Revealing mistake: Any time when the two girls are in hell's corridors and running around, you see these corridors as stone walls, yet whenever they back up against one of these walls, you can clearly see they are merely rubber sheeting overlayed on a framework as the rubber sheeting bends and contracts very clearly.
Hellbound: Hellraiser II (1988)
1 review
Directed by: Tony Randel
Starring: Ashley Laurence, Doug Bradley, Kenneth Cranham, Clare Higgins, Imogen Boorman
Your rating
Average rating
(3 votes)
While it doesn't quite match its predecessor in terms of originality, director Tony Randel's "Hellbound: Hellraiser II" is in general a slick, satisfying sequel that builds off the first film and expands the mythology of the franchise.
Picking up shortly after the heart-stopping climax of the last movie, "Hellbound" once again follows protagonist Kirsty Cotton as she is pulled into a new conflict when her evil step-mother Julia is brought back from the dead by a devious doctor with ulterior motives. And this time, Kirsty will be forced to enter hell itself in order to complete her journey.
Written by Peter Atkins from a story by series creator Clive Barker, "Hellbound" for the most part does what a good sequel should - it takes familiar elements from the original and expands on them, while also taking the story in something of a new direction. It also appropriately raises the stakes and the scale in order to keep it fresh, and builds up the mythology of the setting and the characters. This includes delving into the backstory of the devilish cenobite Pinhead, who by this time was quickly turning into the series mascot.
Director Randel has a pretty sharp eye for composition and a good sense of pace, crafting a suitably grim experience that should appeal to fans of the first film. It's bleak, inky and grotesque in the way you'd expect from a "Hellraiser" film. And with the exception of only a few scenes that feel slightly hampered by odd choices, it really works for the most part.
And just as the case was in the first film, the cast is a ton of fun. Clare Higgins once again knocks her role out of the park, as other returning actors such as Ashley Laurence and Doug Bradley do very well in their parts. I also have to comment on newcomer Kenneth Cranham as the evil Dr. Channard. This guy almost gives Higgins a run for her money - he is wonderfully evil in a scenery-chewing performance that I just loved. It's a shame that neither he nor Higgins returned for any future films.
The film's faults primarily lay in the occasional sloppiness of the script, and the aforementioned sequences which feel odd and out of place. The story goes that the script had to be hastily rewritten at the last minute after a major cast member bailed, and you can kinda tell. Parts of the second and third acts feel very patchy and don't always add up. It may not be the writer's fault, but it's still a fairly sizeable issue at times. And as I said, Randel does very well for the most part, but there are a few scenes that feel sort-of out of place or abrupt, and thus don't work quite as well as they could have.
But despite those flaws, I think "Hellbound" is still fundamentally a very solid sequel. It's still mostly well-executed. The story is generally solid and interesting. The atmosphere is effective. And the cast is great all around. Is it a perfect sequel? No, not really. But is it a good, serviceable follow-up? Most definitely.
I'm giving it a very solid 4 out of 5.
Channard Cenobite: And to think... I hesitated.
Trivia: Dr. Channard's name in the script was Dr. Malahide. "Channard" is derived from Christiaan Bernard, who performed the world's first successful heart transplant.
Question: Pinhead and the other Cenobites have no memory of their human lives. When Channard is being turned into a Cenobite, how come he still retains his memories?
Answer: Probably because he's fresher than the others.
When Elliot Spencer is being transformed into Pinhead, all memories of his human life are immediately erased. The same thing happens with the other Cenobites.
It never shows how long it took them to lose their former memories. Just that it did.
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Answer: In general, the Channard cenobite seems different from the others. Ex. He seems directly linked to Leviathan through the (rather phallic) stalk/tube. It's entirely possible that his transformation was different all around, and keeping his memory was part of his individual process. Also, there's nothing that necessarily indicates the other cenobites immediately forgot their past lives. It's entirely possible they forgot them over time as they became more acquainted with hell and their new "lives" as "explorers" in the realm of pleasure and pain.
TedStixon