Continuity mistake: When Barbossa and Jack are chatting in the captain's cabin aboard the Black Pearl after Elizabeth's blood failed to lift the curse, Jack's eyes are lacking their trademark kohl lining. In the following continuous scene, however, as they rush on deck to see the Interceptor, the kohl is in place, although Jack didn't pause to apply it. [Apparantly, it was the first day of shooting, and after Depp's meeting with studio heads, Depp was forced into making Jack look cleaner and to remove Jack's kohl trademark, during those shots. As heard on the commentary.] (01:19:40)
Continuity mistake: Aboard the Black Pearl, in the Captain's stateroom, when Jack is speaking with Barbossa, Barbossa's buckle moves up and down between all the close-ups and wide shots. (01:19:45)
Continuity mistake: Aboard the Black Pearl, when Jack is speaking with Barbossa in the Captain's stateroom, Jack takes a bite out of an apple, close to its stem, with the stem at the top. However, in the following shots, particularly when Barbossa and Jack are on deck, the angle, position, and appearance of the bite mark differ between shots. (01:20:25)
Continuity mistake: When Barbossa looks through his telescope at Interceptor, before Jack says, "I'm having a thought..." she's a good distance away from the Pearl and all her sails are out. Then in most of the wide and close-up shots of Interceptor, some of the sails differ at the bow and stern. Sails raised in one shot, are lowered in another, then some raised again and also some are raised but blowing wildly, then in the successive shot, it's down and still. Their proximity varies throughout and there are way too many changes between shots. (01:20:45)
Deliberate mistake: After Barbossa takes the apple from Jack and throws it into the water, the sailing Interceptor is shown. Out on the edge of the bow are two men. One is dressed as Will, but it is neither Orlando nor his body double, Mark. The man behind Will is obviously not one of Jack's crew either. (01:21:15)
Continuity mistake: When the Black Pearl is chasing the Interceptor, we can see Will standing at the end of the bow (front) of the ship. Later in the scene, we see him coming up from below deck, where he has been the entire time. Nobody in Jack's crew resembles or is dressed like Will. (01:21:15 - 01:22:45)
Continuity mistake: Aboard the Interceptor, after Elizabeth lifts the hatch and comes up on deck, Anamaria says, "The Black Pearl. She's gaining on us." In the very next shot of Elizabeth, behind her on deck is the crewman with the tan hat. In the next shot as she looks out towards the Pearl, up at the top of the rigging are two crewmen, one of them is the same crewman that was just on deck in the previous shot. He's the one who stands on Cotton's left in Tortuga when Jack inspects the "able-bodied crew." (01:21:25)
Visible crew/equipment: Elizabeth comes up from below deck and asks, "What's happening?" and Anamaria answers, "The Black Pearl, she's gaining on us." Anamaria is alone at the wheel at the stern of the boat. Elizabeth then steps up and leans over to get a better look at the Pearl. In the next shot, the side of Interceptor can be seen, and in the distance is the Pearl. In this shot, on deck behind the rigging we see a crew member's leg and some other hand movement, it is not Anamaria's nor Gibbs' leg. (01:21:30)
Continuity mistake: When Elizabeth asks, "Well, then can't we lose them amongst those shoals?" in the front shot, her hair is in front of her shoulders and in the side shot, her hair is behind her shoulder, on her back. This occurs many times throughout the film with Elizabeth's loose, long hair - wet and dry, such as on the dock, after Jack rescues her in Port Royal, and after Will rescues her when they board the Interceptor. (01:21:40)
Continuity mistake: When the barrels are being tossed off the Interceptor there is a shot of a crewman in an orange jacket holding a cannonball in his hands and passing it to someone on his left. As the shot pans to the side, behind that crewman that passed the cannonball, we see part of the head of someone and also see Will's shoulder and arm - he just climbed out from below deck. Yet in the very next shot, Will is just coming up from below deck. (Perhaps better in slow motion.) (01:22:40)
