmallow would have to be blown in the opposite direction against the force of the blast. It makes sense that there was marshmallow all over the street, but how did it land on the Ghostbusters?
Correction: That is part of the joke. Just like part of the joke is that all of the Ghostbusters are covered in marshmallow except for Venkman, and that the explosion should have killed all of the Ghostbusters, along with Dana and Lewis in the first place. It doesn't make sense because it is not supposed to.
Corrected entry: After the Staypuft Marshmallow has been blown up we see everyone covered with marshmallow (except for Bill Murray). When we see them leaving the building, everyone has suddenly been cleaned up.
Correction: Submitted and corrected before. The Ghostbusters have had plenty of time to clean up on their way down the building, especially since they were covered in marshmallow at night, and when they reach the street, it's morning.
Corrected entry: After Ray's dream sequence, when we see all three 'busters lying in bed: after he finishes tossing and turning Bill Murray appears to sit up, as if expecting the end of the take.
Correction: Actually, this whole scene was meant to be 'real'. It was, however, edited because it was too long, and turned in to a 'dream' sequence. As a result they filmed extra shots of Ray sleeping (and dreaming), and the joke was that Ray was groaning with pleasure while dreaming of the ghost/oral sex, and his moaning and falling off the bed woke the others. If you look carefully, Bill Murray (Peter) is actually looking at Ray, having just been woken up by him....
Corrected entry: When Ray is sleeping, he dreams he sees a beautiful woman ghost. The ghost is actually Dan Aykroyd's real-life wife, Donna Dixon.
Correction: The dream ghost was Kymberly Herrin - Playboy playmate of the month for March 1981.
Corrected entry: In the scene after Dana's orchestra rehearsal, when Dana sees Venkman skipping by, she asks the "stiff" to wait there a moment. The "stiff" replies with "What? Oh, sure", however his lips do not move.
Correction: He indeed does say the words. What he says doesnt actually need much mouth motion at all (try it yourself) but watch his throat/adam's apple to see the motion that matches his words.
Corrected entry: In the sequence where the ghosts go berserk in New York, one ghost shoots itself into a taxi cab through the muffler. Right after that a man goes into the taxi, and we see the ghost at the wheel, in the form of a live corpse. The taxi then proceeds to drive off. However, it is now being driven by a regular guy, easily visible in the shot for a second or two.
Correction: We have no idea if this is an actual ghost driving the car (if so, this is the only instance in the film where a ghost manifests itself in a solid form), or if it's a possession, giving the driver the momentary appearance of a corpse.
Corrected entry: Scene where Venkman gives Egon the candy bar and says, "You've earned it": in the original film version, Venkman gives Egon a Nestlé Crunch bar; in the VHS/DVD versions, the candy bar is a Payday. I'm guessing there was a contract dispute with Nestlé sometime between the film release and the video release of the movie.
Correction: It's always been a Nestle Crunch bar. In the theater and on DVD. It was too small to see on VHS.
Corrected entry: In the scene in the hallway at the hotel with the green ghost, the ghost goes through a wall right above a vase of ferns, and about a second later, a cart crashes into the table with the ferns on it. The ferns go up into the air and out of the shot, but they never come back down. (00:33:14)
Correction: This scene is in slow motion, which is why they don't come back down.
Corrected entry: In the scene where Dana gets out of her car with the bag of groceries (just before you see the statue on the roof crumble) all of the cars are driving on the left side of the road. The story, however, takes place in NYC.
Corrected entry: When Gozar, or the voice of that lady character is telling the Ghostbusters to "choose" the form of their destructor, Peter tells them the example about J. Edgar Hoover and that they need to clear their minds. Well if he was thinking of J. Edgar Hoover at the time, shouldn't he have came out instead? (01:29:41)
Correction: No, because Gozer probably would give the Ghostbusters some time to reach a decision.
Disagree. It's Gozer the Destroyer. Not Gozer the Magnanimous... Choosing is all the break they get. But I can't prove that. Of course neither can you, so I find it a weak argument to stand behind. Luckily, whether or not Gozer the Destroyer would give them time is irrelevant. The choice was not made by the first person/character/being that pops into any of the GB's heads. Their choice is made the first time any of the GB team chooses a p/b/c "as their Destroyer." The line about J. Edgar Hoover was for illustrative purposes only. Peter didn't say, "if it were up to me, I'd choose J Edgar Hoover to be our Destroyer. And then that's who Gozer will appear as to Destroyer us. Does that answer your question, Ray?" (I can't remember who he was explaining to.) No, he's just explaining concept. Ray even says when asked what he did; (paraphrasing here,) I'm sorry. It just came to me. Something from my childhood. Something that could Never Ever Hurt Us... And I remembered Saturday mornings and Mr. Staypuft..." Ray thought of the spmm *in terms of selecting him as a Destroyer* in an attempt to trump the devil's bargain presented by Gozer. That or he went to La-La land and made a dumb choice. That's really the key word there; choice. Or "choose," rather. When you choose something, you don't just act on the first thought it idea that pops into your head. No, you consider a few options, maybe run an informal cost/benefit analysis. Then you pick your course of action, or in this case, Destroyer Avatar. If she had said maybe, "Think of a Destroyer." I could see the argument for the beskirted Director. At least that's always been my understanding.
It doesn't matter if Gozer would give them time or not; Gozer doesn't say "the first thing you mention is what I will assume is your choice." We so not understand how Gozer interprets choice, so we can't say it's done wrong. No mistake.
Corrected entry: At the beginning of Ghostbusters, Peter Venkman says that he studies the effects of negative reinforcement on ESP ability, when, in fact, he actually studies the effects of positive punishment on ESP ability. This can be seen in the fact that he adds an aversive stimulus to the subject when the subject "gets it wrong" in order to decrease that behavior, which is positive punishment. If he was studying negative reinforcement, he would have to make the shock occur at all times unless the subject guessed the right card, at which point, the shock would be removed. Of course, Peter's methods were shown to be less than sound.
Correction: The "negative reinforcement" occurs with the female subject. She sees that the punishment for getting a wrong answer is electric shock. When she gets the right answer (or so Venkman tells her) she escapes that aversive stimulus. *That* is negative reinforcement. The experiment is bunk anyway, because Venkman is lying to them both.
You could just as easily say that she's receiving positive reinforcement because he keeps complimenting her. The only thing that's for sure here is that his experimental design and conduct has a faulty member is poor.
Correction: The shock isn't the only stimulus. He's is also either being overtly obvious that he's helping the woman OR could be that the stimulus is the woman getting all the right answers.
Or that Venkman is a hack and doesn't know the difference between negative reinforcement and positive punishment.
Corrected entry: In the beginning when Ray is approaching the ghost in the library, when he says get her he's making his scared face before the ghost freaks out.
Corrected entry: As Gozer is flipping over the Ghostbusters, we can see some sort of ceiling decoration, but they are on top of a building and even the open portal door shows no roof above them.
Correction: That's actually part of the building spire with clouds above it. Not a ceiling. The clouds are fake of course and not moving so it looks like a ceiling. You can see this spire again when he marshmallow man is fired upon by the ghostbusters and the explosion later.
Corrected entry: When Ray and Winston are driving back to the Ghostbusters' office, Winston (who is driving) is wearing coveralls; when they arrive and get out of the car, he is wearing just a shirt and trousers. (01:04:00 - 01:08:20)
Corrected entry: After Dana and Louis break the gargoyles their hair is clean, but when they get to the lower floor their hair has foam in it.
Correction: Very true. It has though been corrected multiple times already, because it's quite easy for them to have got some of the marshmallow muck (or 'foam' as you correctly call it since it's obvious shave foam) on themselves being next to the Ghostbusters who were covered in it. I am not a big fan of "it might have happened offscreen" explanations, but this does seem in line with what is shown.
Corrected entry: When Dana is "strapped" to the chair and pulled into the kitchen, you can clearly see the track in the floor upon which the chair is riding. (00:51:50)
Corrected entry: At the end of the movie when everyone is waving to the Ghostbusters and Ray is backing up the car, on the light bar on Ecto 1, the outer lens is a solid blue light bar. When the car goes to drive away, it's a clear light bar with blue lens covers over each individual rotator.
Correction: The light bars on the front and back of the roof of Ecto-1 are blue but have a solid white colored portion in the center, and nothing about them changes in between shots.
Correction: He doesn't say "Sigourney". He says "It's corny".
Greg Dwyer