Continuity mistake: In the overhead wide shot of the Pearl pursuing the Interceptor they are maybe three boat lengths apart. Before and after they are further apart. In general during that entire pursuit sequence their distances change too rapidly, from nearer to farther away (as seen from either ship towards the other), but that shot shows a particular discrepancy. (01:22:45)
Revealing mistake: In the wide shot of the Black Pearl chasing the Interceptor, because of its sailing speed the flag at the stern of Interceptor is upright and blowing hard into the wind. Aboard the Pearl, when Barbossa looks straight ahead at the 'speeding' Interceptor, the flag is down and not blowing at all. (01:22:55)
Continuity mistake: Anamaria's hat is turned, so the flap is on the side of her face when she says, "It was a good plan. Up till now." In the shots before and after, the flap of her hat is in the front. (01:23:00)
Continuity mistake: When Mr. Gibbs yells, "Load the guns! Case shot and langrage!" Will is behind him in this shot and Will's body is facing towards Anamaria, yet in Will's close-up, his body is facing towards Mr. Gibbs, and just then turns a bit, to face Anamaria and Elizabeth. (01:23:25)
Continuity mistake: As Elizabeth says, "Lower the anchor on the right side," Mr. Gibbs' right white collar is under the leather strap buckled correctly and Will's neck scarf is crooked. In the next shot, when Elizabeth says, "On the starboard side," Mr. Gibbs' leather strap is not buckled properly, his right white collar is over the strap and Will's neck scarf is straight. When Mr. Gibbs says, "Daft like Jack," his white collar is under the strap again and one end of Mr. Gibbs' neck string is much longer than the other end. Also, Will's right white shirt collar is over his vest. Yet when Mr. Gibbs says, "Do it, you gobs..." the ends of Mr. Gibbs' neck string are even and Will's right white collar is under his vest. (01:24:00)
Continuity mistake: When Mr Gibbs shouts what sounds like, "Do it you gobs, or it's you we'll load into the cannons!" while the Region 2 DVD subtitles read "Do it you gobs!" which matches his mouth movements, the Region 1 subtitles say "do it you dogs..." yet his lips clearly form a B not a G. A bizarre difference between versions. (01:24:10)
Continuity mistake: After her anchor is lowered, there's a front shot of Interceptor as it splashes wildly and a crewman that is dressed as Will is seen up on the port side of the rigging. After Elizabeth shouts, "Let go!" the crewman dressed as Will is up on the rigging, but now he's on the starboard side of the rigging. This is not a flipped shot, the sails are different in both shots too. (01:24:25)
Continuity mistake: Being chased by the Pearl, the Interceptor lowers the anchor and it catches a rock. After a few shots on deck the next shot below deck, is of the table with the medallion on it. As the table starts to tip we see the medallion and chain. In the next close-up shot, the chain is lying on the table differently. The chain didn't start to slide between shots, only after the second shot. (01:24:25)
Continuity mistake: When the Interceptor drops its anchor on the right side to surprise the Black Pearl, Barbossa turns to the crew and yells, "Hard to port. Rack the starboard oars." When he says this line, his teeth are either normal, or not nearly as gross as they are in the rest of the movie. [Fixed on Blu-Ray]. (01:24:40)
Revealing mistake: After Barbossa shouts, "They're clubhauling," in the wide shot of Interceptor, the seven men on deck are very obviously not Jack's crew. Even the one dressed as Will does not look like him. (01:24:50)
Answer: On Disc 3, Johnny explains, "Take something as solid as Keith Richards and combine it with Pepé Le Pew... I felt... he would resemble a modern day Rastafarian..." Pepé Le Pew is a Looney Tunes cartoon character, based on Charles Boyer's romantic character, Pepé Le Moko. Pepé Le Pew, however, is a romantic amorous cartoon skunk and he has a huge flaw - his 'odor', which he emits in a grand way.
Super Grover ★